In order to escape the poverty of the south, Alona’s family moved to Chicago. The Crawford family has made a name for themselves as one of the leading Publishing Company in Chicago. Alona has now become a successful stock broker, for an investment company. She also is an up and coming writer. She has it all, loving husband, two wonderful children. She lives in a mansion, and drives a Mercedes Benz. Her world is turned upside down when she recognizes her childhood sweetheart at a dinner party, Drew Patton. A single Pastor, self-made millionaire, who owns a multi-media empire in New Orleans. They reconnect again and share an unforgettable rendezvous weekend while attending a writer’s conference. Alona and Drew, two devoted Christians will have their faith tested in this steamy love triangle. Was it love that brought them together? The Church will say it was Lust. The world will call it Love. What will Alona decide? Will she risk her 10- year marriage to follow what she believes is her heart………? Your writer Taffi Stevens

Three teens race against a waxing moon to prevent an ancient evil from tipping the universe into chaos.

It is 1938 in New Mexicos Chaco Canyon as Zed Moonhawk helps train a group of Civilian Conservation Corpsmen who are excavating and rebuilding Anasazi ruins. Moonhawk is exceptionally skilled at his masonry workas well he should be. After all, he was there when the massive structures were erected eight hundred years earlier. Zed Moonhawk is the legendary figure known as Kokopelli. Cursed with eternal life, Zed and his twelve-year-old son, Turq, are the last of the Anasazi. For centuries, their people dominated the southwestern landscape with the help of the last pteradons on the planetuntil the evil Mayan witch Rooshth appeared and virtually erased the Ancient Ones from history. But now she is back and still obsessed with the powerful magic embodied in the sacred tablet of the Anasazi. Rooshth wants to raise her son from the dead, a dark desire that refuels the final battle in a centuries-old war between Zed and Rooshth. In this fast-paced supernatural thriller fi lled with dark, earthy magic, twelfth century history intertwines with the emerging world of the 1930s as an immortal Anasazi and his son attempt to fulfill their mission before a determined witch acquires the power she has always desired.

THE MAGIC HAD ALWAYS BEEN THERE. Tep Jones has always felt the magic of Picture House, an Anasazi cliff dwelling near the seed farm where he lives with his parents. But he could never have imagined what would happen to him on the night of a lunar eclipse, when he finds a bone flute left behind by grave robbers. Tep falls under the spell of a powerful ancient magic that traps him at night in the body of an animal. Only by unraveling the mysteries of Picture House can Tep save himself and his desperately ill mother. Does the enigmatic old Indian who calls himself Cricket hold the key to unlocking the secrets of the past? And can Tep find the answers in time?

Kokopelli the flute player is one of the most popular icons that American culture has adopted from the Native peoples of North America. The Kokopelli name and image are everywhere, adorning everything from jewelry, welcome mats, T-shirts, and money clips to motels, freeway underpasses, nature trails, nightclubs, and string quartets. Kokopelli evokes mystery and wonder, ancient ceremonies andøspirituality, Mother Earth and the purity of nature. But what exactly is Kokopelli? Just how Native American is this ubiquitous flute player? In this fascinating book, the distinguished scholar of Hopi culture and history Ekkehart Malotki describes the development of the Kokopelli phenomenon in American mass culture from its beginning to Kokopelli?s present status as pan-Southwestern icon. He explores the figure?s connections with the Hopi kachina god Kookop”l” and Maahu, the cicada, and discusses how this rock-art image has been appropriated and misunderstood. Kokopelli sheds light on a little-understood aspect of Hopi culture and testifies to the continuing power of Native cultures to spark the popular imagination and interest of outsiders.

Want the word on Buffy Sainte-Marie? Looking for the best powwow recordings? Wondering what else Jim Pepper cut besides “Witchi Tai To”? This book will answer those questions and more as it opens up the world of Native American music. In addition to the widely heard sounds of Carlos Nakai’s flute, Native music embraces a wide range of forms: country and folk, jazz and swing, reggae and rap. Brian Wright-McLeod, producer/host of Canada’s longest-running Native radio program, has gathered the musicians and their music into this comprehensive reference, an authoritative source for biographies and discographies of hundreds of Native artists. The Encyclopedia of Native Music recognizes the multifaceted contributions made by Native recording artists by tracing the history of their commercially released music. It provides an overview of the surprising abundance of recorded Native music while underlining its historical value. With almost 1,800 entries spanning more than 100 years, this book leads readers from early performers of traditional songs like William Horncloud to artists of the new millennium such as Zotigh. Along the way, it includes entries for jazz and blues artists never widely acknowledged for their Native roots—Oscar Pettiford, Mildred Bailey, and Keely Smith—and traces the recording histories of contemporary performers like Rita Coolidge and Jimmy Carl Black, “the Indian of the group” in the original Mothers of Invention. It also includes film soundtracks and compilation albums that have been instrumental in bringing many artists to popular attention. In addition to music, it lists spoken-word recordings, including audio books, comedy, interviews, poetry, and more. With this unprecedented breadth of coverage and extensively cross-referenced, The Encyclopedia of Native Music is an essential guide for enthusiasts and collectors. More than that, it is a gateway to the authentic music of North America—music of the people who have known this land from time immemorial and continue to celebrate it in sound.

In many places around the world, flutes and the sounds of flutes are powerful magical forces for seduction and love, protection, vegetal and human fertility, birth and death, and other aspects of human and nonhuman behavior. This book explores the cultural significance of flutes, flute playing, and flute players from around the world as interpreted from folktales, myths, and other stories--in a word, ""flutelore."" A scholarly yet readable study, World Flutelore: Folktales, Myths, and Other Stories of Magical Flute Power draws upon a range of sources in folklore, anthropology, ethnomusicology, and literary analysis. Describing and interpreting many examples of flutes as they are found in mythology, poetry, lyrics, and other narrative and literary sources from around the world, veteran ethnomusicologist Dale Olsen seeks to determine what is singularly distinct or unique about flutes, flute playing, and flute players in a global context. He shows how and why flutes are important for personal, communal, religious, spiritual, and secular expression and even, perhaps, existence. This is a book for students, scholars, and any reader interested in the cultural power of flutes.