This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Een Klein Woordenboek Der Hollandsche, Engelsche En Javaansche Talen: A Vocabulary Of The Dutch, English, And Javanese Languages Gottlob Bruckner Gedrukt te Parapattan, 1842

Three major developments in English lexicography took place during the seventeenth century: the emergence of the first free standing monolingual English dictionaries; the making of new kinds of English lexicons that investigated dialect or etymology or that keyed English to invented 'philosophical' languages; and the massive expansion of bilingual lexicography, which not only placed English alongside the European vernaculars but also handled the languages of the new world. The essays in this volume discuss not only the internal history of lexicography but also its wider relationships with culture and society.

After forty years in academia, P.S. Groenwald leaves a rich heritage, which is measured not only in terms of his impressive list of publications, but also in terms of those for whom he was the academic mentor. His versatility as academic is reflected in the variety of specialist fields in which his former students find themselves. Experts in literature and linguistics, lexicographers and translators all found their niches under his tutelage. In appreciation of the enormous contribution that he made towards their careers and academic schooling, former students and colleagues have decided to honour him with this festschrift.

Focusing on texts from the late 1970s to the 1990s which document both changing attitudes to terminations of pregnancy and dramatic environmental, medical, and socio-political developments during southern Africa's liberation struggles, this book examines how four writers from Botswana, South Africa, and Zimbabwe address the ethics of abortion and reproductive choice. Viewing recent fiction through the lens of new materialist theory – which challenges conventional, individual-based notions of human rights by asserting that all matter holds agency – this book argues that southern African women writers anticipate and exceed current feminist revivals of materialist thought. Not only do the authors question contemporary discourse framing abortion as either a confirmation of a woman's 'right to choose' or an unethical termination of human life, but they challenge conventional understandings of development, growth, and time. Through close readings of both literal gestation in the selected texts and the metaphorical reproduction of the post/colonial nation, this study advances the concept of reproductive agency, creating a range of queer ecocritical alternatives to tropes such as those of 'the Mother Country', 'Mother Africa', or 'the birth of a nation'. This study situates abortion narratives by Wilma Stockenström (translated by J. M. Coetzee), Zoë Wicomb, Yvonne Vera, and Bessie Head alongside contemporary postcolonial feminist theories, melding traditional beliefs with materialist views to reconsider the future of reproductive health matters in southern Africa. Merging queer ecocritical perspectives from materialism and postcolonialism, this study will appeal to students and researchers in the medical humanities, new materialisms, and postcolonial studies.

Hamba Gashle is the inside story of white society in colonial Southern Africa during the 1950s and 1960s. Ian Hassall's edgy memoir provides a vivid and disturbing depiction of childhood and family life against a background of racial exploitation, political change and the disintegration of his white community. Written as a diary from childhood through to early adulthood, the deceptively simple style provides a sense of immediacy, building a vivid picture through apparently unconnected events. The child narrator arrives in Northern Rhodesia from England aged four. Soon after, his parents divorce and he is fostered for several years. His mother marries an anti British Afrikaaner who is a strong influence on the boy. As a teenager he becomes delinquent and fails at school. He moves with his father's family to Rhodesia as it is approaching UDI. The narrator has developed anti-racist views and joins the protest movement at university in South Africa. Finally he returns to London in 1970, alone, a stranger. Ian Hassall produces a rich and informative picture of this period, honest, critical and unflattering, attacking its racism. The work is carefully researched so that key historical events are portrayed accurately and intimately. The youthful narrator's preoccupations, adventures, sexual encounters and daydreams contrast with more sober political observations, sometimes hilariously. This is also a study of childhood, and a celebration of youth which transcends time or location. 'Hamba Gashle' means both chameleon and take it easy, because of the animal's leisurely pace. The book's title reflects the author's admiration for this wonderful creature and its attributes, some of which he required to survive his upbringing.