The great Lord, the Flautist, Krishna has come down to kiss us. We cover our cheeks with our hands. We do not want His kiss. We want something else - an I-phone, a larger house, promotion, pay hike -oh it's a long list. Lord Krishna gave Bhagavad Gita to us only to prepare us for His kiss. The kind Lord almost whispered Bhagavad Gita in your ears. Why? Only to remove your hands from your cheeks. So that He can kiss you with His beautiful lips. I beg of you dears, please, remove your hands. Once you taste His kiss everything else in the world will be insipid. And that kiss can even transform an ugly frog into a handsome prince. But once you taste that kiss you will never want to become a prince. You will rather be a frog living in filth, waiting for that kiss for all eternity The name Bhagavad Gita has been translated as "The Divine Song." Or "The Song Celestial." Or as “The Song of Love" Personally I will prefer to translate it as “Krishna's Kiss." Can you think of something better? "This is not a religious book; but a book that will usher in a new religion, a religion of love." - Lalitha Shivaguru, Reviewer

Singing Krishna introduces Paramānand, one of north India's greatest medieval poet-saints, whose poetry has been sung from the sixteenth century to the present in ritual service to the Hindu deity Krishna. A. Whitney Sanford examines how hearing Paramānand's poetry in ritual context serves as a threshold for devotees between this world and Krishna's divine world. To "see Krishna" is a primary goal of the devotee, and Paramānand deftly constructs a vision through words. Sanford employs the dual strategies of interpreting Paramānand's poems—which sing the cycles of Krishna's activities—and illustrating the importance of their ritual contexts. This approach offers insight into the nature of the devotional experience that is not accessible by simply studying the poetry or rituals in isolation. Sanford shows that the significance of Paramānand's poetry lies not only in its beauty and historical importance but finally in its capacity to permit the devotee to see through the ephemeral world into Krishna's world.

The collection of stories in Krishna’s Jaunt and Other Stories is a blend of fiction and fantasy. While most of them deal with human emotions and human reactions to different sets of circumstances and situations, quite a few deal with gods and goddesses who also, despite their supernatural powers, display human emotions and reactions. At times, they too commit blunders that lead to hilarious situations. Besides, the gods and goddesses take to sports like cricket and soccer, and a couple of stories are woven around them. Animals like the dog and the squirrel too find a place in the stories where they play vital roles in apprehending criminals. Amongst the stories, are a few involving men of high principles, and who are a role model for others. With romance being the main theme in most of them, and with humour interspersed here and there, the stories make for an interesting read.

Stories about Krishna are told all over India, and his particular appeal is vividly captured by this collection. Krishna has always been a favourite with children, who have for centuries enjoyed the exciting and dramatic adventures of this brave and handsome young god. He was born to fight evil and help the good, but behaved too like any other child, being naughty and cheeky, and often getting into trouble. Krishna lived life on a grand scale, battling with demons and monsters of all kinds; yet he also stole butter and teased village girls. Marilyn Heeger's illustrations highlight the rich variety of events in the young god's life, and the stories will help children to understand the differences between good and evil. The rhythm and beauty of these tales will surely delight both young and old.

Nasir Zaidi in his book, Om: The Timeless Sound, signifies the essence of ultimate reality. He talks about Krishna’s consciousness – an awareness of / affection for the Supreme Person. This awareness is the culmination of all forms of yoga, knowledge, meditation and spirituality, freeing us from all negativity and making us spiritually ecstatic. Om is not a word but an intonation, which, like music, transcends the barriers of age, race, culture and even species. It is made up of three Sanskrit letters, aa, au and ma, which, when combined, make the sound ‘Aum’ or ‘Om’. Everything originates from Om – the Gayatri Mantra, the Vedas, the Upanishads, the Vedanta and the Srimad Bhagavatam. So, our quest for Sri Krishna also begins with Om. Nasir Zaidi has admirably articulated in his verses that Om denotes Krishna. The more one reads Om: The Timeless Sound, the more one understands and internalises the power of Om. The chanting, resonance and vibrations that run through the body help one come closer to the Supreme Personality of Godhead. Dr. Amee Trivedi – Vora

This book recounts the legendary love story of Chandidas and Rami, 14th-century Bengalis. He is a young Brahmin priest who renounces his caste status to become an heretical poet-musician wandering the byways of India with a small band of mystics and bards. Rami is a beautiful 20-year-old widow, of low caste, living with her two children. To survive, she washes the clothes of local villagers. An overwhelming magnetism of love and fate compels them to come together against prevailing religious and social customs. Rami leaves all of her familiar world behind to travel, sing and praise the Divine with her beloved Chandidas, along the dusty roads of Bengal. Krishna’s Heretic Lovers is an historical romance that blends fiction and fact, love and sex, action and spiritual teachings, politics, and true characters with the authentic poetry written by the revered poet Chandidas (later known as the “Father of Bengali poetry”). The synthesis of these elements, together with rare insight into the practices of a genuine tantric sect, creates an unforgettable alchemy for readers. Vivid descriptions of cultural and natural environments along with richly detailed characters capture the religion, politics, and lifestyle of the late 14th /early 15th century of remote Bengali villages. The reader is transported into an era when the basic human freedom to create, love, and worship based on one’s natural impulse had to be carved from the stone of rigid hierarchical, even feudal, societal and religious structures. Thanks to Mary Angelon Young, Chandidas and Rami live again to sing the glories of Krishna and Radha to a new audience. Victory to the Divine Couple! —Dr. Robert Svoboda, author of Mysticism in the 21st Century and Aghora: At the Left Hand of God. A BOOK FOR STUDENTS OF COMPARATIVE RELIGION, OR ANYONE FASCINATED WITH EASTERN TRADITIONS, ESPECIALLY THOSE YEARNING FOR A LOVE STORY THAT INCLUDES SPIRITUAL TEACHINGS (DHARMA) AND SCHOLARSHIP.