Three of Australia's top policy analysts have investigated the fine print in the Australia-US Free Trade Agreement and reveal how the Agreement is anything but Free. With new information from inside sources, they tell of the behind-the-scenes negotiations, and how Australia's long-term prosperity has been dangerously undermined.

A gripping reckoning with the bloody history of Australia's frontier wars David Marr was shocked to discover forebears who served with the brutal Native Police in the bloodiest years on the frontier. Killing for Country is the result – a soul-searching Australian history. This is a richly detailed saga of politics and power in the colonial world – of land seized, fortunes made and lost, and the violence let loose as squatters and their allies fought for possession of the country – a war still unresolved in today's Australia. ‘This book is more than a personal reckoning with Marr's forebears and their crimes. It is an account of an Australian war fought here in our own country, with names, dates, crimes, body counts and the ghastly, remorseless views of the 'settlers'. Thank you, David.’ —Marcia Langton ‘[Marr is] one of the country's most accomplished non-fiction writers. I was sometimes reminded of Robert Hughes' study of convict transportation, The Fatal Shore (1987), in the epic quality of this book ... Killing For Country is a timely exercise in truth-telling amid a disturbing resurgence of denialism.’ —Frank Bongiorno, The Age ‘Killing for Country ... stands out for its unflinching eye, its dogged research, and the quality and power of its writing.’ —Mark McKenna, Australian Book Review ‘It's a timely, vital story.’ —Jason Steger, The Age ‘The timing of this book is painfully exquisite and it demonstrates perfectly how little race politics have changed in Australia.’ —Lucy Clark, The Guardian ’This is a story about Marr's family darkness, yes. But it is also a book concerned with our collective shame. No one who reads his important and necessary account with an open mind could consider more decades of voicelessness an acceptable outcome for this nation's First Peoples.’ —Geordie Williamson, The Saturday Paper ‘Killing for Country ... shines a light into the dark shameful corners of our collective national experience. What we will find when we look and listen won't be pretty, but it is necessary to confront – not to be captives of history, but to learn from it and transcend it.’ —Julianne Schultz, The Conversation ’The family truth telling ... reminds us once again of the terrible cost of the colonisation of Australia’ —Henry Reynolds, Pearls and Irritations

At just 30 years old, with dark-blonde hair and freckles, Barbara Weaver was as pretty as the women depicted on the covers of her favorite "bonnet" stories - romance novels set in Amish America. Barbara had everything she'd ever wanted: five beautiful children, a home, her faith, and a husband named Eli. But while Barbara was happy to live as the Amish have for centuries - without modern conveniences, Eli was tempted by technology: cell phones, the Internet, and sexting. Online he called himself "Amish Stud" and found no shortage of "English" women looking for love and sex. Twice he left Barbara and their children, was shunned, begged for forgiveness, and had been welcomed back to the church. Barb Raber was raised Amish, but is now a Conservative Mennonite. She drove Eli to appointments in her car, and she gave him what he wanted when he wanted: a cell phone, a laptop, rides to his favorite fishing and hunting places, and, most importantly, sex. When Eli starts asking people to kill his wife for him, Barb offers to help. One night, just after Eli had hitched a ride with a group of men to go fishing in the hours before dawn, Barb Raber entered the Weaver house and shot Barbara Weaver in the chest at close range. It was only the third murder in hundreds of years of Amish life in America, and it fell to Edna Boyle, a young assistant prosecutor to seek justice for Barbara Weaver.

By the author of The Snow Leopard, The Tree Where Man Was Born and On the River Styx, this novel is based around the circumstances of the death of a man in Florida 1910, who had terrorized his community in the Florida Everglades. It explores whether it was murder, exorcism or sacrifice.

Killing the Black Dog is Les Murray's courageous account of his struggle with depression, accompanied by poems specially selected by the author. Since the first edition appeared in 1997, hosts of readers have drawn insight from his account of the disease, its social effects and its origins in his family's history. As Murray writes in this revise...

As Europeans moved into new lands in Queensland in the 19th century, violent encounters with local Aboriginals mostly followed. Drawing on extensive original research, Timothy Bottoms tells the story of the most violent frontier in Australian colonial history.