»My heart is a museum of everyone I've ever loved.« Mali ist eine von vielen Konstellationen, die versucht, ihren Weg in der Welt zu errichten - doch niemals allein, immer gefolgt von dem Geist ihrer Vergangenheit. Durch verschiedene Textformen und Gedankenexperimente verewigt sie sich selbst in den Tiefen des Universums.

The World of The Dark Crystal invites fans to delve into the creation and lore of the Jim Henson classic through the evocative illustrations of Brian Froud, concept designer on the original film. Since its original release in 1982, Jim Henson’s brilliant film The Dark Crystal has gone on to become a beloved cult classic. The World of Dark Crystal—the original companion art book to the film—was created by Henson and internationally renowned artist Brian Froud to showcase the gorgeous conceptual artwork created for the film and delve deeper into the lore that underpins Thra, the magical world at the heart of the film. Now, for the first time in over a decade, The World of Dark Crystal is back in print, featuring an abundance of striking art and all of the bonus material from the 2003 Collector’s Edition. Also included in this exclusive volume is a fascinating essay by Froud on the creative process behind the making of the film and a facsimile of a booklet presented to the film’s early backers—a gorgeous overview of the story so rare only a few original copies exist. Beautiful, imaginative, and powerful, The World of The Dark Crystal celebrates the landmark fantasy film that continues to win new fans more than three decades after its release.

Ein Wirrwarr, das weder Sinn hat, noch Sinn ergibt. Alles durcheinander, pures Chaos, kein roter Faden in irgendeiner Richtung erkennbar. Also genau das, was jeder einmal braucht. Ein sinnloses Buch, das unserer Existenz für einen kurzen Moment den Sinn nimmt und uns Freiheit gibt.

It was a dream come true. Solie had her own battler, a creature of almost infinite magic who could vaporize legions in the blink of an eye and would willingly suffer a thousand bloody deaths to protect her. She was his love. More simply, she was his queen. Many others feel the same. The new-built settlement is a haven for all. Erected by sylphs of earth and fire, air and water, the Valley is Solie's dominion. But, lovers without peer or killers without mercy, the very nature of their battler protectors means peril. It is not in any sylph's nature to disobey, and while some are hers to command, others are the slaves of Solie's enemies--the jealous, the cruel. Those who guard her must not fail. Their peasant-born ruler is not yet safe as...Queen of the Sylphs

From Wall Street Journal bestselling author L.J. Shen comes an enemies-to-lovers romance about the fine line between seeking revenge and finding love. When she was young, Arya Roth became best friends with her housekeeper's son. Soon, friendship turned to young love, and when Arya dared him to kiss her, a chain reaction of disastrous events led to the boy being sent away and out of Arya's life. Now, two decades later, Arya is an on-the-rise publicist with her beloved father as one of her biggest clients. So when her father is sued by a former employee, Arya sets out to prove that her father is not the monster he is accused of being. The only problem is the attorney who is determined to destroy her father's good name. Christian Miller is charming, ambitious, and devilishly good looking, and Arya has no idea he is that same boy who kissed her all those years ago. Past and present collide as Arya falls hard for Christian. But when she finds out who he really is and about his obsession with getting revenge on her father, can she choose love over family?

The debut standalone novel from author Edward Ashton, author of Mickey7, THREE DAYS IN APRIL is a near-future speculative thriller that marks the entry of a bright new voice into the genre. Anders Jensen is having a bad month. His roommate is a data thief, his girlfriend picks fights in bars, and his best friend is a cyborg…and a lousy tipper. When everything is spiraling out of control, though, maybe those are exactly the kind of friends you need. In a world divided between the genetically engineered elite and the unmodified masses, Anders is an anomaly: engineered, but still broke and living next to a crack house. All he wants is to land a tenure-track faculty position, and maybe meet someone who’s not technically a criminal-but when a nightmare plague rips through Hagerstown, Anders finds himself dodging kinetic energy weapons and government assassins as Baltimore slips into chaos. His friends aren’t as helpless as they seem, though, and his girlfriend’s street-magician brother-in-law might be a pretentious hipster - or might hold the secret to saving them all. Frenetic and audacious, Three Days in April is a a blend of science fiction and psychological thriller that raises an important question: once humanity goes down the rabbit hole, can we ever find our way back?

Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact.