The epic conclusion in the All the Dark Souls Trilogy.  Still reeling from their journey, Joss Brevyn—along with her assistant, Henrik, and the lost prince, Callan Ronen—have finally made it to Aselian. But what should have been a celebrated homecoming has been marred with tension, not knowing who to trust ever since learning that the Mask and his henchmen are rooted in Callan’s past. While getting inside the city walls may be easy, it’s reaching the royal family that proves to be difficult since the Mask has remained one step ahead of them. Truths will be revealed, new betrayals will surface, and a fight for the crown will begin, destroying more in its path than anyone expected. Aric Kayden, however, is glad to be home… until he realizes that he, too, has been betrayed. With a plot to kill him underway, Aric has a battle of his own that takes him all the way underneath the city’s streets. While it was never his intention to fight for the crown, Aric soon learns that he may have no choice if he wants to protect the woman that he loves. Bound in a final battle to save the prince, both Joss and Aric are forced to confront their fate, which may bring deadlier consequences than intended. Because Aselian has a threat hiding inside its walls—one that endangers not only them but the entirety of the realm.

Maya kings who failed to ensure the prosperity of their kingdoms were subject to various forms of termination, including the ritual defacing and destruction of monuments and even violent death. This is the first comprehensive volume to focus on the varied responses to the failure of Classic period dynasties in the southern lowlands. The contributors offer new insights into the Maya "collapse," evaluating the trope of the scapegoat king and the demise of the traditional institution of kingship in the early ninth century AD--a time of intense environmental, economic, social, political, and even ideological change. A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase

This stunning follow-up to Ellen Kushner’s cult-classic novel, Swordspoint, is set in the same world of labyrinthine intrigue, where sharp swords and even sharper wits rule. Against a rich tapestry of artists and aristocrats, students, strumpets, and spies, a gentleman and a scholar will find themselves playing out an ancient drama destined to explode their society’s smug view of itself–and reveal that sometimes the best price of uncovering history is being forced to repeat it…. The Fall of the Kings Generations ago the last king fell, taking with him the final truths about a race of wizards who ruled at his side. But the blood of the kings runs deep in the land and its people, waiting for the coming together of two unusual men, Theron Campion, a young nobleman of royal lineage, is heir to an ancient house and a modern scandal. Tormented by his twin duties to his family and his own bright spirit, he seeks solace in the University. There he meets Basil St. Cloud, a brilliant and charismatic teacher ruled by a passion for knowledge–and a passion for the ancient kings. Of course, everyone now knows that the wizards were charlatans and the kings their dupes and puppets. Only Basil ins not convinced–nor is he convinced that the city has seen its last king…

In the conclusion of the trilogy retelling the story of Homer's "Iliad," the allies of the Mykene king Agamemnon, including a reluctant Odysseus, ruler of Ithaca, and the fierce warrior Achilles, gather to prepare a final onslaught against the Golden City of Troy.

Look forward to King Jesus' perfect rule and kingdom as you look back at the rise of King Solomon--and his fall.

More than two decades ago, John Galliano and Alexander McQueen arrived on the fashions scene when the business was in an artistic and economic rut. Both wanted to revolutionize fashion in a way no one had in decades. They shook the establishment out of its bourgeois, minimalist stupor with daring, sexy designs. They turned out landmark collections in mesmerizing, theatrical shows that retailers and critics still gush about and designers continue to reference. Their approach to fashion was wildly different—Galliano began as an illustrator, McQueen as a Savile Row tailor. Galliano led the way with his sensual bias-cut gowns and his voluptuous hourglass tailoring, which he presented in romantic storybook-like settings. McQueen, though nearly ten years younger than Galliano, was a brilliant technician and a visionary artist who brought a new reality to fashion, as well as an otherworldly beauty. For his first official collection at the tender age of twenty-three, McQueen did what few in fashion ever achieve: he invented a new silhouette, the Bumster. They had similar backgrounds: sensitive, shy gay men raised in tough London neighborhoods, their love of fashion nurtured by their doting mothers. Both struggled to get their businesses off the ground, despite early critical success. But by 1997, each had landed a job as creative director for couture houses owned by French tycoon Bernard Arnault, chairman of LVMH. Galliano’s and McQueen’s work for Dior and Givenchy and beyond not only influenced fashion; their distinct styles were also reflected across the media landscape. With their help, luxury fashion evolved from a clutch of small, family-owned businesses into a $280 billion-a-year global corporate industry. Executives pushed the designers to meet increasingly rapid deadlines. For both Galliano and McQueen, the pace was unsustainable. In 2010, McQueen took his own life three weeks before his womens' wear show. The same week that Galliano was fired, Forbes named Arnault the fourth richest man in the world. Two months later, Kate Middleton wore a McQueen wedding gown, instantly making the house the world’s most famous fashion brand, and the Metropolitan Museum of Art opened a wildly successful McQueen retrospective, cosponsored by the corporate owners of the McQueen brand. The corporations had won and the artists had lost. In her groundbreaking work Gods and Kings, acclaimed journalist Dana Thomas tells the true story of McQueen and Galliano. In so doing, she reveals the revolution in high fashion in the last two decades—and the price it demanded of the very ones who saved it.

The Celestial King is the heart of the kingdom. He ensures peace and prosperity. His time of death has come. As the Celestial King is slowly dying, the Kingdom of Narilan is withering away. In these harsh times, people pray for a just and compassionate ruler. Yet rumors speak of a powerful and merciless warrior who is already on the way. This is his tale.