"In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the kingdom to its core"--Page 4 of cover.

‘Yuri Herrera has been described as Mexico’s greatest living novelist...Believe the hype.’ Readings In the court of the King, everyone knows their place. But as the Artist wins hearts and egos with his ballads, uncomfortable truths emerge that shake the Kingdom to its core. Part surreal fable and part crime romance, Kingdom Cons by Yuri Herrera questions the price of keeping your integrity in a world ruled by patronage and power. Described as ‘Mexico’s greatest novelist’, Yuri Herrera has followed up The Transmigration of Bodies and Signs Preceding the End of the World with an extraordinary story about passion and violence, about the vital role of the Artist in our society, and about the strangeness of our world. Born in Actopan, Mexico, in 1970, Yuri Herrera studied Politics in Mexico, Creative Writing in El Paso and took his PhD in literature at Berkeley. His first novel to appear in English, Signs Preceding the End of the World, was published to critical acclaim in 2015 and included in many Best-of-Year lists, as did his second novel, The Transmigration of Bodies, in 2016. He is currently teaching at the University of Tulane in New Orleans. ‘At one point in Kingdom Cons The Artist boasts, “If you’re saying what happened, why bother with a song? Corridor aren’t only true; they’re also beautiful and just.” He may come to realise how his corridor can be used to other ends, but Herrera’s novels stay beautiful and just.’ New Republic ‘Kingdom Cons rises above a mere tale of lost innocence or a drug-land eulogy, specifically because it is the language and not the narrative that powers its subject. Herrera’s writing reinvents its own territory with simultaneous streetwise mischief and canonical splendour. At times a Renaissance quill, at other times a tattier’s needle, his syntax misbehaves masterfully, and Lisa Dillman proves herself once again exquisitely loyal to his lyrical disobedience with this translation, its prose so alive that it recalls Roland Barthes’s description of “language lined with flesh”.’ New Statesman ‘His [Herrera’s] books are bracingly taut, his skill with concision impressive.’ National Post ‘Kingdom Cons is captivating in that Yuri Herrera has seemingly wandered off into the deserts of the genre and has come out on another shore of a different planet...crime is mentioned with a side-glance, the role of power is beheld at close attention, and the language itself is short, poetic, elliptical.’ KQPD ‘With his signature palpable lucidity of the uncanny he [Herrera] blends crime romance with elements of surreal fable.’ Better Read Than Dead ‘I would really recommend reading this author, he’s fantastic’ Radio NZ ‘Kingdom Cons is another great novel from a writer at the top of his game, and is a must read for any fans of Latin American or world literature.’ AU Review ‘Herrera’s fable dives into the murky role of art in a fiefdom marked by endemic violence and the ruthless pursuit of power. It presents Mexican cartel culture through an almost surreal blend of medieval romance and hardboiled noir, and will rivet and disturb a broad readership, from crime fiction fans to lovers of Latin American literature.’ Sydney Morning Herald ‘Herrera creates a radically new language and condenses into a few pages what other authors need hundreds to convey...a surprising literary jewel’ Nation ‘Mexico’s Yuri Herrera is a rare thing: a writer to get truly excited about...It is writing that is simultaneously concise and epic, dynamically plotted and intelligent, aware of literary heritage and stunningly original...This is writing that demands and deserves attention.’ Saturday Paper on The Transmigration of Bodies and Signs Preceding the End of the World ‘Yuri Herrera is Mexico’s greatest novelist. His spare, poetic narratives and incomparable prose read like epics compacted into a single perfect punch—they ring your bell, your being, your soul.’ Francisco Goldman on The Transmigration of Bodies ‘Yuri Herrera must be a thousand years old. He must have travelled to hell, and heaven, and back again. He must have once been a girl, an animal, a rock, a boy, and a woman. Nothing else explains the vastness of his understanding.’ Valeria Luiselli ‘The Artist’s mission statement could speak for the whole of Mr Herrera’s daring and memorable project: “Let them be scared, let the decent take offence. Put them to shame. Why else be an artist?”’ Wall Street Journal ‘[Yuri Herrera’s novellas] constitute one of the most astonishing bodies of work to have made it into English from any other language in the last couple of decades.’ Asymptote ‘A liminal story that is all at once a gritty exploration of Mexican gang life and a poetic examination of the human spirit.’ Otago Daily Times ‘Although this novella is set in contemporary Mexico, you could be forgiven for thinking Kingdom Cons was a fable from some ancient time. All the ingredients are there: a kingdom with a ruthless ruler...the bowing and scraping courtiers...the gossip and political intrigues...Mexican-born Yuri Herrera is a master of spare, wise-cracking lingo with a hint of the surreal. Well worth reading.’ North and South

• The latest extraordinary novella from ‘Mexico’s greatest novelist’ • Written in his trademark playful and bawdy style, Yuri Herrera’s Kingdom Cons is the story of the Artist who becomes beloved by the kingdom and begins to question the inexorable power of the King • Herrera’s unique brand of surreal and innovative story-telling combines elements of hardboiled crime, myth, allegory and the Shakespearean to create condensed noir epics • This short novel sees Herrera add the dimension of fable to his trademark noir • Kingdom Cons won the Premio otras voces, otros ámbitos, a prominent Spanish-language literary award • Herrera is a guest of Adelaide Writers Week in 2017 • Will attract wide review coverage in the literary press

Chuck Taylor's OCD has rendered him a high school outcast. His endless routines and habitual hand washing threaten to scare away both his closest friend and the amazing new girl in town. Sure he happens to share the name of the icon behind the coolest sneakers in the world, but even Chuck knows his bizarre system of wearing different color "Cons" depending on his mood is completely crazy. In this hilariously candid debut novel from comedian Aaron Karo—who grew up with a few obsessions and compulsions of his own—very bad things are going to happen to Chuck. But maybe that's a good thing. Because with graduation looming, Chuck finds himself with one last chance to face his inner demons, defend his best friend, and win over the girl of his dreams. No matter what happens, though, he'll have to get his hands dirty.

In this brilliant debut fantasy, a story of secrets, rebellion, and murder are shattering the Hollows, where magic costs memory to use, and only the son of the kingdom’s despised traitor holds the truth. Michael is branded a traitor as a child because of the murder of the king’s nine-year-old son, by his father David Kingman. Ten years later on Michael lives a hardscrabble life, with his sister Gwen, performing crimes with his friends against minor royals in a weak attempt at striking back at the world that rejects him and his family. In a world where memory is the coin that pays for magic, Michael knows something is there in the hot white emptiness of his mind. So when the opportunity arrives to get folded back into court, via the most politically dangerous member of the kingdom’s royal council, Michael takes it, desperate to find a way back to his past. He discovers a royal family that is spiraling into a self-serving dictatorship as gun-wielding rebels clash against magically trained militia. What the truth holds is a set of shocking revelations that will completely change the Hollows, if Michael and his friends and family can survive long enough to see it.

"The things people inscribe on tombstones, even if only with their breath--erasing those things is what the Redeemer's there for."

Surreal and gothic, The Iliac Crest is a masterful excavation of forgotten Mexican women writers, illustrating the myriad ways that gendered language can wield destructive power. On a dark and stormy night, two mysterious women invade an unnamed narrator’s house, where they proceed to ruthlessly question their host’s identity. The women are strangely intimate―even inventing together an incomprehensible, fluid language―and harass the narrator by repeatedly claiming that they know his greatest secret: that he is, in fact, a woman. As the increasingly frantic protagonist fails to defend his supposed masculinity, he eventually finds himself in a sanatorium. Published for the first time in English, this Gothic tale is “utterly weird yet deeply resonant in its portrayal of gendered violence” (The Millions). Through layered and haunting prose, Cristina Rivera Garza unravels the cultural and political histories of Mexico, probing at the misogyny that fuels the disappearance of women in literature and in real life. "Astounding and thought-provoking." —Publishers Weekly (starred review) “An intelligent, beautiful story about bodies disguised as a story about language disguised as a story about night terrors. Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. She is an agitator.” —Yuri Herrera, author of Kingdom Cons