by Alfred Bekker The size of this book corresponds to 120 paperback pages. Harry Kubinke and Rudi Meier investigate a case in which a cat has photographed a dead body with a camera. Not only is the witness unusual, but the body remains untraceable at first. However, one by one the witnesses die. Kubinke and Meier investigate at full speed... Alfred Bekker is a well-known author of fantasy novels, crime thrillers and books for young people. In addition to his major book successes, he has written numerous novels for suspense series such as Ren Dhark, Jerry Cotton, Cotton reloaded, Kommissar X, John Sinclair and Jessica Bannister. He has also published under the names Neal Chadwick, Henry Rohmer, Conny Walden and Janet Farell .

by Alfred Bekker A gang war among drug dealers in Marseille calls Commissaire Marquanteur and the FoPoCri special unit onto the scene. Unwelcome witnesses are eliminated by a professional killer. When lawyers involved are also killed, the search is intensified, but the killer is skillful. However, he has one unique feature that the manhunt focuses on - very small feet.

Who doesn't remember Kevin Keegan's haircut? Or David Seaman's? Or David Beckham's latest...'

The urge to autobiography reveals itself every day, in the stories we tell about ourselves. Literary autobiography is the most highly developed form of this universal activity of self-promotion, a kind of writing practised in the west over many centuries. In this major study of the western tradition, John Sturrock analyses the means by which more than twenty of the greatest literary autobiographers have gone about their task. The book concentrates on the productive tension between the writer's will to singularity and the autobiographical act itself, which restores by conventional and rhetorical means the harmony between the writer and a community of readers. By attending closely and sceptically to the truth-claims made by autobiographers from Augustine through Rousseau and Darwin to Sartre and Michel Leiris, Sturrock establishes some of the deep, hidden continuities of autobiographical writing, and shows how artful and self-conscious this supposedly most sincere of literary genres can be.

"Fields of Plenty is the memoir of respected farmer, writer, and photographer Michael Ableman as he and his son travel from his own farm in British Columbia across the United States in search of innovative and passionate farmers who are making a difference in what we eat and how we experience food. From California to New York, this story captures the essence of each farmer's vision, the spirit of the land that they work, and the beauty and flavors of the foods that they lovingly produce. Ableman's odyssey takes him to a melon grower who is "militant about flavor," sheep-cheese producers who have built their own culturing caves, an urban farmer growing heirloom tomatoes for market on abandoned lots, and others who are trying to answer the complex questions of sustenance philosophically and, most important, practically." "Fields of Plenty is a hopeful memoir that reveals the larger issues of food in a modern world. Illustrated with Ableman's photographs and flavored with recipes that feature each farmer's bounty, Fields of Plenty is an intimate portrait of food and agriculture at a critical crossroads."--BOOK JACKET.

Mario Bava’s Blood and Black Lace (1964) is commonly considered the archetypal giallo. This book examines its main narrative and stylistic aspects, including the groundbreaking prominence of violence and sadism and its use of color and lighting, as well as Bava’s irreverent approach to genre and handling of the audience’s expectations.