Limehouse, 1880: Dancing girls are going missing from 'Paradise' - the criminal manor with ruthless efficiency by the ferocious Lady Ginger. Seventeen-year-old music hall seamstress Kitty Peck finds herself reluctantly drawn into a web of blackmail, depravity and murder when The Lady devises a singular scheme to discover the truth. But as Kitty's scandalous and terrifying act becomes the talk of London, she finds herself facing someone even more deadly and horrifying than The Lady. Bold, impetuous and blessed with more brains than she cares to admit, it soon becomes apparent that it's up to the unlikely team of Kitty and her stagehand friend, Lucca, to unravel the truth and ensure that more girls do not meet with a similar fate. But are Kitty's courage and common sense and Lucca's book learning a match for the monster in the shadows? Their investigations take them from the gin-fuelled halls and doss houses of the East End to the champagne-fuelled galleries of the West End. Take nothing at face value: Kitty is about to step out on a path of discovery that changes everything . . .

A deliciously atmospheric and exciting Victorian mystery.

Summer 1881: the streets of Limehouse are thick with opium... and menace. At eighteen Kitty Peck has inherited Paradise, a sprawling criminal empire on the banks of the Thames. Determined to do things differently to her fearsome grandmother, she now realises that the past casts a long and treacherous shadow. Haunted by a terrible secret and stalked by a criminal cabal intent on humiliation and destruction, Kitty must fight for the future of everyone she cares for...

Kitty Peck is taking on the underworld of London's East End.The Music Hall Murders:It's 1880 and dancing girls are going missing from 'Paradise' - the criminal manor run with ruthless efficiency by the ferocious Lady Ginger. The Lady devises a singular scheme to discover the secret to the mystery, and suddenly seventeen-year-old music hall seamstress Kitty Peck is drawn into a web of blackmail, depravity and murder. Bold, impetuous and blessed with more brains than she cares to admit, Kitty, with the help of her stagehand friend, Lucca, is left to unravel the truth and ensure that more girls do not meet with a similar fate.The Child of Ill-Fortune:A year later, and Kitty Peck is the reluctant heiress to 'Paradise'. Far from the colour and camaraderie of the music hall where Kitty had been working, this new position brings with it isolation and uncertainty. Desperate to reconnect with Joey, her estranged brother, Kitty travels to Paris, but the joy of the reunion is overshadowed by his request for her to take a child back to London. Within days of her return it's clear that someone has followed them - and that this someone is determined to kill the child, along with anyone who stands in their way...

'Kitty Peck is a heroine amongst heroines.' MIRANDA CARTER 'Evocative and addictive.' Stylist's Best Fiction and Feminist Reads for November Even though Paradise was riddled with rot, I reckoned I could make it a cleaner place for the poor types who came with the dirty trades. I could make them all love me, I thought. I was wrong about that. I've been wrong about so much. When Kitty Peck took over Paradise - her grandmother's East End criminal empire - she thought she would be able to run it her own way. What Kitty didn't know was that her grandmother had also left her violently entwined with the Barons of London. This coterie of fiends will stop at nothing to gain power, and they've already robbed Kitty of so much that she held dear. Kitty is determined to do away with the dark underbelly of Paradise and to transform her music halls into the jewels of Limehouse. But as she begins her final assault on the Barons, a new threat appears in the form of an eerily charismatic preacher on a crusade against 'wickedness and vice'. Can Kitty save Paradise from destruction, without losing any more of the people she loves?

Hailed as one of the greatest psychological mysteries ever written and winner of the 1956 Mystery Writers of America Edgar Award for Best Novel, Beast in View remains as freshly sinister today as the day it was first published. Thirty-year-old Helen Clarvoe is scared and all alone. The heiress of a small fortune, she is resented by her mother and, to a lesser degree, her brother. The only person who seemingly cares for her is the family’s attorney, Paul Blackshear. A shut-in, Helen maintains her residence in an upscale hotel downtown. But passive-aggressive resentment isn’t the only thing hounding Helen Clarvoe. A string of bizarre and sometimes threatening prank phone calls has upended her spinster’s routine. Increasingly threatened, she turns to a reluctant Mr. Blackshear to get to the bottom of these strange calls. Blackshear is doubtful of their seriousness but he quickly realizes that he is in the midst of something far more sinister than he thought possible. As he unravels the mystery of the calls the identity behind them slowly emerges, predatory and treacherous.

What if the Great Fire of London wasn't an accident? London, 1666. Eleven-year-old Jem Green is a lonely but resourceful kitchen boy, always in trouble with the cook for pilfering from the larder. He's fascinated by the wealthy visitors he glimpses in the Dukes' household but when the powerful and frightening Count Cazalon requests to meet him, it becomes clear that his life might actually be in danger. And he is not the only child involved in the Count's sinister plan. As Jem starts meeting secretively with Ann, a young sorceress, and Tolly, a mute slave boy who can mind-speak, the three of them piece together the Count's terrible plans to devastate the City of London, and try to understand why Jem is at the heart of it all. 'Recalls Joan Aiken and Sally Gardner in its confident blend of historical fact with creepy fantasy' THE TIMES