In Hawaii an exciting tradition of local drama is reaching new audiences with plays that deal directly, often humorously, with life in this polychrome island state. The eight plays collected in this anthology celebrate the spirit of that tradition and offer an uninhibited feast for the ear — local language as it is spoken in contemporary Hawaii. In style and subject matter, the plays fall naturally into pairs: Ashes and Reunion are realistic dramas about problems of identity among the Japanese in Hawaii; Oranges Are Lucky and All Brand New Classical Chinese Theater add a touch of surrealism to their treatment of Chinese Americans; In the Alley and Paradise Tours depict the urbanized pressures of jet-age Hawaii at odds with older rhythms of life; and the last two plays, although written for a contemporary audience, draw on classical models- The Travels of Heikiki follows the structure of the historical pageant play, and the hugely popular Twelf Nite O Wateva! is a pidgin adaptation of Shakespeare’s play. Carroll’s introduction is a pioneering essay on the development of local drama that outlines the historical and theatrical context of these plays. The book is complete with a glossary of the pidgin words that appear in five of the eight plays.

Contemporary Plays by Women of Color is a ground-breaking anthology of eighteen new and recent works by African American, Asian American, Latina American and Native American playwrights. This compelling collection includes works by award-winning and well-known playwrights such as Anna Deavere Smith, Cherrie Moraga, Pearl Cleage, Marga Gomez and Spiderwoman, as well as many exciting newcomers. Contemporary Plays by Women of Color is the first anthology to display such an abundance of talent from such a wide range of today's women playwrights. The plays tackle a variety of topics - from the playful to the painful - and represent numerous different approaches to playmaking. The volume also includes: * an invaluable appendix of published plays by women of color * biographical notes on each writer * the production history of each play Contemporary Plays by Women of Color is a unique resource for practitioners, students and lovers of theatre, and an inspiring addition to any bookshelf.

Synopsis: What compels people to cross mountains and seas to another country, another continent, and another culture to find their true selves? What are the journeys we take to find home and belonging? In JUNE IS THE FIRST FALL, Don, a gay Chinese man, returns home to Hawaii to rediscover missing memories of himself and his family that he moved away from. His week-long stay opens wounds with his father and sister that never healed, aggravating Don's struggle to find love and belonging in his life. Cast Size: 3 Males, 2 Females

The Routledge Handbook of Pidgin and Creole Languages offers a state-of-the-art collection of original contributions in the area of Pidgin and Creole studies. Providing unique and equal coverage of nearly all parts of the world where such languages are found, as well as situating each area within a rich socio-historical context, this book presents fresh and diverse interdisciplinary perspectives from leading voices in the field. Divided into three sections, its analysis covers: Space and place – areal perspective on pidgin and creole languages Usage, function and power – sociolinguistic and artistic perspectives on pidgins and creoles, creoles as sociocultural phenomena Framing of the study of pidgin and creole languages – history of the field, interdisciplinary connections Demonstrating how fundamentally human and natural these communication systems are, how rich in expressive power and sophisticated in their complexity, The Routledge Handbook of Pidgin and Creole Languages is an essential reference for anyone with an interest in this area.

In the late nineteenth century, Asian American drama made its debut with the spotlight firmly on the lives and struggles of Asians in North America, rather than on the cultures and traditions of the Asian homeland. Today, Asian American playwrights continue to challenge the limitations of established theatrical conventions and direct popular attention toward issues and experiences that might otherwise be ignored or marginalized. While Asian American literature came into full bloom in the last 25 years, Asian American drama has yet to receive the kind of critical attention it warrants. This reference book serves as a versatile vehicle for exploring the field of Asian American drama from its recorded conception to its present stage. Included are alphabetically arranged entries for 52 Asian American dramatists of origins from India, Pakistan, Vietnam, the Philippines, Japan, Korea, and China. Each entry includes relevant biographical information that contextualizes the works of a playwright, an interpretive description of selected plays that spotlights recurring themes and plots, a summary of the playwright's critical reception, and a bibliography of primary and secondary works. The entries are written by expert contributors and reflect the ethnic diversity of the Asian American community. The volume closes with a selected, general bibliography, which includes anthologies, scholarly studies, and periodicals.

Hawaii Nei brings together three plays by one of Hawaii's finest playwrights. A compassionate portrait of early nineteenth- century Hawaii, "The Conversion of Kaahumanu" charts the lives of five women during the traumatic, transforming events that followed Western contact. Set in post-World War II Hawaii, "Emmalehua" tells the story of a young Hawaiian woman struggling to preserve a cherished cultural heritage in a world eager to forget the past and embrace the new American dream. Through history, humor, and a whodunnit plot, the past and present collide in "Ola Na Iwi," which explores the issues surrounding the treatment of indigenous human remains.

When an American college basketball team travels to Beijing for a "friendship" game in the post-Cultural Revolution 1980s, both countries try to tease out the politics behind this newly popular sport. Cultures clash as the Chinese coach tries to pick up moves from the Americans and Chinese-American player Manford spies on his opponents. Inspired by events in her own father's life, Yee "applies a devilishly keen satiric eye to...her generation (and its parents)." (from publisher's website)