Experiences of a correspondent in Belgium during the European War of 1914.

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Experiences of a correspondent in Belgium during the European War of 1914.

Excerpt from Kings, Queens and Pawns: An American Woman at the Front I told her exactly half of why I was going. I had a shrewd idea that the question in itself meant nothing. But it gave her a good chance to look at me. She was a very clever woman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

For King and Country! All through England, all through France, all through that tragic corner of Belgium which remains to her, are similar armies, drilling and waiting, equally young, equally eager, equally resolute. And the thing they were going to I knew. I had seen it in that mysterious region which had swallowed up those who had gone before; in the trenches, in the operating, rooms of field hospitals, at outposts between the confronting armies where the sentries walked hand in hand with death. I had seen it in its dirt and horror and sordidness, this thing they were going to. War is not two great armies meeting in a clash and frenzy of battle. It is much more than that. War is a boy carried on a stretcher, looking up at God's blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been wounded by a

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.