Erika cano herrera nació; el 22 de octubre de 1984, en la cuidad de Durango, México. Sus padres fueron María Herrera y Rogelio Cano. La tercera de cinco hijos. A los 15 años es diagnosticada con Lupus, una enfermedad crónico degenerativa. Termina la preparatoria en el año 2002. Estudia la carrera de Matemáticas Aplicadas donde se graduó; como Licenciada a la edad de 21 años. Empieza a descubrir además de los números y ecuaciones, al hombre con sus pasiones, defectos y fantasías en la lectura. En el año del 2007 padece un infarto cerebral. Dejándola hemipléjica. En tres meses logra caminar. Actualmente continúa con su preparación académica. Ciencia, poesía y literatura se encuentran en esta persona.

Un accidente de carretera, del cual sobreviven los padres de dos ninas, cambia el rumbo de la vida de la mas pequena de tres anos, quien se va a vivir con los abuelos maternos. Anos despues, debe ser regresada con sus padres. Esa separacion le afecta emocionalmente, y nadie la ayuda. Ella busca sus propios medios de regresar con sus abuelos, pero muchos de sus intentos son malogrados. Entonces, se aferra a buscar como comprar una bicicleta, segura de que esa es la solucion para cumplir su objetivo. Esa obstinacion por obtener ese artefacto mecanico desencadena eventos inimaginables en su vida. Al fin, cuando lo logra... no te puedes perder con que se encuentra...

Mexico has a rich literary heritage that extends back over centuries to the Aztec and Mayan civilizations. This major reference work surveys more than five hundred years of Mexican literature from a sociocultural perspective. More than merely a catalog of names and titles, it examines in detail the literary phenomena that constitute Mexico's most significant and original contributions to literature. Recognizing that no one scholar can authoritatively cover so much territory, David William Foster has assembled a group of specialists, some of them younger scholars who write from emerging trends in Latin American and Mexican literary scholarship. The topics they discuss include pre-Columbian indigenous writing (Joanna O'Connell), Colonial literature (Lee H. Dowling), Romanticism (Margarita Vargas), nineteenth-century prose fiction (Mario Martín Flores), Modernism (Bart L. Lewis), major twentieth-century genres (narrative, Lanin A. Gyurko; poetry, Adriana García; theater, Kirsten F. Nigro), the essay (Martin S. Stabb), literary criticism (Daniel Altamiranda), and literary journals (Luis Peña). Each essay offers detailed analysis of significant issues and major texts and includes an annotated bibliography of important critical sources and reference works.

"Published with the assistance of the Getty Foundation"--Title page

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals of musical theatre studies and highlights developing global trends in practice and scholarship. Investigating the who, what, when, where, why, and how of transnational musical theatre, The Routledge Companion to Musical Theatre is a comprehensive guide for those studying the components of musical theatre, its history, practitioners, audiences, and agendas. The Companion expands the study of musical theatre to include the ways we practice and experience musicals, their engagement with technology, and their navigation of international commercial marketplaces. The Companion is the first collection to include global musical theatre in each chapter, reflecting the musical’s status as the world’s most popular theatrical form. This book brings together practice and scholarship, featuring essays by leading and emerging scholars alongside luminaries such as Chinese musical theatre composer San Bao, Tony Award-winning star André De Shields, and Tony Award-winning director Diane Paulus. This is an essential resource for students on theatre and performance courses and an invaluable text for researchers and practitioners in these areas of study.