La vida se compone de una sucesión de instantes muy bien entrelazados a través del tiempo y del espacio, y si permitimos que esos instantes se desvanezcan sin vivirlos, disfrutarlos, estaremos perdiendo la esencia de la vida. El futuro se convierte en presente, y el presente se convierte en pasado con una rapidez extraordinaria. Si no despertamos nuestra conciencia y aprendemos a vivir esos instantes, la vida se escurrirá entre nuestros dedos sin haberla disfrutado. El libro Instantes te hace reflexionar y te ayuda a tomar las riendas de tu vida antes de que el presente se esfume para siempre.

An exploration of the Zapatista project, from its conception to the present. On the thirtieth anniversary of the Mayan Indigenous uprising in Chiapas, The Zapatista Experience reconstructs the trajectory of the Zapatista struggle over the last three decades, both in its concrete achievements and in its contributions to the renewal of critical and antisystemic thinking. The Zapatista rebellion has become a reference and source of inspiration for many struggles around the world due to its major contribution in reformulating a credible and desirable path to emancipation, a path that broke with previously dominant conceptions: state-centric, productivist, Eurocentric, modernist, and patriarchal. Baschet demonstrates how the Zapatistas have succeeded in materializing, on a massive scale, the concrete experience of another way of living, a forerunner of possible emerging worlds. The autonomous rebel territories of Chiapas are among the most developed and radical of the "real utopias" that exist in the world today, exceptional in their experiments in self-governance and anti-State political form, argues Jérôme Baschet. The Zapatista Experience orients readers in the profusion of Zapatista writings concerning, for example, the elaboration of a different understanding of politics, the Zapatistas' planetary conjunctural analysis of capitalism as a total war against humanity, their conception of Indigeneity that breaks with both modernist individualism and identity politics, and their notion of time and history. All this in clear opposition to neoliberal capitalism.

Filmmaker Lourdes Portillo sees her mission as "channeling the hopes and dreams of a people." Clearly, political commitment has inspired her choice of subjects. With themes ranging from state repression to AIDS, Portillo's films include: Después del Terremoto, the Oscar-nominated Las Madres: The Mothers of the Plaza de Mayo,La Ofrenda: The Days of the Dead,The Devil Never Sleeps, and Corpus: A Home Movie for Selena. The first study of Portillo and her films, this collection is collaborative and multifaceted in approach, emphasizing aspects of authorial creativity, audience reception, and production processes typically hidden from view. Rosa Linda Fregoso, the volume editor, has organized the book into three parts: interviews (by Fregoso and Kathleen Newman and B. Ruby Rich); critical perspectives (essays by Fregoso, Yvonne Yarbro-Bejarano, Sylvie Thouard, Norma Iglesias, and Barbara McBane); and production materials (screenplays, script notes, storyboards, etc.). This innovative collection provides "inside" information on the challenges of making independent films. By describing the production constraints Portillo has surmounted, Fregoso deepens our appreciation of this gifted filmmaker's life, her struggles, and the evolution of her art.

En esta segunda novela Valentín Mendoza pone en juego nuevos recursos de sus naturales dotes de narrador de largo aliento. Esta vez el autor nos conduce de la mano a través de una galería de tipos humanos y de eventos cargados de fuerte trascendencia social. Sin embargo, el dibujo de los personajes y de sus circunstancias es tan delicado y sutil que en ningún momento percibe el lector el asomo de la ideología en que se apoya la tesis que justifi ca la construcción del relato. Vale destacar el papel que juegan las mujeres en la confi guración de la historia y muy en particular, la fe en la nobleza del espíritu humano.

The first comprehensive analysis of the novels of prominent contemporary Spanish writer and educator Josefina Aldecoa. Josefina Aldecoa, in her treatment of themes such as a woman's place in society under and after dictatorship, mother-daughter relationships, war, and memory, confirmed her unique role as a contemporary novelist concerned with women's identity in Spain and as a writer of the mid-century generation ('los niños de la guerra'). The first volume of her trilogy, Historia de una maestra, was one of the earliest narratives of historical memory to beproduced in Spain. In this sense, Aldecoa's work anticipated new developments in gender studies, such as the intersection of feminist concerns and cultural memory. This book offers a comprehensive examination of Aldecoa's trajectory as a novelist, from La enredadera to Hermanas, centring on her primary preoccupations of gender and memory, arguing that Aldecoa's fiction offers a new, more complex understanding of women's identity than previously understood. The work combines the two dominating theoretical components of feminism and cultural memory with close textual analysis of Aldecoa's narratives. Her novels highlight the importance of the details of women's daily experiences and struggles throughout the twentieth century, a period of significant socio-political upheaval and change in Spain's history. NUALA KENNY teaches Spanish at the National University of Maynooth, Ireland.