The intent and purpose of this book is to successfully gather and present the authentic messages of the two Kremansk prophets, Milosh and Mitar Tarabic, as they told them. Born in a remote mountain village of Kremno, beneath the mountain Tara, these two humble illiterate peasants had practically no elementary knowledge of history or geography. They were nevertheless able to foretell all the important events occurring in the nineteenth century during which they lived, as well as events not occurring until the twentieth century. They also had messages pertaining to the events that are yet to happen in the distant future. They didn't speak in riddles as other prophets did. They never made it a dilemma about what would happen, or even when or how. Their messages were timely, precise and chronologically correct. The Tarabics received their messages from an unknown source. Their Godfather, the priest, Zachary Zacharic, preserved them by writing them down. The process was long and tedious and it took years to gather them. The manuscripts had originally been hidden and were finally uncovered and compiled by Father Zachary's grandson, Dejan Malenkovic with whose help this book was finally written. Even though this book deals with unusual and fascinating events, the authors are not attempting to explain them, nor are they discussing man's secret and unusual, supernatural knowledge. As non-scientists we are not capable of explaining something that mankind has not been able to explain since the age of antiquity. We just wrote what we found and time will tell whether a phenomenon scientifically unexplainable is also nonexistent.

The intent and purpose of this book is to successfully gather and present the authentic messages of the two Kremansk prophets, Milosh and Mitar Tarabic, as they told them. Born in a remote mountain village of Kremno, beneath the mountain Tara, these two humble illiterate peasants had practically no elementary knowledge of history or geography. They were nevertheless able to foretell all the important events occurring in the nineteenth century during which they lived, as well as events not occurring until the twentieth century. They also had messages pertaining to the events that are yet to happen in the distant future. They didn't speak in riddles as other prophets did. They never made it a dilemma about what would happen, or even when or how. Their messages were timely, precise and chronologically correct. The Tarabics received their messages from an unknown source. Their Godfather, the priest, Zachary Zacharic, preserved them by writing them down. The process was long and tedious and it took years to gather them. The manuscripts had originally been hidden and were finally uncovered and compiled by Father Zachary's grandson, Dejan Malenkovic with whose help this book was finally written. Even though this book deals with unusual and fascinating events, the authors are not attempting to explain them, nor are they discussing man's secret and unusual, supernatural knowledge. As non-scientists we are not capable of explaining something that mankind has not been able to explain since the age of antiquity. We just wrote what we found and time will tell whether a phenomenon scientifically unexplainable is also nonexistent.

In this book Prophetic secrets, it clarifies how the prophetic gift works and how ordinary people can become prophets, how prophets are like spiritual decoders that take things in the spirit realm and translate them to this world to help people understand what God is saying about their lives. Learn how you can respond to any prophecy of any kind, what do and what not to do when a prophecy has been directed to you. It also talks about the relationship between the Old Testament prophets and the New Testament prophets

In this “incredibly rich” (New York Times) definitive history of the Bolshoi Ballet, visionary performances onstage compete with political machinations backstage. A critical triumph, Simon Morrison’s “sweeping and authoritative” (Guardian) work, Bolshoi Confidential, details the Bolshoi Ballet’s magnificent history from its earliest tumults to recent scandals. On January 17, 2013, a hooded assailant hurled acid into the face of the artistic director, making international headlines. A lead soloist, enraged by institutional power struggles, later confessed to masterminding the crime. Morrison gives the shocking violence context, describing the ballet as a crucible of art and politics beginning with the disreputable inception of the theater in 1776, through the era of imperial rule, the chaos of revolution, the oppressive Soviet years, and the Bolshoi’s recent $680 million renovation. With vibrant detail including “sex scandals, double-suicide pacts, bribery, arson, executions, prostitution rings, embezzlement, starving orphans, [and] dead cats in lieu of flowers” (New Republic), Morrison makes clear that the history of the Bolshoi Ballet mirrors that of Russia itself.