South Korea has continued to impress the world in the way it has harnessed social modernization, economic development, political democratization and, most recently, multi-faceted globalization. Relying on both established and inventive citizenship perspectives, the authors in this volume collectively show that all these diverse societal transformations and achievements can be concretely and systematically comprehended in conjunction with citizens? reshaping identities, rights, and duties in civil society and national polity. South Koreans? eye-catching traits and trends of educational zeal, economic development, civil activism, nationalism, and neoliberal globalization are analyzed here as diverse yet often interconnected manifestations of citizenship politics. As shown comprehensively in this volume, the necessity of such citizenship-focused analyses is particularly evident in recent years as South Korea has been undergoing a condensed transition from class politics to citizenship politics.This book is a highly inclusive yet incisive account of modern and late modern Korea, utilizing citizenship as a powerful theoretical and analytical tool. Such judicious theoretical and analytical use of citizenship in respect to modern Korean history and society will in turn enable a meaningful expansion of theoretical and methodological utility of citizenship in contemporary global social sciences.This book was based on a special issue of Citizenship Studies.

The Development of Modern South Korea provides a comprehensive analysis of South Korean modernization by examining the dimensions of state formation, capitalist development and nationalism. Taking a comparative and interdisciplinary approach this book highlights the most characteristic features of South Korean modernity in relation to its historical conditions, institution traditions and cultural values paying particular attention to Korean's pre-modern civilization.

This book offers an in-depth study of the globalization of contemporary South Korean idol pop music, or K-Pop, visiting K-Pop and its multiple intersections with political, economic, and cultural formations and transformations. It provides detailed insights into the transformative process in and around the field of Korean pop music since the 1990s, which paved the way for the recent international rise of K-Pop and the Korean Wave. Fuhr examines the conditions and effects of transnational flows, asymmetrical power relations, and the role of the imaginary "other" in K-Pop production and consumption, relating them to the specific aesthetic dimensions and material conditions of K-Pop stars, songs, and videos. Further, the book reveals how K-Pop is deployed for strategies of national identity construction in connection with Korean cultural politics, with transnational music production circuits, and with the transnational mobility of immigrant pop idols. The volume argues that K-Pop is a highly productive cultural arena in which South Korea’s globalizing and nationalizing forces and imaginations coincide, intermingle, and counteract with each other and in which the tension between both of these poles is played out musically, visually, and discursively. This book examines a vibrant example of contemporary popular music from the non-Anglophone world and provides deeper insight into the structure of popular music and the dynamics of cultural globalization through a combined set of ethnographic, musicological, and cultural analysis. Widening the regional scope of Western-dominated popular music studies and enhancing new areas of ethnomusicology, anthropology, and cultural studies, this book will also be of interest to those studying East Asian popular culture, music globalization, and popular music.

Minns argues that the industrial transformations of Mexico, South Korea and Taiwan were based on the existence of powerful developmentalist states in each. It explores the origins of such states and their dynamics and connects the form of autonomy they enjoy within their countries to the policies they pursue.