HOW CHINA'S MOST CELEBRATED VIOLIN PRODIGY BECAME AN ENEMY OF STATE. The King of Violins is the heartbreaking story of China's most celebrated violin prodigy, Ma Sicong, who composed his first concerto at the age of 12. During his career, this gentle, dignified man composed 57 of the world's best-known symphonies and concertos and performed in front of hundreds of sold-out audiences across the globe. Chairman Mao Zedong declared Ma Sicong "a national treasure" and nicknamed him The King of Violins. Soon, Chairman Mao's brutal Cultural Revolution distorted the truth of Ma's life and work. He is forced to wear a dunce cap, and is publicly humiliated and physically abused by cadres of Red Guards as "a vile product of bourgeois thinking." Ma and his family make a breath-taking escape in the darkness to America. After Chairman Mao died in 1976, the real circumstances of Ma's poignant, bittersweet life were buried in the pages of history by an embarrassed Chinese government. Eleven years later, Ma died at the age of 76 in Philadelphia. The King of Violins, written in cooperation with all of Ma's remaining family members, and is the first politically balanced life story about this generous, conflicted musical genius. (Contains 89 rare vintage photographs).

“[A] magical, profound, and elegant look at the continued need for high quality in our throw away society.” —Douglas Brinkley, Historian This intensely human story, which moves from an ageless workshop in Brooklyn to the rehearsal rooms of Carnegie Hall and Lincoln Center, and across the globe to Cremona, the birthplace of Stradivari, opens up for the reader the insular and fascinating realm of music, musicians, and the craftsmanship that is essential to that world. How does a simple piece of wood become the king of instruments? On a quest to learn about what many consider the world’s most perfect instrument, author and musician John Marchese befriends Sam Zygmuntowicz, an old-world craftsman in Brooklyn, New York, along with the man who is waiting for Sam’s next violin, Eugene Drucker of the world famous Emerson String Quartet. The violin does something remarkable, magical, and evocative. It is capable of bringing to life the mathematical marvels of Bach, the moan of a Gypsy melody, the wounded dignity of Beethoven's Concerto in D Major. No other instrument is steeped in such a rich brew of myth and lore—and yet the making of a violin starts with a simple block of wood. The Violin Maker takes the reader on a journey as that block of wood, in the hands of a master craftsman, becomes an instrument to rival one made by the greatest master of all time.

GOOD MORNING AMERICA BOOK CLUB PICK! • Ray McMillian is a Black classical musician on the rise—undeterred by the pressure and prejudice of the classical music world—when a shocking theft sends him on a desperate quest to recover his great-great-grandfather’s heirloom violin on the eve of the most prestigious musical competition in the world. “I loved The Violin Conspiracy for exactly the same reasons I loved The Queen’s Gambit: a surprising, beautifully rendered underdog hero I cared about deeply and a fascinating, cutthroat world I knew nothing about—in this case, classical music.” —Chris Bohjalian, #1 New York Times bestselling author of The Flight Attendant and Hour of the Witch Growing up Black in rural North Carolina, Ray McMillian’s life is already mapped out. But Ray has a gift and a dream—he’s determined to become a world-class professional violinist, and nothing will stand in his way. Not his mother, who wants him to stop making such a racket; not the fact that he can’t afford a violin suitable to his talents; not even the racism inherent in the world of classical music. When he discovers that his beat-up, family fiddle is actually a priceless Stradivarius, all his dreams suddenly seem within reach, and together, Ray and his violin take the world by storm. But on the eve of the renowned and cutthroat Tchaikovsky Competition—the Olympics of classical music—the violin is stolen, a ransom note for five million dollars left in its place. Without it, Ray feels like he's lost a piece of himself. As the competition approaches, Ray must not only reclaim his precious violin, but prove to himself—and the world—that no matter the outcome, there has always been a truly great musician within him.

Even Joshua Bell makes mistakes, but there is always a second chance. As a young student of the violin, Joshua Bell learns about an international competition to be held in Kalamazoo, Michigan. He chooses a piece of music, which his teacher suggests may be too difficult, but Joshua is determined. It’s a piece of music he loves. At the competition, Joshua experiences the usual jitters. Once his name is called, he strides to the stage and begins to play, but almost immediately, he makes a mistake. As he is about to walk off the stage, he asks the judges if could try again. They agree, and this time, the playing is impeccable. Dušan Petricic’s brilliant illustrations full of movement and color, capture the sounds made by Joshua’s violin, from the missed notes to the swirling, uplifting strains of the perfectly executed piece. Children will readily empathize with Joshua’s misstep, but they will also learn that there is always a second chance.

“’Tis God gives skill, but not without men’s hands: He could not make Antonio Stradivari’s violins without Antonio.” –George Eliot Antonio Stradivari (1644—1737) was a perfectionist whose single-minded pursuit of excellence changed the world of music. In the course of his long career in the northern Italian city of Cremona, he created more than a thousand stringed instruments; approximately six hundred survive. In this fascinating book, Toby Faber traces the rich, multilayered stories of six of these peerless instruments–five violins and a cello–and the one towering artist who brought them into being. Blending history, biography, meticulous detective work, and an abiding passion for music, Faber embarks on an absorbing journey as he follows some of the most prized instruments of all time. Mysteries and unanswered questions proliferate from the outset–starting with the enigma of Antonio Stradivari himself. What made this apparently unsophisticated craftsman so special? Why were his techniques not maintained by his successors? How is it that even two and a half centuries after his death, no one has succeeded in matching the purity, depth, and delicacy of a Stradivarius? In Faber’s illuminating narrative, each of the six fabled instruments becomes a character in its own right–a living entity cherished by artists, bought and sold by princes and plutocrats, coveted, collected, hidden, lost, copied, and occasionally played by a musician whose skill matches its maker’s. Here is the fabulous Viotti, named for the virtuoso who enchanted all Paris in the 1780s, only to fall foul of the French Revolution. Paganini supposedly made a pact with the devil to transform the art of the violin–and by the end of his life he owned eleven Strads. Then there’s the Davidov cello, fashioned in 1712 and lovingly handed down through a succession of celebrated artists until, in the 1980s, it passed into the capable hands of Yo-Yo Ma. From the salons of Vienna to the concert halls of New York, from the breakthroughs of Beethoven’s last quartets to the first phonographic recordings, Faber unfolds a narrative magnificent in its range and brilliant in its detail. “A great violin is alive,” said Yehudi Menuhin of his own Stradivarius. In the pages of this book, Faber invites us to share the life, the passion, the intrigue, and the incomparable beauty of the world’s most marvelous stringed instruments.