This is a listing of all religious printing in French between 1511 and 1551. Also included are lists of printers, arranged both according to city and alphabetically.

Sermons sur les Livres de Jeremie et des Lamentations

This collection of essays seeks to redefine the discussion of Calvinism's impact on the visual arts through an exploration of Reformed artistic influences in England, France, Switzerland, Germany, Hungary, the Netherlands, and America. 200+ illustrations, many in color.

The first part of this work describes the development of Reformed Worship from 1500-1542. The story begins with liturgical reforms of the Christian Humanists in Alsace, continues through the establishment of the first Protestant worship services in the Swiss cities of Zurich and Basel, joins with the currents of French evangelical thought flowing from Meaux, and finally reaches Geneva with the publication of Calvin's first psalter. Reformed worship is presented as the fruit of an inner-church liturgical renewal movement begun well before the Reformation which was then cultivated by the Rhineland Protestant Reformers. In order that we might be clear about how patristic literature affected this process, we turn next to discover what the Reformers knew about the church fathers. We show evidence of the impressive patristic knowledge of such men as Zwingli, Brucer, Hedio, Oecolampadius, and Calvin. An extensive bibliography of patristic editions known and used by the Reformers concludes the second part of the book. Finally we analyze each element of Reformed worship to show its development and to indicate its scriptural and particularly its patristic roots. The Prayer of Confession, the Prayer of Intercession, the Communion Invocation, and the Benediction are studied to show their liturgical purpose. How the Reformers understood their use of the lectionary, the sermon, psalmody, and hymnody is presented in the light of their understanding of the practice of the ancient church.

The Reformation was one of the defining cultural turning points in Western history, even if there is a longstanding stereotype that Protestants did away with art and material culture. Rather than reject art and aestheticism, Protestants developed their own aesthetic values, which Protestant Aesthetics and the Arts addresses as it identifies and explains the link between theological aesthetics and the arts within a Protestant framework across five-hundred years of history. Featuring essays from an international gathering of leading experts working across a diverse set of disciplines, Protestant Aesthetics and the Arts is the first study of its kind, containing essays that address Protestantism and the fine arts (visual art, music, literature, and architecture), and historical and contemporary Protestant theological perspectives on the subject of beauty and imagination. Contributors challenge accepted preconceptions relating to the boundaries of theological aesthetics and religiously determined art; disrupt traditional understandings of periodization and disciplinarity; and seek to open rich avenues for new fields of research. Building on renewed interest in Protestantism in the study of religion and modernity and the return to aesthetics in Christian theological inquiry, this volume will be of significant interest to scholars of Theology, Aesthetics, Art and Architectural History, Literary Criticism, and Religious History.