"Knickerbocker Holiday is a 1938 musical with music by composer Kurt Weill (1900-1950) and book and lyrics by Maxwell Anderson (1888-1959), based loosely on Washington Irving's Father Knickerbocker's Stories about life in 17th century New Netherland (old New York). The musical numbers include 'September Song,' now considered a pop standard. The play is both a romantic comedy and a thinly veiled allegory equating the New Deal of Franklin D. Roosevelt with fascism. Playwright Anderson believed that government was necessary in society, but that it must always be watched because it is swayed by the self-interests of those in power. He saw FDR's New Deal as another example of the corporatism and concentration of political power which had given rise to Nazism and Stalinism...."--vendor statement.

Olney Theatre, Richard Skinner and Evelyn Freyman present Burl Ives in "Knickerbocker Holiday," book and lyrics by Maxwell Anderson, music by Kurt Weill, with Warde Donovan, Bettina Thayer, Morley Meredith, John C. Becher, staged by Robert Downing, settings by S. Syrjala, musical directors Sherman Frank and Irving Schlein, musical arrangement Irving Schlein.

Deep within New York's compelling, sprawling history lives an odd, ornery Manhattan native named Diedrich Knickerbocker. The name may be familiar today: his story gave rise to generations of popular tributes—from a beer brand to a basketball team and more—but Knickerbocker himself has been forgotten. In fact, he was New York's first truly homegrown chronicler, and as a descendant of the Dutch settlers, he singlehandedly tried to reclaim the city for the Dutch. Almost singlehandedly, that is. Diedrich Knickerbocker was created in 1809 by a young Washington Irving, who used the character to narrate his classic satire, A History of New York. According to Irving's partisan narrator, everything good and distinctive, proud and powerful, about New York City—from the doughnuts to the twisting streets of lower Manhattan—could be traced back to New Amsterdam. Terrific general interest, cultural history of a city with a rich and lively literary past. First-ever book on the eponymous myth that has informed New York City culture since the early 1800s. Coincides with the two-hundredth anniversary of Washington Irving's publication of A History of New York. Perfect gift book or addition to library collection of New York Cityùthemed books. Includes a gallery of images that brings Diedrich Knickerbocker, his myth, time, and place to life Knickerbocker engagingly traces the creation, evolution, and prevalence of Irving's imaginary historian in New York literature and history, art and advertising, from the early nineteenth century to the present day. Who would imagine this satiric character, at once a snob and a champion of the people, would endure for two hundred years? In Elizabeth L. Bradley's words, "Whether you call it 'blood,' style, attitude, or moxie, the little Dutchman could deliver." And, from this engaging work, it is clear that he does. Bradley's stunning volume offers a surprising and delightful glimpse behind the scenes of New York history, and invites readers into the world of Knickerbocker, the antihero who surprised everyone by becoming the standard-bearer for the city's exceptional sense of self, or what we now call a New York "attitude."

The Broadway musical has greatly influenced American (and world) culture. Such shows as Oklahoma! and Annie Get Your Gun are as 'American as apple pie,' while the long runs of imports like Cats, The Phantom of the Opera, and Les MisZrables have broken records. Broadway has produced such cultural icons as Ethel Merman, Yul Brynner, and Julie Andrews, and composers and lyricists such as Irving Berlin, George Gershwin, Cole Porter, Richard Rodgers, Oscar Hammerstein, Leonard Bernstein, Stephen Sondheim, Andrew Lloyd Webber, and many others have had their melodies sung on its stages. Visionaries like George Abbott, Agnes de Mille, Jerome Robbins, Bob Fosse, Tommy Tune, and Susan Stroman have brought productions to life through their innovative direction and choreography. Since the latter part of the 19th century, the Broadway musical has remained one of the most popular genres in entertainment and its history is related in detail in The A to Z of the Broadway Musical. Through a chronology, an introductory essay, a bibliography, and 900 dictionary entries on Broadway shows, playwrights, directors, producers, designers, and actors, this handy desk reference offers quick information on the many aspects of the Broadway musical.

National Theatre, direction Rapley Theatre Company, Edmund Plohn, manager, The Playwrights' Company, Maxwell Anderson, S.N. Behrman, Sidney Howard, Elmer Rice, and Robert E. Sherwood present Walter Huston in "Knickerbocker Holiday," a new musical comedy, book and lyrics by Maxwell Anderson, music by Kurt Weill, entire production staged by Joshua Logan, production designed by Jo Mielziner, costumes designed by Frank Bevan, orchestra under the direction of Maurice De Abravanel, dances by Carl Randall and Edwin Denby.

A stunning celebration of girlhood around the world, from the New York Times Featuring and photographed by young women, This Is 18 is an immersive look at what it means to be on the cusp of adulthood around the world and across cultures. Twenty-two empowering and uniquely personal profiles, expanded from the New York Times interactive feature and curated by Gender Editor Jessica Bennett, with Sandra Stevenson, Anya Strzemien, and Sharon Attia, give teen readers a rare glimpse at the realities and interests of their contemporaries. With stunning photography and a gifty design, This Is 18 is a perfect tribute to girlhood for readers of all ages.