(Woodwind Method). This Rubank gem represents a compilation of two celebrated clarinet methods, completely revised, re-edited and re-styled for modern studios and classrooms. The wealth of valuable materials, used for clarinet instruction since the late 19th century, was reorganized by Rubank editor Harvey Whistler into a progressive educational format to meet the needs of beginning to intermediate clarinet students. In his edition Whistler also provided: * Additional material to comprehensively cover the low register and crossing the break * Instructional units organized by key as well as topic, culminating with melodic studies incorporating each new idea * Exercises for tone development, particularly in the upper register, incorporated into each unit

(Intermediate Band Method). One of the most widely used series of methods for individual or like-instrument class instruction. Using a very well-rounded approach including scales, arpeggios, technical studies, studies for musicianship, articulation studies, solos, duets, and studies devoted to the special needs of each instrument, this series provides a fantastic wealth of material for all student musicians.

Keith Stein was already a phenomenal clarinetist when he attended the very first session of the National Music Camp at Interlochen, Michigan. Stein was then accepted into the Chicago Symphony, and became one of its youngest members. He earned a master of music degree at the University of Michigan, and his teaching career began at Michigan State University and Interlochen, where he remained for the next 41 years until he retired. Within this book, the author makes the player aware of all the many faulty habits he may have acquired, then offers constructive suggestions for remedying each one.

A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.

This book was written specifically for beginning students working with a private teacher or in an entry-level clarinet class. The author emphasizes correct hand positions, breath control, and tone production needed for a successful start on the instrument, all the while encouraging the student to develop fundamental musicianship. Particular attention is given to the concept of playing in the rich, low chalumeau range of the clarinet as well as to playing over the break between registers. Finger exercises, daily warmups, a chromatic fingering chart, and helpful tips on accessories, beginning repertoire and care of the instrument complete this insightful volume—essential for any beginning clarinetist’s bookshelf!