Jack Denham, grandson of moviemaker Carl Denham (who brought Kong to New York in 1933) clashes with a ruthless business magnate, Carlton Hemming, as both attempt to clone the giant ape, Kong, from blood samples discovered by a high-steel worker in 1999. Succeeding beyond their wildest dreams, it is quickly apparent the cloned ape belongs back in his native wilderness and not the wilds of New York. The final life-and-death struggle is played out on Skull Island—a lost world in the Indian ocean, full of monstrous creatures—where the original Kong was found over 70 years ago.

Because of her background, she had been framed by her fiance and sister. Once she was reborn, the heavens had given her a similar identity. How was she going to use her 'resources' to take revenge this time?!

I actually transmigrated to the Wasteland and became the Celestial Emperor? Hehe, Nuwa, Loess, Yaochi, Changxi, Western Queen Mother, Sanxiao ... Aren't countless fairies all mine? I am Haotian? Haotian, who had been bullied by a saint and kicked under the table by a monkey? No, as the Celestial Emperor, I shall rule the world! Could it be that this world was ruled by a king? Could it be that this man was a king's subordinate?

Exploring global career issues in-depth, this important collection works at the intersection of career management and international HRM. It uses a multitude of perspectives to explore global career drivers, experiences and outcomes for individuals, as well as career systems and management within organisations and societies. Both long-term and short-term careers are discussed and examined alongside the impact that they have on elements of family life, providing a useful guide for academic scholars, HR managers and professionals operating in global environments.

The year's finest tales of terror Here is the latest edition of the world's premier annual showcase of horror and dark fantasy fiction. It features some of the very best short stories and novellas by today's masters of the macabre - including Peter Atkins, Cliver Barker, Glen Hirschberg, Joe Hill and Caitlin R. Kiernan. The Mammoth Book of Best New Horror also features the most comprehensive yearly overview of horror around the world, lists of useful contact addresses and a fascinating necrology. It is the one book that is required reading for every fan of macabre fiction.

The Englishness of English literature had been expressed in Chaucer, Shakespeare, Wordsworth and Sir Walter Scott, those writers whose works seemed best to embody the spirit of the place or the spirit of its folk. In what writers or works would the Australianness of Australian literature be discovered? (David Carter 1997)--------This first literary Reader on Australian studies from India not only investigates this central question but explores many other facets of Australian literature and especially Australian cross-cultural relationships with India and Asia. Taking a broad view of what Australian literature is, this Reader explores the dimensions of Australian literature (national, Aboriginal, multicultural, ecocritical, postcolonial, modernist, comparative, feminist, and popular) in its varied genres of drama, poetry, autobiography, explorers' journals, short stories, literature of war, travel writing, Anglo-Indian fiction, diasporic writing, mainstream novel, nature writing, children's literature, romance, science fiction, gothic literature, horror, crime fiction, queer writing, and humour. Each paper in this Reader presents different ways of "reading down under" and "performing Australianness." Juxtaposing the varied critical perspectives of nearly 60 critics this Reader hopes to create a constructive dialogue in the fight against the dominance of an Anglo-American academic approach.

A genre-defining—and redefining—collection of the boldest, most rebellious, and most prescient speculative fiction, featuring stories from all over the globe. “The sky above the port was the color of television, tuned to a dead channel.” Almost forty years ago, William Gibson wrote the line that began Neuromancer—and a movement that would change the face of science fiction. Award-winning anthologist Jared Shurin brings together over a hundred stories from more than twenty-five countries that both establish and subvert the classic cyberpunk tropes and aesthetic—from gritty, near-future noir to pulse-pounding action. Urban rebels undermine monolithic corporate overlords. Daring heists are conducted through back alleys and the darkest parts of the online world. There’s dangerous new technology, cybernetic enhancements, scheming AI, corporate mercenaries, improbable weapons, and roguish hackers. These tales examine the near-now, extrapolating the most provocative trends into fascinating and plausible futures. We live in an increasingly cyberpunk world—packed with complex technologies and globalized social trends. A world so bizarre that even futurists couldn’t explain it—though many authors in this book have come closer than most. As both an introduction to the genre and the perfect compendium for the lifelong fan, The Big Book of Cyberpunk offers a hundred ways to understand where we are and where we’re going.