Whether at an official tournament or a home kitchen table, every SCRABBLE player wants to be a winner--and these specially selected words and expert hints are guaranteed to boost scores. Based on the Official Scrabble Players Dictionary, Fourth Edition (currently one of the bestselling games and puzzles books) and with foreword by World SCRABBLE Champion Brian Cappelletto, this is the equivalent of an intensive training course. Complete with winning word lists, such as those that combine high-scoring letters, those that have a preponderance of vowels, and those that allow multiple I and U dumps, it also offers tips on hitting triple-triples and achieving those elusive 7-letter bingos. SCRABBLE, the distinctive game board and letter tiles, and all associated logos are trademarks of Hasbro in the United States and Canada and are used with permission. � 2007 Hasbro. All Rights Reserved.

Annie Fleming's family has always adjusted well to her hard driving career. How could they not? Annie keeps them in line at home with typed, edited, and proofed to-do and not-to-do lists for her husband, her babysitter, and her daughter. (No TV on a school night, please!) But when an obnoxious co-worker conspires to force Annie out of her job, she finds herself out of work and face-to-face with her family, who, it turns out, isn't quite as well-adjusted as Annie thought. Husband Tim doesn't have near the follow-through that Annie does (ordered to downsize his employees, he can't fire anybody!) And daughter Charlotte doesn't even try to make the local soccer team - a cut-throat, take-no-prisoners system run by Winslow West, a man who dreams of the Olympic gold his young charges will someday win for him. Here Annie is unemployed and Charlotte's the one with the quitting attitude? Annie doesn't think so. She's determined to get Charlotte on the A team, but finds that the soccer sidelines are more cutthroat than a boardroom ever was.

Alexander is autistic. When he is nine years old he is found dead in a bath of water. The only other person in the house at the time is his mother Ingrid. The circumstances arouse suspicion and the police take Ingrid into custody. Did she murder her child? And who could blame her if she did? She has had nine years of hell with her uncontrollable child, all those she cares about have deserted her, and not even the church has come to her assistance. Her efforts to find help for Alexander have left her bankrupt and she is emotionally and physically depleted. If it were not for Miriam and Gunter, she would surely never have endured the nine years... In this haunting novel Annelie Botes exposes the tragedy of autism and its devastating effect on families. Searingly honest, it brings home the inescapable truth that society can be cruelly indifferent to whatever it perceives to be aberrant.

Shortlisted for the Dundee International Book Prize, Necropsy in E Minor is the tale of a young college professor who sits down to write what he calls a “memoir,†but which really only records the past six months of his life (with numerous digressions), and ends, with the last line, after a richly devastating encounter, at the moment of writing.Who is this person? That is kept a secret, despite the fact that he is writing for no audience other than himself. His name does not appear, but those of others do, necessary to ensure the accuracy of the anagrams and puns that have helped map his universe since he found “The Note.†Given his disposal to interpret this anonymous confessional/fantasy story, an endeavor undertaken with the firm belief that it was written for him, by someone he knows, and purposefully left for him to find.Having abandoned the scholarly methodologies and subjects that would actually allow him to attain tenure, our professor on the lam performs all manner of linguistic analyses of the note, drives around the rim of Florida (the pilgrimage method, fittingly circular), desperately uses inkblots, the I Ching, and tarot cards for practical advice, adopts a cat named Sanity, becomes an amateur ornithologist, develops a theory of “instantaneous architecture,†endures a shamanic experience, and eggs himself on with the hope that, no matter what happens, his “memoir†might one day be found by archaeologists and thereby provide a key to human life at the close of the twentieth century.

This book is an intellectual journey. It is based in the fundamental Middle-American values and opinions, good and bad, of the happy days of the fifties. These values and opinions are dragged kicking and screaming through a rich and varied set of experiences as a young man, amazingly, is nurtured and tolerated by a usually hidebound navy. The journey ends with summaries about Russia, US Military policy and strategy, and the prospects for the social and political turmoil in America.

Novel: The life of a shy accountant is disrupted when he becomes an unwitting hero, rescuing ordinary people in extraordinary ways.

Is there a single right interpretation for such cultural phenomena as works of literature, visual artworks, works of music, the self, and legal and sacred texts? In these essays, almost all written especially for this volume, twenty leading philosophers pursue different answers to this question by examining the nature of interpretation and its objects and ideals. The fundamental conflict between positions that universally require the ideal of a single admissible interpretation (singularism) and those that allow a multiplicity of some admissible interpretations (multiplism) leads to a host of engrossing questions explored in these essays: Does multiplism invite interpretive anarchy? Can opposing interpretations be jointly defended? Should competition between contending interpretations be understood in terms of (bivalent) truth or (multivalent) reasonableness, appropriateness, aptness, or the like? Is interpretation itself an essentially contested concept? Does interpretive activity seek truth or aim at something else as well? Should one focus on interpretive acts rather than interpretations? Should admissible interpretations be fixed by locating intentions of a historical or hypothetical creator, or neither? What bearing does the fact of the historical situatedness of cultural entities have on their identities? The contributors are Annette Barnes, Noël Carroll, Stephen Davies, Susan Feagin, Alan Goldman, Charles Guignon, Chhanda Gupta, Garry Hagberg, Michael Krausz, Peter Lamarque, Jerrold Levinson, Joseph Margolis, Rex Martin, Jitendra Mohanty, David Novitz, Philip Percival, Torsten Pettersson, Robert Stecker, Laurent Stern, and Paul Thom.