The Queen of Sheba comes to Jerusalem to test King Solomon's wisdom. The king answers all her questions and reveals the splendor of his realm in this epic love story for children. Based on Biblical, Rabbinic and Ethiopian sources.

Lost for centuries, the Kebra Nagast (The Glory of Kings) is a truly majestic unveiling of ancient secrets. These pages were excised by royal decree from the authorized 1611 King James version of the Bible. Originally recorded in the ancient Ethiopian language (Ge'ez) by anonymous scribes, The Red Sea Press, Inc. and Kingston Publishers now bring you a complete, accurate modern English translation of this long suppressed account. Here is the most startling and fascinating revelation of hidden truths; not only revealing the present location of the Ark of the Covenant, but also explaining fully many of the puzzling questions on Biblical topics which have remained unanswered up to today.

The Queen of Sheba has unparalleled power and wealth, but when King Solomon offers her the one thing her heart still desires, what will she risk to obtain it?

As the ruler of two kingdoms, Ethiopia and Yemen, Sheba controlled the Red Sea, an important trade route, and was a legendary trader-with precious spices and stones and gold at her command. Sheba had heard of King Solomon and wanted to meet the man who was known to surpass all the kings of the earth in riches and wisdom. Solomon ruled Israel and built a magnificent temple in Jerusalem that housed the Ark of the Covenant; he believed in the One True God and authorized the Bible's Song of Songs and the book of Ecclesiastes. Sheba traveled six long months over the Arabian Desert to meet King Solomon in Jerusalem, where she showered him with gold and gifts, hoping to establish new trade routes. The Secrets of Solomon and the Queen of Sheba brings the story of the infamous meeting between these two influential people from ancient times to vivid life.

'An enthralling journey into an ancient world.' - Edoardo Albert, author of Edwin: High King of Britain A vividly-realized and beautifully crafted novel focused around the fabled meeting between Sheba and Solomon Against all odds Makeda, daughter of an obscure African chieftain, is chosen as Queen of all Sheba. Recognizing her own inexperience, yet desperately wanting to address Sheba's appalling social injustice, she is persuaded by her cousin Tamrin, wealthy merchant and narrator of the novel, to visit Solomon, King of Israel, to find out about how he governs his kingdom. She is hugely impressed by Israel's prosperity, by the wisdom and integrity with which Solomon rules, by the Hebrew religion, which she decides to adopt as her own, and by the justice for all that she determines to copy. However Solomon, who is trapped in a childless and loveless dynastic marriage with Pharaoh's daughter, allows himself to fall in love with the beautiful and intelligent African. He eventually tricks her into sleeping with him, and on the return journey to Sheba she discovers that she is pregnant. The son to whom she gives birth grows up in the court of Sheba, and eventually travels to Israel with Tamrin, to meet his father. But Solomon is a broken man, having put his doomed love for Makeda and need for an heir before his relationship with God. He has taken hundreds of wives and concubines in a fruitless attempt to recapture the love which he and Makeda shared. And Israel is no longer the nation of his youth . . . When the leader of the nation of God is apostate, where will the blessing fall?

Over the centuries, Jewish and Muslim writers transformed the biblical Queen of Sheba from a clever, politically astute sovereign to a demonic force threatening the boundaries of gender. In this book, Jacob Lassner shows how successive retellings of the biblical story reveal anxieties about gender and illuminate the processes of cultural transmission. The Bible presents the Queen of Sheba's encounter with King Solomon as a diplomatic mission: the queen comes "to test him with hard questions," all of which he answers to her satisfaction; she then praises him and, after an exchange of gifts, returns to her own land. By the Middle Ages, Lassner demonstrates, the focus of the queen's visit had shifted from international to sexual politics. The queen was now portrayed as acting in open defiance of nature's equilibrium and God's design. In these retellings, the authors humbled the queen and thereby restored the world to its proper condition. Lassner also examines the Islamization of Jewish themes, using the dramatic accounts of Solomon and his female antagonist as a test case of how Jewish lore penetrated the literary imagination of Muslims. Demonizing the Queen of Sheba thus addresses not only specialists in Jewish and Islamic studies, but also those concerned with issues of cultural transmission and the role of gender in history.

The Kebra Nagast is an ancient text, detailing the relationship between King Solomon and the Queen of Sheba; this work examines these legends, and how they correspond with Ethiopian folklore and the Holy Bible. Written by Ethiopian scholar Is'haq Neburä -Id in the 14th century, the Kebra Nagast is a complete narration of the meeting and relationship between the ancient King Solomon and the Ethiopian Queen named Sheba. Drawing heavily upon the Biblical lore, the Kebra Nagast includes further detail upon pertinent topics; other ancient monarchs, prophetic visions, and the culture of the court of Ethiopia. The final chapters allude to the birth, life and death by crucifixion of Jesus Christ, with foreshadowings to these momentous events also present earlier in the Kebra Nagast. This book is an informed and heavily detailed treatise by academic, archaeologist and scholar of antiquity E. A. Wallis Budge, who acts as both translator and annotator. Imbuing his narration with the knowledge he had gained from several decades of excavations, researches and learning, we are treated to an intense and detailed translation of each chapter. Some thirty-one illustrations accompany the text; they belong to the British Museum's Maḳdalâ Collection of aged Ethiopian artworks.