The story of The Pogues has been as riotous as their most rabble-rousing songs. From the streets of 80s London the Celtic Punks unleashed their hellraising 20-year career and in the process became legends; mythic troubadours whose popularity endures. This Omnibus Enhanced edition of Kiss My Arse has been revamped with an interactive digital timeline which paints the journey of The Pogues with videos and images of live performances, interviews, memorabilia and more. Also included is an integrated Spotify playlist containing the band’s greatest performances. To tell their story author Carol Clerk has interviewed Shane MacGowan, Spider Stacy, Jem Finer, Andrew Ranken, James Fearnley, Cait O'Riordan, and a clutch of associates, friends and fans. All paint a picture of a fiercely loyal group of musicians, their arguments and drunken spats, their love affairs, the drugs, the hirings and the firings, the marriages and deaths… but, above all, the music. This is their story, bared for all.

“Everything a really great music memoir should be.” —Colin Meloy The Pogues injected the fury of punk into Irish folk music and gave the world the troubled, iconic, darkly romantic songwriter Shane MacGowan. Here Comes Everybody is a memoir written by founding member and accordion player James Fearnley, drawn from his personal experiences and the series of journals and correspondence he kept throughout the band’s career. Fearnley describes the coalescence of a disparate collection of vagabonds living in the squats of London’s Kings Cross, with, at its center, the charismatic MacGowan and his idea of turning Irish traditional music on its head. With beauty, lyricism, and great candor, Fearnley tells the story of how the band watched helplessly as their singer descended into a dark and isolated world of drugs and drink, and sets forth the increasingly desperate measures they were forced to take. James Fearnley was born in 1954 in Worsley, Manchester. He played guitar in various bands, including The Nips with Shane MacGowan, before becoming the accordion player in The Pogues. Fearnley continues to tour with the band and lives in Los Angeles.

"But as A Drink with Shane MacGowan shows, the inspiration for his artistry and beliefs is as varied as his range of mind - embracing Ireland, religion, his family, esoteric philosophy and history."--Jacket.

Punk protagonist, legendary drinker, Irish musical icon. The complete and extraordinary journey of the Pogues' notorious frontman from outcast to national treasure has never been told - until now. A Furious Devotion vividly recounts the experiences that shaped the greatest songwriter of his generation: the formative trips to his mother's homestead in Tipperary, the explosion of punk which changed his life, and the drink and drugs that nearly ended it. As well as exclusive interviews with Shane himself, author Richard Balls has secured contributions from his wife and family, and people who have never spoken publicly about Shane before: close associates, former girlfriends and the English teacher who first spotted his literary gift. Nick Cave, Aidan Gillen, Cillian Murphy, Christy Moore, Sinead O'Connor and Dermot O'Leary are on the rollcall of those paying tribute to the gifted songwriter and poet. This frank and extensive biography also includes many previously unseen personal photographs, printed in black and white.

"Hauntingly good" - P.C. Cast, co-author of the #1 NYT bestselling House of Night series Like everyone born after The Shift, sixteen year-old Aura can see and talk to ghosts. Persistent, and often angry, some even on the verge of becoming Shades, these violet-hued spirits are constantly talking to her, following her, and demanding her help to make amends for their untimely deaths. Aura has always found this mysterious ability annoying and wished she could find a way to reverse it. She'd much rather the ghosts left her alone so she could spend time with her boyfriend, Logan. But when Logan dies suddenly and unexpectedly, Aura is forced to reconsider her connections with the dead… and, the living. Surely a violet-hued spirit Logan is better than no Logan at all, isn't it? And things are complicated further when new exchange student, Zachary, is paired with Aura for a class project researching the 'Shift phenomenon'. Zach is so understanding - and so very alive. His support and friendship means more to Aura than she cares to admit. And, as Aura's relationships with both the dead, and the living, become more complicated, so do her feelings for both Logon and Zach. Each holds a piece of her heart… and clues to the secret of the shift. "A fully satisfying read, with well-developed, believable characters. Smith-Ready changes the world completely by simply changing our ability to see" - Publishers Weekly, starred review

The Hum and the Shiver by Alex Bledsoe is an enchanting tale of music and magic older than the hills, and the first book in the wondrous Tufa series. . . . "Imagine a book somewhere between American Gods and Faulkner. In brief: a good book. Absolutely worth your time."—Patrick Rothfuss, New York Times bestselling author, on The Hum and the Shiver Private Bronwyn Hyatt had left her small town of Needsville for the army to escape the pressures of her mystical Tufa family legacy. She returns a lone survivor after a disastrous attack overseas, wounded in body and spirit. But cryptic omens warn of impending tragedy, and a restless haint lurks nearby, waiting to reveal Bronwyn's darkest secrets. Now Bronwyn finds the greatest battle lies right in her backyard, especially as young minister with too much curiosity arrives in town. If she makes the wrong choice, the consequences could be deadly for all the Tufa. . . . "A sheer delight."—Kirkus Reviews, starred review Enter the captivating world of the fae in Alex Bledsoe's Tufa novels The Hum and the Shiver Wisp of a Thing Long Black Curl Chapel of Ease Gather Her Round At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.