La Gitana and the Lady Bullfighters of Mexico is the thrilling true story of real women matadoras, whose bravery defied tradition and death to take up the cape and sword in the bullrings of Mexico and Latin America in the 1940s and 1950s. With more than 300 actual photos, La Gitana presents the real-life drama of these valiant women -- Gloria Martinez, La Gitana, the gypsy herself, Angelina Medina, and Teresita Andaluz, along with their heroic comadres -- as together they overcame every obstacle that a machismo society and a blood sport dating to Roman times could aim at them. In skillful prose, La Gitana shares the danger, threats, struggles, and triumphs the ladies faced, unfolding their riveting story from formative years and the training they endured -- to their excitement of being lady bullfighters and the adulation they received as maestras. La Gitana takes the reader into their private world, explores the psyches that drove these daredevil ladies into the ring, and reveals the bond that kept them together through one death-defying experience after another in country after country. La Gitana and the Lady Bullfighters of Mexico is a rare reading and visual experience -- of women fighting their way to the very top of a man's business, exhibiting astonishing courage, and prevailing dangerously against all odds. La Gitana says '#metoo' more than 7- years ahead of the game, setting a standard of steely nerve and valor for generations of women to follow.

La Gitana and the Lady Bullfighters of Mexico is the thrilling true story of real women matadoras, whose bravery defied tradition and death to take up the cape and sword in the bullrings of Mexico and Latin America in the 1940s and 1950s. With more than 300 actual photos, La Gitana presents the real-life drama of these valiant women -- Gloria Martinez, La Gitana, the gypsy herself, Angelina Medina, and Teresita Andaluz, along with their heroic comadres -- as together they overcame every obstacle that a machismo society and a blood sport dating to Roman times could aim at them. In skillful prose, La Gitana shares the danger, threats, struggles, and triumphs the ladies faced, unfolding their riveting story from formative years and the training they endured -- to their excitement of being lady bullfighters and the adulation they received as maestras. La Gitana takes the reader into their private world, explores the psyches that drove these daredevil ladies into the ring, and reveals the bond that kept them together through one death-defying experience after another in country after country. La Gitana and the Lady Bullfighters of Mexico is a rare reading and visual experience -- of women fighting their way to the very top of a man's business, exhibiting astonishing courage, and prevailing dangerously against all odds. La Gitana says '#metoo' more than 7- years ahead of the game, setting a standard of steely nerve and valor for generations of women to follow.

Death in the Afternoon is a non-fiction book written by Ernest Hemingway about the ceremony and traditions of Spanish bullfighting, published in 1932. The book provides a look at the history and what Hemingway considers the magnificence of bullfighting. It also contains a deeper contemplation on the nature of fear and courage. While essentially a guide book, there are three main sections: Hemingway's work, pictures, and a glossary of terms.

How did flamenco—a song and dance form associated with both a despised ethnic minority in Spain and a region frequently derided by Spaniards—become so inexorably tied to the country’s culture? Sandie Holguín focuses on the history of the form and how reactions to the performances transformed from disgust to reverance over the course of two centuries. Holguín brings forth an important interplay between regional nationalists and image makers actively involved in building a tourist industry. Soon they realized flamenco performances could be turned into a folkloric attraction that could stimulate the economy. Tourists and Spaniards alike began to cultivate flamenco as a representation of the country's national identity. This study reveals not only how Spain designed and promoted its own symbol but also how this cultural form took on a life of its own.

A transnational history of the performance, reception, translation, adaptation and appropriation of Bizet's Carmen from 1875 to 1945. This volume explores how Bizet's opera swiftly travelled the globe, and how the story, the music, the staging and the singers appealed to audiences in diverse contexts.

Mixing the lyrical with the colloquial, the tender with the tough, Ana Castillo has a deserved reputation as one of the country’s most powerful and entrancing novelists, but she began her literary career as a poet of uncompromising commitment and passion. My Father Was a Toltec is the sassy and street-wise collection of poems that established and secured Castillo's place in the popular canon. It is included here in its entirety along with the best of her early poems. Ana Castillo’s poetry speaks—in English and Spanish—to every reader who has felt the pangs of exile, the uninterrupted joy of love, and the deep despair of love lost.

Under normal circumstances, they never would have met. Andrés is a wealthy Spaniard, Diego a poor Gypsy, Rajiv an Indian immigrant. On a dark road oustide the city of Seville, the lives of these three men come crashing together. One man's anger leads to an unthinkable act; another's grief threatens both his sanity and his safety, while the third man binds them all together, even as he struggles to find his own way. The choices they make ripple outward, throwing not only their lives, but an entire city, into turmoil and change.