"Following two journeys, Kit Carson's 1864 military expedition from Fort Bascom to Adobe Walls and Alvin Lynn's journey to document what happened are told"--

The ruins of Adobe Walls, one-time saloon, fort, and trading post with the Plains Indians was the 1864 site of the largest battle between the Indian and the U.S. Army. Some three hundred army troops, mostly cavalry, were led by famous western explorer, Indian agent, fighter and trapper Christopher (Kit) Carson. Not only was it the largest battle between the Indian and U.S. Army, it was the only time the army was forced to withdraw. Why withdraw? Because Carson and his New Mexico and California volunteers were outnumbered ten to one by their combined Kiowa, Comanche, and Arapaho enemy. Had it not been for Carson's command ability, a greater massacre than the Little Big Horn would have occurred.

"Following two journeys, Kit Carson's 1864 military expedition from Fort Bascom to Adobe Walls and Alvin Lynn's journey to document what happened are told"--

In the spring of 1874 a handful of men and one women set out for the Texas Panhandle to seek their fortunes in the great buffalo hunt. Moving south to follow the herds, they intended to establish a trading post to serve the hunter, or "hide men." At a place called Adobe Walls they dug blocks from the sod and built their center of operations After operating for only a few months, the post was attacked one sultry June morning by angry members of several Plains Indian tribes, whose physical and cultural survival depending on the great bison herd that were rapidly shrinking before the white men's guns. Initially defeated, that attacking Indians retreated. But the defenders also retreated leaving the deserted post to be burned by Indians intent on erasing all traces of the white man's presence. Nonetheless, tracing did remain, and in the ashes and dirt were buried minute details of the hide men's lives and the battle that so suddenly changed them. A little more than a century later white men again dug into the sod at Adobe Walls. The nineteenth-century men dug for profits, but the modern hunters sere looking for the natural time capsule inadvertently left by those earlier adventurers. The authors of this book, a historian and an archeologists, have dug into the sod and into far-flung archives to sift reality form the long-romanticized story of Adobe Walls, its residents, and the Indians who so fiercely resented their presence. The full story of Adobe Walls now tells us much about the life and work of the hide men, about the dying of the Plains Indian culture, and about the march of white commerce across the frontier.

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Still the least-understood theater of the Civil War, the Southwest Borderlands saw not only Union and Confederate forces clashing but Indians, Hispanos, and Anglos struggling for survival, power, and dominance on both sides of the U.S.-Mexico border. While other scholars have examined individual battles, Andrew E. Masich is the first to analyze these conflicts as interconnected civil wars. Based on previously overlooked Indian Depredation Claim records and a wealth of other sources, this book is both a close-up history of the Civil War in the region and an examination of the war-making traditions of its diverse peoples. Along the border, Masich argues, the Civil War played out as a collision between three warrior cultures. Indians, Hispanos, and Anglos brought their own weapons and tactics to the struggle, but they also shared many traditions. Before the war, the three groups engaged one another in cycles of raid and reprisal involving the taking of livestock and human captives, reflecting a peculiar mixture of conflict and interdependence. When U.S. regular troops were withdrawn in 1861 to fight in the East, the resulting power vacuum led to unprecedented violence in the West. Indians fought Indians, Hispanos battled Hispanos, and Anglos vied for control of the Southwest, while each group sought allies in conflicts related only indirectly to the secession crisis. When Union and Confederate forces invaded the Southwest, Anglo soldiers, Hispanos, and sedentary Indian tribes forged alliances that allowed them to collectively wage a relentless war on Apaches, Comanches, and Navajos. Mexico’s civil war and European intervention served only to enlarge the conflict in the borderlands. When the fighting subsided, a new power hierarchy had emerged and relations between the region’s inhabitants, and their nations, forever changed. Masich’s perspective on borderlands history offers a single, cohesive framework for understanding this power shift while demonstrating the importance of transnational and multicultural views of the American Civil War and the Southwest Borderlands.