A Delight Story Irresistible Deliciously Intimate Two Brothers http://www.labellevie-twobrothers.com/

Ten years ago, Janine Marsh decided to leave her corporate life behind to fix up a run-down barn in northern France. This is the true story of her rollercoaster ride.

From Attica Locke, a writer and producer of FOX’s Empire: “The Cutting Season is a rare murder mystery with heft, a historical novel that thrills, a page-turner that makes you think. Attica Locke is a dazzling writer with a conscience.”—Dolen Perkins-Valdez, New York Times bestselling author of Wench After her breathtaking debut novel, Black Water Rising, won acclaim from major publications and respected crime fiction masters like James Ellroy and George Pelecanos, Locke returns with The Cutting Season, a second novel easily as gripping and powerful as her first—a heart-pounding thriller that interweaves two murder mysteries, one on Belle Vie, a historic landmark in the middle of Lousiana’s Sugar Cane country, and one involving a slave gone missing more than one hundred years earlier. Black Water Rising was nominated for a Los Angeles Times Book Prize, an Edgar® Award, and an NAACP Image Award, and was short-listed for the Orange Prize in the U.K.

A systemic analysis of anti-Black racism in the work of political philosopher Hannah Arendt. While acknowledging Hannah Arendt’s keen philosophical and political insights, Kathryn T. Gines claims that there are some problematic assertions and oversights regarding Arendt’s treatment of the “Negro question.”Gines focuses on Arendt’s reaction to the desegregation of Little Rock schools, to laws making mixed marriages illegal, and to the growing civil rights movement in the south. Reading them alongside Arendt’s writings on revolution, the human condition, violence, and responses to the Eichmann war crimes trial, Gines provides a systematic analysis of anti-black racism in Arendt’s work. “Hannah Arendt: political progressive and committed anti-racist theorist? Think again. As Kathryn Gines makes inescapably clear, for Arendt the “Negro” was the problem, whether in the form of savage “primitives” inseparable from Heart-of-Darkness Africa, social climbers trying to get their kids into white schools, or unqualified black university students dragging down academic standards. [Gines’s] boldly revisionist text reassesses the German thinker’s categories and frameworks.” —Charles W. Mills, Northwestern University “Takes on a major thinker, Hannah Arendt, on an important issue—race and racism—and challenges her on specific points while raising philosophical and methodological shortcomings.” —Richard King, Nottingham University “Gines carefully moves through Arendt scholarship and Arendt’s texts to argue persuasively that explicit discussions of the “Negro question” point up the limitations of her thinking.” —Kelly Oliver, Vanderbilt University “Gines has delivered an intellectually challenging book, that presents one of the most important figures in Western philosophy of the 2nd half of the 20th century in a different and, perhaps, somewhat less favorable perspective.” —Philosophia “Offers a wealth of research that will be valuable to scholars and graduate students interested in how racial bias operates in Arendt’s major works. Gines’s writing style is lucid and to the point, and her engagement with secondary sources is comprehensive.” —Hypatia

“In this entertaining academic history of these rival magazines, Mesch . . . explores the emergence of the working woman in France.” —Publishers Weekly At once deeply historical and surprisingly timely, Having It All in the Belle Epoque shows how the debates that continue to captivate high-achieving women in America and Europe can be traced back to the early 1900s in France. The first two photographic magazines aimed at women, Femina and La Vie Heureuse created a female role model who could balance age-old convention with new equalities. Often referred to simply as the “modern woman,” this captivating figure embodied the hopes and dreams as well as the most pressing internal conflicts of large numbers of French women during what was a period of profound change. Full of never-before-studied images of the modern French woman in action, Having It All shows how these early magazines exploited new photographic technologies, artistic currents, and literary trends to create a powerful model of French femininity, one that has exerted a lasting influence on French expression. This book introduces and explores the concept of Belle Epoque literary feminism, a product of the elite milieu from which the magazines emerged. Defined by its refusal of political engagement, this feminism was nevertheless preoccupied with expanding women’s roles, as it worked to construct a collective fantasy of female achievement. Through an astute blend of historical research, literary criticism, and visual analysis, Mesch’s study of women’s magazines and the popular writers associated with them offers an original window onto a bygone era that can serve as a framework for ongoing debates about feminism, femininity, and work-life tensions

Further adventures on life in a small French town from Susan Loomis, cookery book writer and author of On Rue Tatin. On Rue Tatin was a delightful discovery, and every reader asked for more. The life on Rue Tatin seemed like a dream fulfilled. Now in Tarte Tatin, Susan Loomis shares with us how she, her husband and two children settled into life in a small French town, learnt about their neighbours and how to be accepted as inhabitants of the town. With her son going to a French school and her husband finding work in the town, Susan Loomis discovers the joys of the French lifestyle - the markets and the food in particular - but also some of the difficulties, particularly for those who are not born French. The creation of the long dreamt-of cookery school is a story of great appeal - everyone who has ever thought of starting their own small business will enjoy the ups and downs of their enterprise, and long to go to Rue Tatin.

In 1995, Texas Historical Commission underwater archaeologists discovered the wreck of La Salle’s La Belle, remnant of an ill-fated French attempt to establish a colony at the mouth of the Mississippi River that landed instead along today’s Matagorda Bay in Texas. During 1996–1997, the Commission uncovered the ship’s remains under the direction of archaeologist James E. Bruseth and employing a team of archaeologists and volunteers. Amid the shallow waters of Matagorda Bay, a steel cofferdam was constructed around the site, creating one of the most complex nautical archaeological excavations ever attempted in North America and allowing the archaeologists to excavate the sunken wreck much as if it were located on dry land. The ship’s hold was discovered full of everything the would-be colonists would need to establish themselves in the New World; more than 1.8 million artifacts were recovered from the site. More than two decades in the making, due to the immensity of the find and the complexity of cataloging and conserving the artifacts, this book thoroughly documents one of the most significant North American archaeological discoveries of the twentieth century.