The unforgettable memoir of 70 years of contemporary and personal history from the great French filmmaker, journalist and intellectual Claude Lanzmann Born to a Jewish family in Paris, 1925, Lanzmann's first encounter with radicalism was as part of the Resistance during the Nazi occupation. He and his father were soldiers of the underground until the end of the war, smuggling arms and making raids on the German army. After the liberation of France, he studied philosophy at the Sorbonne, making money as a student in surprising ways (by dressing as a priest and collecting donations, and stealing philosophy books from bookshops). It was in Paris however, that he met Jean-Paul Sartre and Simone de Beauvoir. It was a life-changing meeting. The young man began an affair with the older de Beauvoir that would last for seven years. He became the editor of Sartre's political-literary journal, Les Temps Modernes—a position which he holds to this day—and came to know the most important literary and philosophical figures of postwar France. And all this before he was 30 years old. Written in precise, rich prose of rare beauty, organized—like human recollection itself—in interconnected fragments that eschew conventional chronology, and describing in detail the making of his seminal film Shoah, The Patagonian Hare becomes a work of art, more significant, more ambitious than mere memoir. In it, Lanzmann has created a love song to life balanced by the eye of a true auteur.

This is a book about readers on the move in the age of Victorian empire. It examines the libraries and reading habits of five reading constituencies from the long nineteenth century: shipboard emigrants, Australian convicts, Scottish settlers, polar explorers, and troops in the First World War. What was the role of reading in extreme circumstances? How were new meanings made under strange skies? How was reading connected with mobile communities in an age of expansion? Uncovering a vast range of sources from the period, from diaries, periodicals, and literary culture, Bill Bell reveals some remarkable and unanticipated insights into the way that reading operated within and upon the British Empire for over a century.

In 1933, when she is ten, Berliner Inge Deutschkron learns that she is a Jew. At first her family is at greater risk for their leftist politics than because they are Jews. Her father flees to England; Inge and her mother hide in plain sight as non-Jews, dependent on the underground network for their survival, in constant danger of discovery or betrayal. Otto Weidt employed Inge in the office of his workshop for the blind. Toward the end of the war, Inge and her mother manage to leave Berlin, and eventually emigrate to England. Inge Deutschkron became an Israeli citizen and an editor of Maariv. "One of the greatest successes of German memoir literature" - Andreas Platthaus, Frankfurter Allgemeine ..". invaluable as testimony of the war years of one of Berlin's 12,000 surviving Jews." - Kirkus Reviews "[A] simple and charming memoir by a Jewish woman of how she survived as a girl in her late teens in wartime Berlin... Unsentimental, resilient and aware that luck can make all the difference, Inge Deutschkron... has remained a true Berliner." - Istvan Deak, The New York Review of Books

Groundbreaking analyses of the vast archive of newly digitized and released outtakes from Lanzmann's masterwork.