Winner of the Ezra Jack Keats Award and the Margaret Wise Brown Prize SELECTED AS A BEST BOOK OF 2018 BY THE BOSTON GLOBE, KIRKUS REVIEWS, PUBLISHERS WEEKLY, AND BOOKPAGE “Empathetic, poetic, and a joy to look at, cute kitty and all.” —Kirkus Reviews (starred review) “This quiet, understated book contains a wealth of emotions.” –The Horn Book (starred review) “[Illustrator] Yoo sets a lovely mood, taking readers from sunset to dawn through washes of orange, pink, and blue, the watchman’s compassionate demeanor assuring them that all’s well.” —Publishers Weekly (starred review) “Yoo’s textured, serene artwork in beautiful saturated tones perfectly complements Sullivan’s lines and conveys a beauty in the night and the construction site that readers might otherwise miss.” —Booklist (starred review) “This soft, gentle story is a perfect bedtime story for lovers of trucks and construction equipment, cats, and nighttime wanders.” —BCCB (starred review) A stray kitten changes the way the watchman sees nighttime in this tender book based on a true story, illustrated by Strictly No Elephants artist Taeeun Yoo. The night watchman hugs his wife and kids and drives to work. All night he is alone. Every hour he makes his rounds. He sees the stars twinkling. He hears the sounds of the night: ki-DEE ki-DEE ki-DEE shhhhheeeeeEEEERRRROOOOooooommmmmm Woof! Woof! Woof! Meeeoooow. When he is joined by a stray kitten, the night suddenly seems different. Has the kitten found a new home? Kitten and the Night Watchman is inspired by the true story of author John Sullivan meeting a stray cat while working as a night watchman. The cat, Beebe, was John’s companion for seventeen years.

Michael Kelly is warm and compassionate writer. He is a man who left school early in life to pursue the trade of a ships carpenter. He writes about the passion and humour of people in a time gone by.His short stories are descriptive and as warm as the fire in the grate. He brings to life the memories of the night watchman, and the tenderness of Mary Ann.

Interviews with the legendary Warner Bros. artist who helped shaped the history of American animation

China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.

The third in the series of The House of The Seven Cats Adventure Stories introduces four new furry adventuresome characters; Kitten Angel, Mama Cat, Carlos and Priscilla. Through the magic of imagination one will travel through their how and why adventures with the new mansion's family members, Gramps, their three darling felines; Little man, Dusty, and Ben along with Man-E, the mansion's voice. You will also be meeting again, the mansion's first family, The House of the Seven Cats Family and their seven darling rascals; Molly, Little Mother, Grand Duchess Rebecca Ann, Cissy, Nutty Buddy, Captain Sam, and Teeny Yabbett. Fasten Your seatbealts! For this adventure is going to be a Doggone Heavenly Ride!

China has been one of the first countries to develop its own aesthetic for dynamic images and to create animation films with distinctive characteristics. In recent years, however, and subject to the influence of Western and Japanese animation, the Chinese animation industry has experienced several new stages of development, prompting the question as to where animation in China is heading in the future. This book describes the history, present and future of China’s animation industry. The author divides the business’s 95-year history into six periods and analyses each of these from an historical, aesthetic, and artistic perspective. In addition, the book focuses on representative works; themes; directions; artistic styles; techniques; industrial development; government support policies; business models; the nurturing of education and talent; broadcasting systems and animation. Scholars and students who are interested in the history of Chinese animation will benefit from this book and it will appeal additionally to readers interested in Chinese film studies.