WILL SHE, OR WON'T SHE... Studious and (mostly) sensible, the only thing Molly Wakefield wants to do is get through Senior Year and graduate. Well, that and hit the beach in her spare time. Okay, fine - and go shopping every once in a while for a new dress... (and who could blame her?) And things are going according to plan - until the day she spies Weston McGrath, handsome star athlete and scholar, spying on her in study hall. A tad creepy? Maybe. Thrilling? Absolutely. You see, Weston McGrath happens to be one guy no one can get close to. Despite her best efforts to avoid it (because let's face it - the guy isn't exactly "boyfriend material") Molly and Weston form a friendship. And more.... Sort of. But it's a friendship that comes with a price - because Weston just cannot seem to stop screwing things up. Or saying all the wrong things. Possibly in that order... And who has time for an 18 year old "fixer-upper" that should know better? Not Molly. Or does she?

Piss off the hot farmer ✔ Find out I'll be living in a funeral home ✔ Meet my new pet pig Petunia ✔ Day one in town proved one thing. . .I'm screwed. Welcome to Mudville, home of KISSING BOOKS, a standalone small town, opposites attract, fish out of water romantic comedy with lots of kissing (and other things), a cocky farmer, a sassy misplaced heroine with too many animals, some crazy locals, and a very happy ending for all of them! For fans of the laugh out loud, romantic comedy novels and series like those by Pippa Grant, Lili Valenti, Penelope Ward, Vi Keeland, Avery Flynn, Lauren Blakely, Kennedy Fox and Helena Hunting.

The Believer magazine presents a compendium of advice from producers, writers, and actors of The Daily Show, Saturday Night Live, Parks and Recreation, Late Show with David Letterman, The Hangover, and The Colbert Report, along with other musicians, cartoonists, New Yorker writers, and those similarly unqualified to offer guidance. Here Amy Sedaris describes the perfect murder for unwanted hermit crabs—you will need a piece of meat and a brick. Simon Rich explains how to avoid being found dead in your underwear by firemen—buy some long johns. Zach Galifianakis provides insight into how he changed his name without a social security card—he just started calling himself Adam Zapple, and it stuck. Bob Saget finally illuminates what “friends with benefits” really means—a nonsexual relationship wherein your ex makes monetary deposits into your bank account. Contributors include: Rob Baedeker, Anne Beatts, Elizabeth Beckwith, Jerri Blank, Roz Chast, Louis C.K., Mike Doughty, Dave Eggers, Rich Fulcher, Zach Galifianakis, Dan Guterman, Anthony Jeselnik, Julie Klausner, Lisa Lampanelli, Nick Hornby, Sam Lipsyte, Liam Lynch, Merrill Markoe, Rose McGowan, Misc. Canadian rock musicians, Laraine Newman, The Pleasure Syndicate, Bob Powers, Simon Rich, Bob Saget, George Saunders, Kristen Schaal, Paul Scheer, Amy Sedaris, Allison Silverman, Paul Simms, Brendon Small, Jerry Stahl, Scott Thompson, Fred Willard, Cintra Wilson, Weird Al Yankovic, and Alan Zweibel

Pale, blubbery Moo silently endures a rain of spite each day. But when he sees a murder, he must take a stand, and choose between truth and lies, weakness and strength...

What does theology have to say about the place of eroticism in the salvific transformation of men and women, even of the cosmos itself? How, in turn, does eros infuse theological practice and transfigure doctrinal tropes? Avoiding the well-worn path of sexual moralizing while also departing decisively from Anders Nygren’s influential insistence that Christian agape must have nothing to do with worldly eros, this book explores what is still largely uncharted territory in the realm of theological erotics. The ascetic, the mystical, the seductive, the ecstatic—these are the places where the divine and the erotic may be seen to converge and love and desire to commingle. Inviting and performing a mutual seduction of disciplines, the volume brings philosophers, historians, biblical scholars, and theologians into a spirited conversation that traverses the limits of conventional orthodoxies, whether doctrinal or disciplinary. It seeks new openings for the emergence of desire, love, and pleasure, while challenging common understandings of these terms. It engages risk at the point where the hope for salvation paradoxically endangers the safety of subjects—in particular, of theological subjects—by opening them to those transgressions of eros in which boundaries, once exceeded, become places of emerging possibility. The eighteen chapters, arranged in thematic clusters, move fluidly among and between premodern and postmodern textual traditions—from Plato to Emerson, Augustine to Kristeva, Mechthild to Mattoso, the Shulammite to Molly Bloom, the Zohar to the Da Vinci Code. In so doing, they link the sublime reaches of theory with the gritty realities of politics, the boundless transcendence of God with the poignant transience of materiality.

Presents essays on all phases of the American automobile industry and the effect of its product on individual lives and the culture of the society.