As parents on Long Island in the 1980s Victor and Linda DiCara were typical; their son was not. Follow their struggles as young Vic sets out on a spiritual quest that takes him through Straightedge and Hardcore punk music, Hare Krishna conversion and close encounters with death in India. You will feel their pain as the family unit unravels. You will share their triumph when their journey in this life converges in joy. You will believe in Love. Vic DiCara (aka Vraja Kishor) has written about this same journey from his perspective in his book titled Train Wrecks & Transcendence. This is a unique opportunity to experience a compelling story from both sides.

Hardcore, Punk, and Other Junk: Aggressive Sounds in Contemporary Music, edited by Eric James Abbey and Colin Helb,is a collection of writings on music that is considered aggressive throughout the world. From local underground bands in Detroit, Michigan to bands in Puerto Rico or across Europe, this book demonstrates the importance of aggressive music in our society. While other volumes seek to denigrate or put down this type of music, Hardcore, Punk, and Other Junk forces the audience to re-read and re-listen to it. This category of music includes all forms that could be considered offensive and/or move the audience to become aggressive in some way. The politics and values of punk are discussed alongside the emerging popularity of metal and extreme hardcore music. Hardcore, Punk, and Other Junk is an important contribution to the newest discussions on aggressive music throughout the world.

The heartfelt memoir of Ray Raghunath Cappo, a legendary hardcore punk musician-turned-monk—and pioneer of the straight-edge movement—told with warmth, candor, and humor. Ray Cappo was a hardcore punk singer and pioneer of the straight-edge movement living on the Lower East Side of New York City in the ’80s, where his band Youth of Today played to packed clubs and touched thousands of people across the globe. But despite the accolades from fans, the popularity of his records, and the positivity he’d brought to the punk music scene, none of this success gave Ray joy. He felt stagnant, and he yearned for something more. This, along with his father’s untimely death, led him to abruptly quit the band and buy a one-way ticket to India in pursuit of the answers to life’s great mysteries. Living as a monk in the sacred city of Vrindavan and traveling across the country on a series of train trips, Ray embraced the rich, spiritual culture he discovered there. As his unusual adventure unfolded, he encountered extraordinary characters, witnessed deep acts of devotion, and experienced profound moments of divine connection, leading to a radical transformation that was ego-crushing and blissful all at once. Inspired to write music again, Ray returned to the US, where he and other monks founded Shelter, a band dedicated to spreading a message of faith, hope, and love. Told with warmth, candor, and humor, this heartfelt memoir chronicles Ray’s emotional and spiritual journey from punk to monk and beyond.

When it began, punk was an underground revolution that raged against the mainstream; now punk is the mainstream. Tracing the origins of Grammy-winning icons Green Day and the triumphant resurgence of neo-punk legends Bad Religion through MTV's embrace of pop-punk bands like Yellowcard, music journalist Matt Diehl explores the history of new punk, exposing how this once cult sound became a blockbuster commercial phenomenon. Diehl follows the history and controversy behind neo-punk—from the Offspring's move from a respected indie label to a major, to multi-platinum bands Good Charlotte and Simple Plan's unrepentant commercial success, through the survival of genre iconoclasts the Distillers and the rise of "emo" superstars like Fall Out Boy. My So-Called Punk picks up where bestselling authors Legs McNeil and Jon Savage left off, conveying how punk went from the Sex Pistol's "Anarchy in the U.K." to anarchy in the O.C. via the Warped Tour. Defining the sound of today's punk, telling the stories behind the bands that have brought it to the masses and discussing the volatile tension between the culture's old and new factions, My So-Called Punk is the go-to book for a new generation of punk rock fans.

From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.

If you are a sincere church leader or a committed church member, you’re probably tired of easy steps, easy answers, and facile formulas for church health, growth, and renewal. You know it’s not that easy. In The Church on the Other Side, you’ll find something different: honest, clear, and creative thinking about our churches, along with a passionate challenge to thoughtful action and profound, liberating change. In understandable language, with an energetic and engaging writing style, and drawing from daily, down-to-earth pastoral experience, Brian McLaren offers thirteen strategies for navigating the modern/postmodern transition. You’ll learn the critical distinctions between renewed, restored, and reinvented churches. You’ll discover the importance of redefining your mission, of finding fresh ways to conceive of and communicate the Gospel, and of entering the postmodern world by understanding it, engaging it, and debugging your faith from modern 'viruses.' McLaren believes we are in an epochal sea-change, perhaps even more significant than the last great cultural transition about 500 years ago, when the world crossed over from the medieval to the modern era. He believes that today’s breakthroughs in communications, education, travel, cultural diversity, science, economics, politics, and philosophy are combining to create a new matrix in which Christians will live, worship, work, and pursue our mission. 'We are exploring off the map,' writes Brian McLaren, 'looking into mysterious territory beyond our familiar world on this side of the boundary between modern and postmodern worlds.' Even if you’ve read this book’s first edition, Reinventing Your Church, you’ll find enough new and revised material here to warrant a second purchase. And if you’re encountering these concepts for the first time, you’ll find wise guidance to help you and your church begin the journey toward the other side of the postmodern divide. You’ll learn to think differently, see church, life, and these revolutionary times in a new way, and act with courage, hope, and an adventurous spirit.

When the basic conceptions of the world held by whole generations in the West are formed by popular culture, and in particular by the music that serves as its soundtrack, can theology remain unchanged? The authors of the essays in this important volume insist that the answer is no. These gifted theologians help readers make sense of what happens to religious experience in a world heavily influenced by popular media culture, a world in which songs, musicians, and celebrities influence our individual and collective imaginations about how we might live. Readers will consider the theological relationship between music and the creative process, investigate ways that music helps create communities of heightened moral consciousness, and explore the theological significance of songs. Contributors to this fascinating collection include: David Dalt Maeve Heaney Daniel White Hodge Michael J. Iafrate Jeffrey F. Keuss Mary McDonough Gina Messina-Dysert Christian Scharen Myles Werntz Tom Beaudoin is associate professor of theology at Fordham University, specializing inpractical theology. His books include Witness to Dispossession: The Vocation of a Postmodern Theologian; Consuming Faith: Integrating Who We Are with What We Buy; and Virtual Faith: The Irreverent Spiritual Faith of Generation X. He has given nearly 200 papers, lectures, or presentations on religion and culture over the last thirteen years. He has been playing bass in rock bands since 1986 and directs the Rock and Theology Project for Liturgical Press (www.rockandtheology.com). "