As a city that seems to float between Europe and Asia, removed by a lagoon from the tempos of terra firma, Venice has long seduced the Western imagination. Since the 1797 fall of the Venetian Republic, fantasies about the sinking city have engendered an elaborate series of romantic clichés, provoking conflicting responses: some modern artists and intellectuals embrace the resistance to modernity manifest in Venice's labyrinthine premodern form and temporality, whereas others aspire to modernize by "killing the moonlight" of Venice, in the Futurists' notorious phrase. Spanning the history of literature, art, and architecture—from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover—Killing the Moonlight tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new. Killing the Moonlight brings Venice into the geography of modernity as a living city rather than a metaphor for death, and presents the archipelago as a crucible for those seeking to define and transgress the conceptual limits of modernism. In strategic detours from the capitals of modernity, the book redrafts the confines of modernist culture in both geographical and historical terms.

"One hundred years ago, under the light of a full moon, 12-year-old John Diefenbaker and his younger brother, Elmer, are nearby when their neighbour is shot to death in a field. The murder in small-town Saskatchewan ignites a desperate search for the killer and when a family friend of the Diefenbakers is arrested for the murder, John is certain they have the wrong person. With the help of the man's 11-year-old daughter, Summer Storm, John and Elmer set out to prove his innocence. But with only five days left before the murder trial, time is running out ..."--The publisher.

A bundle of books #1 (GIRL ONE: MURDER) and #2 (GIRL TWO: TAKEN) in Molly Black’s Maya Gray FBI Suspense Thriller series! This bundle offers books one and two in one convenient file, with over 100,000 words of reading. 12 cold cases. 12 kidnapped women. One diabolical serial killer. In this bestselling suspense thriller, a brilliant FBI agent faces a deadly challenge: decipher the mystery before each one is murdered. FBI Special Agent Maya Gray, 39, has seen it all. She’s one of BAU’s rising stars and the go-to agent for hard-to-crack serial cases. When she receives a handwritten postcard promising to release 12 kidnapped women if she will solve 12 cold cases, she assumes it’s a hoax. Until the note mentions that, among the captives, is her missing sister. Maya, shaken, is forced to take it seriously. The cases she’s up against are some of the most difficult the FBI has ever seen. But the terms of his game are simple: If Maya solves a case, he will release one of the girls. And if she fails, he will end a life. In GIRL ONE: MURDER (Book #1), Maya embarks with an urgency unlike any she’s ever felt. In a race against time, and with her sister’s life hanging in the balance, she must unravel the link between the 12 captives and end the killer’s dark game once and for all. Is this killer toying with her? Does he truly have her sister? Will he ever give her back? Or will Maya end up sucked too deep into this killer’s twisted cat-and-mouse game to notice that she, herself, is the prey? In GIRL TWO: TAKEN (Book #2), Maya must solve the murder of a female corrections officer. A seemingly black-and-white case, closed years ago, the local police refuse to take it up again. But as Maya delves into the world of prisons, correction officers and ex-cons, she quickly sees there is more there than meets the eye. She, it turns out, was not the only officer murdered. It was a serial. And this killer is more complex—and unpredictable—than anyone can imagine. And if Maya doesn’t solve this case soon, her own sister’s life may be on the line. Meanwhile, the first released “bunny” has given the FBI a promising lead on the killer’s whereabouts—but are they walking into a trap? A complex psychological crime thriller full of twists and turns and packed with heart-pounding suspense, the MAYA GRAY mystery series will make you fall in love with a brilliant new female protagonist and keep you turning pages late into the night. It is a perfect addition for fans of Robert Dugoni, Rachel Caine, Melinda Leigh or Mary Burton. Books #3-#9 in the series—GIRL THREE: TRAPPED, GIRL FOUR: LURED, GIRL FIVE: BOUND, GIRL SIX: FORSAKEN, GIRL SEVEN: CRAVED, GIRL EIGHT: HUNTED, and GIRL NINE: GONE—are now also available.

A chronicle of violent fury and compassion, written when Surrealism was still vigorous and doing battle with psychotic "reality," The Journal of Albion Moonlight is the American monument to engagement.