King Stakh's Wild Hunt tells the tale of Andrey Belaretsky, a young folklorist who finds himself stranded by a storm in the castle of Marsh Firs, the seat of the fading aristocratic Yanovsky family. Offered refuge by Nadzeya, the last in the Yanovskys' line, he learns of the family curse and terrible apparitions that portend her early death and trap her in permanent, maddening fear. As Belaretsky begins to unravel the secrets of the Yanovskys, he himself becomes quarry of the Wild Hunt, silent phantoms who stalk the marshes on horseback and deliver death to all who cross their path. He must uncover the truth behind the ghostly hunt to release Nadzeya from her fate and undo the curse that hangs over the marshes.

It is a quiet place, with lush green grass covering the location of the former Belarusian village. A village that was burned to the ground with its inhabitants in 1943. Anyone familiar with this small corner of Eastern Europe is chilled to the bone by the events that transpired there, and the village’s name Khatyn has now come to embody a horrific national tragedy. But tragedy is not all this name embodies, for it also reminds people of the tremendous courage of those who fought for the life and freedom of their country. It is the story of this village and the events that surround its annihilation that are the focus of Ales Adamovich’s novel Khatyn, which was written on the basis of historical documents. The author, himself a World War II veteran and partisan, depicts the reality of the partisan resistance to fascism in Belarus. The main character is a man named Florian, who in his memories returns to events that transpired some thirty years ago, when as a teenager he joined a partisan unit and met his future wife, Glasha. He witnesses how the villagers of Khatyn are burned alive as reprisal for supporting the partisan movement. The monstrous cruelty of the death squad and its commanders manifested itself in the act of punishing the entire community for the deeds of those who had helped the partisans. The village, composed mostly of the elderly and mothers with children, was locked inside a barn. After being covered with dry hay, the barn was set ablaze with the families inside. Over half a century later, Adamovich’s story about the courage of ordinary people has not lost its immediacy. Today, the world is still marred by war crimes committed against communities of noncombatant. Khatyn is a testament to an event that must not be forgotten, and to a reality that must not be repeated.

Hilary Mantel and Ben Miles' exhilarating stage adaptation of The Mirror and the Light, one of 2021's must-see theatrical events, and the long awaited conclusion to the Oliver Award-winning Wolf Hall Trilogy.

As interest in folklore increases, the folktale acquires greater significance for students and teachers of literature. The material is massive and scattered; thus, few students or teachers have accessibility to other than small segments or singular tales or material they find buried in archives. Stith Thompson has divided his book into four sections which permit both the novice and the teacher to examine oral tradition and its manifestation in folklore. The introductory section discusses the nature and forms of the folktale. A comprehensive second part traces the folktale geographically from Ireland to India, giving culturally diverse examples of the forms presented in the first part. The examples are followed by the analysis of several themes in such tales from North American Indian cultures. The concluding section treats theories of the folktale, the collection and classification of folk narrative, and then analyzes the living folklore process. This work will appeal to students of the sociology of literature, professors of comparative literature, and general readers interested in folklore.

This database is an electronic edition of the Motif-Index of Folk-Literature, revised and enlarged by Stith Thompson, (Bloomington: Indiana University Press, 1955).