In 'Klansville, U.S.A.', David Cunningham tells the story of the astounding trajectory of the Klan during the 1960s by focusing on the pivotal and under-explored case of the United Klans of America (UKA) in North Carolina. Why the KKK flourished in the Tar Heel state presents a puzzle and a window into the complex appeal of the Klan as a whole.

This unique guide will provide an overview of radical U.S. political movements on both the left and the right sides of the ideological spectrum, with a focus on analyzing the origins and trajectory of the various movements and the impact that movement ideas and activities have had on mainstream American politics. The work is organized thematically, with each chapter focusing on a prominent arena of radical activism in the United States. The chapters will trace the chronological development of these extreme leftist and rightist movements throughout U.S. history. Each chapter will include a discussion of central individuals, organizations, and events as well as their impact on popular opinion, political discourse and public policy. For movements that have arisen multiple times throughout U.S. history (nativism, religious, radical labor, separatists), the chapter will trace the history over time but the analysis will emphasize its most recent manifestations. Sidebar features will be included in each chapter to provide additional contextual information to facilitate increased understanding of the topic.

To many Americans, modern marches by the Ku Klux Klan may seem like a throwback to the past or posturing by bigoted hatemongers. To Kelly Baker, they are a reminder of how deeply the Klan is rooted in American mainstream Protestant culture. Most studies of the KKK dismiss it as an organization of racists attempting to intimidate minorities and argue that the Klan used religion only as a rhetorical device. Baker contends instead that the KKK based its justifications for hatred on a particular brand of Protestantism that resonated with mainstream Americans, one that employed burning crosses and robes to explicitly exclude Jews and Catholics. To show how the Klan used religion to further its agenda of hate while appealing to everyday Americans, Kelly Baker takes readers back to its "second incarnation" in the 1920s. During that decade, the revived Klan hired a public relations firm that suggested it could reach a wider audience by presenting itself as a "fraternal Protestant organization that championed white supremacy as opposed to marauders of the night." That campaign was so successful that the Klan established chapters in all forty-eight states. Baker has scoured official newspapers and magazines issued by the Klan during that era to reveal the inner workings of the order and show how its leadership manipulated religion, nationalism, gender, and race. Through these publications we see a Klan trying to adapt its hate-based positions with the changing times in order to expand its base by reaching beyond a narrowly defined white male Protestant America. This engrossing expos looks closely at the Klan's definition of Protestantism, its belief in a strong relationship between church and state, its notions of masculinity and femininity, and its views on Jews and African Americans. The book also examines in detail the Klan's infamous 1924 anti-Catholic riot at Notre Dame University and draws alarming parallels between the Klan's message of the 1920s and current posturing by some Tea Party members and their sympathizers. Analyzing the complex religious arguments the Klan crafted to gain acceptability-and credibility-among angry Americans, Baker reveals that the Klan was more successful at crafting this message than has been credited by historians. To tell American history from this startling perspective demonstrates that some citizens still participate in intolerant behavior to protect a fabled white Protestant nation.

The high rates of Black arrests and incarceration from 1960-1990 were a direct result of deliberate government policies and a zealous criminal justice system, under the patriotic umbrella of the War on Crime. This stateside war shared a lot of similarities with the Vietnam war happening simultaneously: racism and extreme cruelty towards those seen as the enemy, deprecation of the others' culture, forceful use of a militarized police with combat experience, repeated failure to observe human rights, and mass incarceration. Unfortunately, this conflict continued long after the Vietnam war ended. Ronald L. Morris reviews those dark times, analyzing their causes, short- and long-term effects, and calls for change.

Indiana had the largest and most politically significant state organization in the massive national Ku Klux Klan movement of the 1920s. Using a unique set of Klan membership documents, quantitative analysis, and a variety of other sources, Leonard Moore p

With its fiery crosses and nightriders in pointed hoods and flowing robes, the Ku Klux Klan remains a recurring nightmare in American life. What began in the earliest post-Civil War days as a social group engaging in drunken hijinks at the expense of perceived inferiors soon turned into a murderous paramilitary organization determined to resist the "evils" of radical Reconstruction. For six generations and counting, the Klan has inflicted misery and death on countless victims nationwide and since the early 1920s, has expanded into distant corners of the globe. From the Klan's post-Civil War lynchings in support of Jim Crow laws, to its bloody stand against desegregation during the 1960s, to its continued violence in the militia movement at the turn of the 21st century, this revealing volume chronicles the complete history of the world's oldest surviving terrorist organization from 1866 to the present. The story is told without embellishment because, as this work demonstrates, the truth about the Ku Klux Klan is grim enough.

This book explores the role of music in the some five hundred feature-length films on the Middle Ages produced between the late 1890s and the present day. Haines focuses on the tension in these films between the surviving evidence for medieval music and the idiomatic tradition of cinematic music. The latter is taken broadly as any musical sound occurring in a film, from the clang of a bell off-screen to a minstrel singing his song. Medieval film music must be considered in the broader historical context of pre-cinematic medievalisms and of medievalist cinema’s main development in the course of the twentieth century as an American appropriation of European culture. The book treats six pervasive moments that define the genre of medieval film: the church-tower bell, the trumpet fanfare or horn call, the music of banquets and courts, the singing minstrel, performances of Gregorian chant, and the music that accompanies horse-riding knights, with each chapter visiting representative films as case studies. These six signal musical moments, that create a fundamental visual-aural core central to making a film feel medieval to modern audiences, originate in medievalist works predating cinema by some three centuries.