Napoleon’s forces invaded Spain in 1808, but two years went by before they overran the southern region of Andalucía. Situated at the farthest frontier of Napoleon’s “outer empire,” Andalucía remained under French control only briefly—for two-and-a-half years—and never experienced the normal functions of French rule. In this groundbreaking examination of the Peninsular War, Charles J. Esdaile moves beyond traditional military history to examine the French occupation of Andalucía and the origins and results of the region’s complex and chaotic response. Disillusioned by the Spanish provisional government and largely unprotected, Andalucía scarcely fired a shot in its defense when Joseph Bonaparte’s army invaded the region in 1810. The subsequent French occupation, however, broke down in the face of multiple difficulties, the most important of which were geography and the continued presence in the region of substantial forces of regular troops. Drawing on British, French, and Spanish sources that are all but unknown, Esdaile describes the social, cultural, geographical, political, and military conditions that combined to make Andalucía particularly resistant to French rule. Esdaile’s study is a significant contribution to the new field sometimes known as occupation studies, which focuses on the ways a victorious army attempts to reconcile a conquered populace to the new political order. Combining military history with political and social history, Outpost of Empire delineates what we now call the cultural terrain of war. This is history that moves from battles between armies to battles for hearts and minds.

A magisterial history of “Napoleon’s Vietnam”, by the highly acclaimed historian of Spain In this definitive account of the Peninsular War (1808–14), Napoleon’s six-year war against Spain, Ronald Fraser examines what led to the emperor’s devastating defeat against the popular opposition—the guerrillas—and their British and Portuguese allies. As well as relating the histories of the great political and military figures of the war, Fraser brings to life the anonymous masses—the artisans, peasants and women who fought, suffered and died—and restores their role in this barbaric war to its rightful place while overturning the view that this was a straightforward military campaign. This vivid, meticulously researched book offers a distinct and profound vision of “Napoleon’s Vietnam” and shows the reality of the disasters of war: the suffering, discontents and social upheaval that accompanied the fighting. With a new Introduction by Tariq Ali.

The Napoleonic Empire played a crucial role in reshaping global landscapes and in realigning international power structures on a worldwide scale. When Napoleon died, the map of many areas had completely changed, making room for Russia's ascendency and Britain's rise to world power.

John Tone recounts the dramatic story of how, between 1808 and 1814, Spanish peasants created and sustained the world's first guerrilla insurgency movement, thereby playing a major role in Napoleon's defeat in the Peninsula War. Focusing on the army of Francisco Mina, Tone offers new insights into the origins, motives, and successes of these first guerrilla forces by interpreting the conflict from the long-ignored perspective of the guerrillas themselves. Only months after Napoleon's invasion in 1807, Spain seemed ready to fall: its rulers were in prison or in exile, its armies were in complete disarray, and Madrid had been occupied. However, the Spanish people themselves, particularly the peasants of Navarre, proved unexpectedly resilient. In response to impending defeat, they formed makeshift governing juntas, raised new armies, and initiated a new kind of people's war of national liberation that came to be known as guerrilla warfare. Key to the peasants' success, says Tone, was the fact that they possessed both the material means and the motives to resist. The guerrillas were neither bandits nor selfless patriots but landowning peasants who fought to protect the old regime in Navarre and their established position within it. from the book: "That unfortunate war destroyed me; it divided my forces, multiplied my obligations, undermined my morale. . . . All the circumstances of my disasters are bound up in that fatal knot.--Napoleon Bonaparte on the Spanish war

From Napoleon's invasion of Portugal in 1807 to his final defeat at Waterloo, the English theatres played a crucial role in the mediation of the Peninsular campaign. In the first in-depth study of English theatre during the Peninsular War, Susan Valladares contextualizes the theatrical treatment of the war within the larger political and ideological axes of Romantic performance. Exploring the role of spectacle in the mediation of war and the links between theatrical productions and print culture, she argues that the popularity of theatre-going and the improvisation and topicality unique to dramatic performance make the theatre an ideal lens for studying the construction of the Peninsular War in the public domain. Without simplifying the complex issues involved in the study of citizenship, communal identities, and ideological investments, Valladares recovers a wartime theatre that helped celebrate military engagements, reform political sympathies, and register the public’s complex relationship with Britain’s military campaign in the Iberian Peninsula. From its nuanced reading of Richard Brinsley Sheridan's Pizarro (1799), to its accounts of wartime productions of Shakespeare, description of performances at the minor theatres, and detailed case study of dramatic culture in Bristol, Valladares’s book reveals how theatrical entertainments reflected and helped shape public feeling on the Peninsular campaign.