Mentored by three legendary guitarists, Michael O’Dorn is the living repository of not only the Merle Travis thumbstyle technique, but also the fingerstyle legacies of Chet Atkins and French guitarist, Marcel Dadi. This book contains a discussion of the differences between fingerstyle and thumbstyle technique, plus the most advanced exercises and tunes of any of the author’s three books for Mel Bay Publications — a must-have for any serious fingerstyle guitarist! The book begins with a series of progressive picking patterns with practice points that guide the player through intermediate and advanced licks and techniques. The harmony of each exercise was intentionally left unresolved so that it can be repeated to perfection. Soon, you will be playing O’Dorn’s challenging Travis/Atkins/Dadi-inspired licks and compositions using the left-hand hammer-on, pull-off, and thumb-over techniques, and the right-hand thumb rake and palm mute. While the purpose of this book is to help you establish study habits that enhance your performance abilities, the exercises can also be used as intros, outros or springboards to kickstart your own compositions. At the end, as a payoff for completing the book’s lessons, the author presents three original compositions for player and audience enjoyment. Learn the evolutionary, often unconventional fingerstyle techniques of Travis, Atkins, Dadi, and O’Dorn with Killer Technique®: Fingerstyle Guitar! Includes access to an outstanding online audio recording of the book’s 47 exercises and solos.

A step by step guide to becoming a confident and skillful fingerpicking guitarist.

Killer Technique: Flatpicking Guitar is designed to serve as a valuable resourceto guitarists of all ability levels interested in developing greater finger dexterity and picking accuracy. A variety of exercises are presented that enable guitarists toisolate and drill many of the technical requirements and stylistic elementscommonly encountered in flatpicking guitar. Topics covered by this book include left-hand chromatic exercises, horizontal shifting up the neck, scalar sequences, alternate picking, economy picking, and cross picking. Most importantly, many ofthe techniques presented within the book are applied to musical etudes and examples that are both challenging and rewarding to play

All the exercises in Killer Technique: Classical Guitar are either based on orinspired by challenging passages and patterns that appear in compositions. Technical elements and passages have been stripped down and transformed into exercises to help the reader concentrate on specific targets through repetition.The exercises cover various techniques, such as finger independence in bothhands, different types of shifts, in-context slurs, in-context arpeggios, scales, tremolo and switches between different technical elements. The exercises are presented in standard notation and tablature. Explanations andinstructions are also provided. By using standard notation, the exercises include detailed information regarding fingerings and strings. Tablature versions of theexercises are also included, however, the rhythm and finger information is written in standard notation. The exercises are divided into two main sections: right-hand and left-hand. Eachsection consists of different categories specific to that hand. The exercises are not written in any particular order within each category - by practicing these exercises, the reader will master difficult technical transitions when they are encountered in compositional contexts

Fingerstyle guitar is extremely popular today. This is because it lends itself to very personal and lyrical solo and accompaniment styles. This method is one of the very best at teaching the basics of fingerpicking. Written by Nashville's fine guitarist, Tommy Flint, you will learn chording, Travis picking, soloing, scales and accompaniment patterns, playing over the entire fingerboard, barre-chords, two- string harmony, combining hammer and slide, three-against four roll, contrary motion, crosspicking, harmonics, right and left hand agility studies, and much more. A bonus is the inclusion of over 50 great, original Tommy Flint fingerpicking guitar solos which reflect a rich diversity of styles. This volume includes material previously published in two volumes as Mel Bay's Deluxe Fingerstyle Guitar Method. Written in notation and tablature. This package includes anaudio download available online which provides play-along demonstrations ofmany of the exercises and solos in the book, starting with page 41. The solo guitar is on the right with accompaniment guitar on the left, so you can eliminate the solo part or accompaniment by adjusting the balance control of your player

Killer Techniquer: Electric Guitar provides concepts and daily routines to help players gain more control over their instrument by improving technique and avoiding injury. The book includes comprehensive workouts and exercises: finger workouts for the left hand and picking exercises for the right. The exercises in thisbook are not written in standard notation or tablature. The patterns that make up the exercises are written with string numbers, fret numbers and/or a fretboard diagram. This will allow guitarists of any background to benefit from the material

This is the internationally acclaimed Joe Pass guitar method in which Joe displays his mastery of the jazz guitar. Part One/Harmony, is divided into five sections on chord construction, embellishment, substitution, connection, and symmetric chords. Part Two/Melody, is divided into twelve sections, including chord scales, altered scales, ear training, whole tone scales, chord resolutions, improvising, blues, minor blues, modern blues, rhythm changes, 3/4 blues, and includes a transcribed solo recorded by Joe on his album for Django.