Six chilling Fear Street titles, ready for new readers!

Fear Street -- where your worst nightmares live... Delia and Karina are always competing. From getting the best grades, to being the most popular, to dating the cutest guys -- they always fight for the top spot. This year, they both want Vincent -- the hottest guy at Shadyside High. Karina's determined to get Vince. She'll do whatever it takes. And if she can't have him, she'll make sure no one else can either.... Including Delia.

"You want to know what deceit tastes like? It's sweet. Like honey." Over the course of his shady legal career, Victor Carl has made a host of bad decisions, but letting his ex-fiancée, Julia, fall back into his life and into his bed might be the worst. Julia's husband has just been murdered, her fingerprints are all over the crime scene, and $1.7 million in cash has inexplicably vanished. If Victor didn't know better, he might think Julia was setting him up. But Julia is drop-dead gorgeous and lust trumps reason 24/7 in Victor Carl's world. Victor wants to believe the Beatles were right, that all you need is love. But why are the cops accusing Victor of murder? And what is the murder weapon doing in his bedroom? And who is the dead woman in the freezer? Suddenly, the wary lawyer is no longer fighting to rekindle a lost love . . . he's fighting to save himself.

Film Noir is an overview of an often celebrated, but also contested, body of films. It discusses film noir as a cultural phenomenon whose history is more extensive and diverse than American black and white crime thrillers of the forties. An extended Background Chapter situates film noir within its cultural context, describing its origin in German Expressionism, French Poetic Realism and in developments within American genres, the gangster/crime thriller, horror and the Gothic romance and its possible relationship to changes in American society. Five chapters are devoted to ‘classic’ film noir (1940-59): chapters explore its contexts of production and reception, its visual style, and its narrative patterns and themes chapters on character types and star performances elucidate noir’s complex construction of gender with its weak, ambivalent males and predatory femmes fatales and also provide a detailed analysis of three noir auteurs, - Anthony Mann, Robert Siodmak and Fritz Lang Three chapters investigate ‘neo-noir’ and British film noir: chapters trace the complex evolution of ‘neo-noir’ in American cinema, from the modernist critiques of Night Moves and Taxi Driver, to the postmodern hybridity of contemporary noir including Seven, Pulp Fiction and Memento the final chapter surveys the development of British film noir, a significant and virtually unknown cinema, stretching from the thirties to Mike Hodges’ Croupier Films discussed include both little known examples and seminal works such as Double Indemnity, Scarlet Street, Kiss Me Deadly and Touch of Evil. A final section provides a guide to further reading, an extensive bibliography and a list of over 500 films referred to in the text. Lucidly written, Film Noir is an accessible, informative and stimulating introduction that will have a broad appeal to undergraduates, cinéastes, film teachers and researchers.

What is film noir? With its archetypal femme fatale and private eye, its darkly-lit scenes and even darker narratives, the answer can seem obvious enough. But as Ian Brookes shows in this new study, the answer is a lot more complex than that. This book is designed to tackle those complexities in a critical introduction that takes into account the problems of straightforward definition and classification. Students will benefit from an accessible introductory text that is not just an account of what film noir is, but also an interrogation of the ways in which the term came to be applied to a disparate group of American films of the 1940s and 1950s.

More than 700 films from the classic period of film noir (1940 to 1959) are presented in this exhaustive reference book--such films as The Accused, Among the Living, The Asphalt Jungle, Baby Face Nelson, Bait, The Beat Generation, Crossfire, Dark Passage, I Walk Alone, The Las Vegas Story, The Naked City, Strangers on a Train, White Heat, and The Window. For each film, the following information is provided: the title, release date, main performers, screenwriter(s), director(s), type of noir, thematic content, a rating based on the five-star system, and a plot synopsis that does not reveal the ending.

" ... about a struggling New York boxer whose life is imperiled when he protects a nightclub dancer from her gangster boss." [box cover note].