Himalayan Fruits and Berries: Bioactive Compounds, Uses and Nutraceutical Potential presents nutraceutical fruits and berries from the Himalayan region and highlights their potential use in nutraceutical products. Beginning with the introduction of the Himalayan region and its wild fruits, this book explores various kinds of wild fruits and berries. It includes coverage of traditional, ethnomedicinal, and local uses of potential nutraceutical fruits and analyzes their distribution, availability, and cultivation methods. The book also provides a detailed summary of clinical studies and presents "from field to industry" case studies. Wild fruits and berries play an important role in mitigating hunger in the developing world, and these fruits are consumed either in whole or extracted for use in nutraceutical production. Nutrition researchers, food scientists, food chemists, plant scientists, pharmacologists, as well as students or researchers working in pharmaceutical and nutraceutical industries exploring the use of Himalayan wild berries and fruits as new components and sources in nutraceuticals will benefit from this book. - Includes coverage of the traditional, ethnomedicinal, and local uses of potential nutraceutical fruits and berries - Presents bioactive chemical constituents and nutraceutical properties of Himalayan fruits and berries - Addresses current challenges related to sustainable utilization, mass production, and the transfer from field to the industry of potential nutraceutical fruits and berries

Korean Literature Through the Korean Wave engages with the rising interest in both the Korean Wave and Korean language learning by incorporating Korean Wave cultural content, especially K-dramas, films and songs, to underline and support the teaching of Korean literature. It combines both premodern and modern texts, including poetry, novels, philosophical treatises, and even comics, to showcase the diversity of Korean literature. Particular care has been taken to include the voices of those marginalised in the often male, elite-dominated discourse on Korean literature. In particular, this book also distinguishes itself by extending the usual breadth of what is considered modern Korean literature up until the present day, including texts published as recently as 2017. Many of these texts are very relevant for recent discourse in Korean affairs, such as the obsession with physical appearance, the #MeToo movement and multiculturalism. This textbook is aimed at B1-B2 level and Intermediate-Mid students of Korean. On the one hand the textbook introduces students to seeing beyond Korean literature as a monolithic entity, giving a taste of its wonderful richness and diversity. On the other hand, it provides an entry point into discussions on Korean contemporary society, in which the text (and associated media extracts) provides the catalyst for more in-depth analysis and debate.

A Place to Live brings together in a single volume an introduction to Yi Chung-hwan’s (1690–1756) T’aengniji (Treatise on Choosing Settlement)—one of the most widely read and influential of the Korean classics—and an annotated translation of the text, including the author’s postscript. Yi composed the T’aengniji in the 1750s, a time when, despite King Yŏngjo’s (r. 1724–1776) policy of impartiality, the scholar-gentry class continued to identifiy strongly with literati factions and to participate in the political scene as such. A prominent secretary who had his career cut short because of suspected involvement in one of the largest literati purges at court, Yi endured long periods of living in exile before finishing the T’aengniji in his early sixties. The treatise, his only substantial work, is based largely on his travels throughout the Korean peninsula and presents not only his views on the desirability of places for settlement, but also his opinions on contemporary matters and criticism of government policy. As a result, the T’aengniji circulated as an anonymous work for many years. Employing the latest research on T’aengniji manuscripts, translator Inshil Yoon maintains in her introduction that the original title of the treatise was Sadaebu kagŏch’ŏ (Livable Places for the Scholar-Gentry); she goes on to discuss in detail its reception by premodern and contemporary scholars and the treatise’s ongoing popularity as evidenced by the numerous versions and translations done in this and the previous century, its having been made into a novel, and current usage of “t’aengniji” as a noun meaning “regional geography” or “travelogue.” The present translation is based on the Chosŏn Kwangmunhoe edition.

Koreana is a full-color quarterly on Korean culture and arts, including traditional heritage as well as modern and contemporary activities. Each issue includes in-depth coverage of a selected theme, followed by an array of articles on artists and artisans, historic and cultural landmarks, natural attractions, reviews of stage performances and exhibitions, literary pieces, and today’s lifestyles. Published since 1987, the magazine can also be accessed at (www.koreana.or.kr).

Over the past decade, Korean popular culture has become a global phenomenon. The "Korean Wave" of music, film, television, sports, and cuisine generates significant revenues and cultural pride in South Korea. The Korean Popular Culture Reader provides a timely and essential foundation for the study of "K-pop," relating the contemporary cultural landscape to its historical roots. The essays in this collection reveal the intimate connections of Korean popular culture, or hallyu, to the peninsula's colonial and postcolonial histories, to the nationalist projects of the military dictatorship, and to the neoliberalism of twenty-first-century South Korea. Combining translations of seminal essays by Korean scholars on topics ranging from sports to colonial-era serial fiction with new work by scholars based in fields including literary studies, film and media studies, ethnomusicology, and art history, this collection expertly navigates the social and political dynamics that have shaped Korean cultural production over the past century. Contributors. Jung-hwan Cheon, Michelle Cho, Youngmin Choe, Steven Chung, Katarzyna J. Cwiertka, Stephen Epstein, Olga Fedorenko, Kelly Y. Jeong, Rachael Miyung Joo, Inkyu Kang, Kyu Hyun Kim, Kyung Hyun Kim, Pil Ho Kim, Boduerae Kwon, Regina Yung Lee, Sohl Lee, Jessica Likens, Roald Maliangkay, Youngju Ryu, Hyunjoon Shin, Min-Jung Son, James Turnbull, Travis Workman

Global in scope and featuring thirty-five chapters from more than fifty dance, music, and theatre scholars and practitioners, The Routledge Companion to Musical Theatre introduces the fundamentals of musical theatre studies and highlights developing global trends in practice and scholarship. Investigating the who, what, when, where, why, and how of transnational musical theatre, The Routledge Companion to Musical Theatre is a comprehensive guide for those studying the components of musical theatre, its history, practitioners, audiences, and agendas. The Companion expands the study of musical theatre to include the ways we practice and experience musicals, their engagement with technology, and their navigation of international commercial marketplaces. The Companion is the first collection to include global musical theatre in each chapter, reflecting the musical’s status as the world’s most popular theatrical form. This book brings together practice and scholarship, featuring essays by leading and emerging scholars alongside luminaries such as Chinese musical theatre composer San Bao, Tony Award-winning star André De Shields, and Tony Award-winning director Diane Paulus. This is an essential resource for students on theatre and performance courses and an invaluable text for researchers and practitioners in these areas of study.