BIPOC Alliances: Building Communities and Curricula is a collection of reflective experiences that confront, challenge, and resist hegemonic academic canons. BIPOC perspectives are often scarce in scholarly academic venues and curriculum. This edited book is a curated collection of interdisciplinary, underrepresented voices, and lived experiences through critical methodologies for empowerment (Reilly & Lippard, 2018). Gloria Anzaldu a’s (2015) autohistoria-teorí a is a lens for decolonizing and theorizing of one’s own experiences, historical contexts, knowledge, and performances through creative acts, curriculum, and writing. Gloria Anzaldu a coined, autohistoria-teorí a, a feminist writing practice of testimonio as a way to create self-knowledge, belonging, and to bridge collaborative spaces through self-empowerment. Anzaldu a encouraged us to focus towards social change through our testimonios and art, “[t]he healing images and narratives we imagine will eventually materialize” (Anzaldu a & Keating, 2009, p. 247). For this collection, we use lived experience or testimonios as an approach, a method, to conduct research and to bear witness to learners and one’s own experiences (Reyes & Rodrí guez, 2012). Maxine Greene’s (1995) concept of an emancipated pedagogy merges art, culture, and history as one education that empowers students with Gloria Anzaldu a’s (2015) autohistoria-teorí a to re-imagine individual and collective inclusion by allowing students “... to read and to name, to write and to rewrite their own lived worlds” (Greene, 1995, pp. 147). Greene and Anzaldu a reach beyond theorizing and creating curriculum for awareness and expand the crossings into active and critical self- reflective work to rewrite one’s own empowered stories and engage in a healing process.

Ever felt like you're about to explode but you don't know why? Like they say, sometimes we have to lose ourselves to find the true self. Follow this tale through the eyes of a woman of color (Vanessa aka Van) who is brimming with frustration and sent to a wellness center to recover. You'll find out why certain emotions are brewing from this refreshing perspective told by a minority within the minority experience-void of the traditional stuffy-old stereotypes Asians are often reduced to. As Van listens to the experiences of her newfound friends, something within her is released. On this path, the protagonist gains insight into an unknown community and also herself. If you're simply human, you will be able to identify with this contemporary true-to-life fiction story. This will be a book you'll want to gift to friends and fellow human-rights advocates.

"POSSIBILITY," Part One The smash-hit series returns! The journey through the transformed United States continues as our group of explorers ventures into the third Zone: POSSIBILITY, a region built on the endlessly evolving landscape of American creativity, from folklore to VR.

"This ode to a beloved pet delightfully highlights the joys of living with a feline companion." —Kirkus Fans of Johnny Wander, Pusheen, and Chi's Sweet Home will love this collection of the hit webcomic Frankie Comics by Rachel Dukes, now in paperback for the first time. Now in paperback! When they discover a kitten asleep in their doorway, real life artist couple Rachel and Mike immediately fall prey to her charms. Soon, the new queen of their home is a blue point Siamese cat named Frankie. Stealing snacks, making mischief, and taking snuggling very seriously, Frankie proves again and again the wholesome joys of a feline companion. Hilarious indie comics darling Frankie Comics is collected in a new full-color paperback edition–purrfect for pet lovers everywhere.

In this issue, Gary Groth interviews Roz Chast, the New Yorker humor cartoonist turned graphic memoirist (Can’t We Talk About Something More Pleasant?). TCJ #306 focuses on the intersections between comics and politics. It includes op-eds on the importance (and lack thereof) of modern political cartooning. Also featured is a meditation on the creator of the Dilbert newspaper comic strip, Scott Adams; a piece about Daisy Scott, the first African American woman political cartoonist; a gallery of underground cartoonist John Pound’s code-generated comics; portraits of mass shooting victims; a selection of Spider-Gwen artist Chris Vision’s sketchbook pages; and other essays and galleries.

This issue of the award-winning magazine of comics interviews, news, and criticism focuses on the relationship between animation and comics. Gary Groth interviews this issue’s cover artist Cathy Malkasian (Eartha), the PBS/Nickelodeon animation director (Curious George, The Wild Thornberrys) turned graphic novelist, about her first middle-grade GN, NoBody Likes You, Greta Grump. In addition to this issue’s featured interview with Cathy Malkasian, MLK graphic biographer Ho Che Anderson shares his animation storyboards, and Anya Davidson talks to Sally Cruikshank about how the underground comics movement influenced the latter’s aesthetic in a career that encompasses indie shorts and Flash animation, as well as work for feature film credits and Sesame Street. Other features include: an unpublished Ben Sears (Midnight Gospel) comic, and Jem and the Holograms cartoon creator Christy Marx talks about the behind-the-scenes advantages and disadvantages of both art forms. Plus! Sketchbook art by Vanesa Del Rey (Black Widow), an interview with Amazon warehouse worker-turned-cartoonist Ness Garza, Paul Karasik’s essay on an unseen gem, and much more. For more than 45 years, no magazine has chronicled the continuum of the comic arts with more rigor and passion than The Comics Journal.