This is the book fans of Candace Bushnell have been waiting for. From the author of Sex and the City, Lipstick Jungle, and The Carrie Diaries comes an addictive story about fame, love, and foolishness that will keep readers enthralled to the very last enticing scene. Pandy "PJ" Wallis is a renowned writer whose novels about a young woman making her way in Manhattan have spawned a series of blockbuster films. After the success of the Monica books and movies, Pandy wants to attempt something different: a historical novel based on her ancestor Lady Wallis. But Pandy's publishers and audience only want her to keep cranking out more Monica-as does her greedy husband, Jonny, who's gone deeply in debt to finance his new restaurant in Las Vegas. When her marriage crumbles and the boathouse of her family home in Connecticut goes up in flames, Pandy suddenly realizes she has an opportunity to reinvent herself. But to do so, she will have to reconcile with her ex-best friend and former partner in crime, SondraBeth Schnowzer, who plays Monica on the big screen-and who may have her own reasons to derail Pandy's startling change of plan. In Killing Monica, Candace Bushnell spoofs and skewers her way through pop culture, celebrity worship, fame, and the meaning of identity. With her trademark humor and style, this is Bushnell's sharpest, funniest book to date

Winner of the Caughey Western History Prize Winner of the Robert G. Athearn Award Winner of the Lawrence W. Levine Award Winner of the TCU Texas Book Award Winner of the NACCS Tejas Foco Nonfiction Book Award Winner of the María Elena Martínez Prize Frederick Jackson Turner Award Finalist “A page-turner...Haunting...Bravely and convincingly urges us to think differently about Texas’s past.” —Texas Monthly Between 1910 and 1920, self-appointed protectors of the Texas–Mexico border—including members of the famed Texas Rangers—murdered hundreds of ethnic Mexicans living in Texas, many of whom were American citizens. Operating in remote rural areas, officers and vigilantes knew they could hang, shoot, burn, and beat victims to death without scrutiny. A culture of impunity prevailed. The abuses were so pervasive that in 1919 the Texas legislature investigated the charges and uncovered a clear pattern of state crime. Records of the proceedings were soon filed away as the Ranger myth flourished. A groundbreaking work of historical reconstruction, The Injustice Never Leaves You has upended Texas’s sense of its own history. A timely reminder of the dark side of American justice, it is a riveting story of race, power, and prejudice on the border. “It’s an apt moment for this book’s hard lessons...to go mainstream.” —Texas Observer “A reminder that government brutality on the border is nothing new.” —Los Angeles Review of Books

Fans of Sadie and You will be riveted by this compulsively readable new thriller about a survivor of dating violence who uses her newfound awareness of everyday evil to hunt for a killer. When Catherine Ellers returns home after her first semester at college, she is seeking refuge from a night she can barely piece together, dreads remembering, and refuses to talk about. She tries to get back to normal, but just days later the murder of someone close to her tears away any illusion of safety. Catherine feels driven to face both violent events head on in hopes of finding the perpetrators and bringing them to justice with the help of her childhood friend, Henry. Then a stranger from college arrives with her lost coat, missing driver's license--and details to help fill in the gaps in her memory that could be the key to solving both mysteries. But who is Andrew Worthington and why is he offering to help her? And what other dangerous obsessions is her sleepy town hiding? Surrounded by secrets and lies, Catherine must unravel the truth--before this wolf in sheep's clothing strikes again.

“A suspenseful, thrilling read that will keep you on pins and needles until the last page.” —Liezel and Angie's Book Blog Beautiful. Perfect. Dead. In the peaceful seaside town of Cape Bonita, wicked secrets and lies are hidden just beneath the surface. But all it takes is one tragedy for them to be exposed. The most popular girls in school are turning up dead, and Penelope Malone is terrified she's next. All the victims so far have been linked to Penelope—and to a boy from her physics class. The one she's never really noticed before, with the rumored dark past and a brooding stare that cuts right through her. There's something he isn't telling her. But there's something she's not telling him, either. Everyone has secrets, and theirs might get them killed.

When her sister Margot turns up dead in her own needlecraft store in Excelsior, Minnesota, Betsy Devonshire launches her own investigation into the murder, uncovering an array of suspects ranging from an ambitious former employee to a greedy landlord.

The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.

Two friends, Monica and Rachelle, were from two poor families. Recently, Rachelle found her biological father who was very rich. Rachelle feared that Monica would end her friendship with Rachelle so she did not tell Monica the truth. A few days later, Monica found out the truth and decided to end their friendship. Monica threw away the friendship band and their friendship was gone just like that. Rachelle could not bear it and jumped into the sea. Would Rachelle survive and revive their friendship?