Meet Ed Wood's alter ego Glen/Glenda, whose ravishing beauty and musical voice bewitch every male in sight. Impeccably attired in either gender, hired assassin Glen becomes Glenda when it's time to work. But big trouble starts when Glenda decides to give up the murder racket, take up with a sugar daddy, and finance a sex change operation.

A transvestite assassin with a fur-fetish, on the run from both police and the mob, buys a run-down travelling carnival and goes into hiding with a small-town hooker while his twin personalities -- Glen and Glenda -- continually vie for psychological supremacy. With a supporting cast of hoodlums, predatory queens, rapist farmers, sideshow freaks and corrupt rapist cops, Ed Wood's first published novel, BLACK LACE DRAG -- also known as Killer In Drag -- moves from scenario to sleazy scenario with all the deranged logic and fetishistic detail of his finest movies.

Hasn't he lived long enough? Why not? I could take him like a thief in the night. This is how the Thief thinks. He serves death, the vacuum, the unknown. He's always waiting. Always there. Seventeen-year-old Nina Barrows knows all about the Thief. She's intimately familiar with his hunting methods: how he stalks and kills at random, how he disposes of his victims' bodies in an abandoned mine in the deepest, most desolate part of a desert. Now, for the first time, Nina has the chance to do something about the serial killer that no one else knows exists. With the help of her former best friend, Warren, she tracks the Thief two thousand miles, to his home turf-the deserts of New Mexico. But the man she meets there seems nothing like the brutal sociopath with whom she's had a disturbing connection her whole life. To anyone else, Dylan Shadwell is exactly what he appears to be: a young veteran committed to his girlfriend and her young daughter. As Nina spends more time with him, she begins to doubt the truth she once held as certain: Dylan Shadwell is the Thief. She even starts to wonder . . . what if there is no Thief? From debut author Margot Harrison comes a brilliantly twisted psychological thriller that asks which is more terrifying: the possibility that your nightmares are real . . . or the possibility that they begin and end with you?

An Edgar Award finalist for Best Fact Crime, this “impressive…open-eyed investigative inquiry wrapped within a cultural history of rural America” (The Wall Street Journal) shows legendary statistician and baseball writer Bill James applying his analytical acumen to crack an unsolved century-old mystery surrounding one of the deadliest serial killers in American history. Between 1898 and 1912, families across the country were bludgeoned in their sleep with the blunt side of an axe. Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station. When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America. Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

In this cozy mystery sequel to Killer Honeymoon, a plus-size PI investigates when someone tanks the star of Hollywood’s latest superhero action film. PI Savannah Reid gets a taste of the high life when she attends a Hollywood premiere on the arm of husband Dirk Coulter. Savannah may be a newlywed but even she gets weak in the knees when she meets celebrity athlete-turned-movie-star Jason Tyrone. So imagine how she feels when the star’s rock-hard body is found rock-hard dead . . . Some guys have everything. With his stunning looks and dazzling charm, Jason Tyrone is America’s favorite new action hero. Make that was. Once so spectacular in action, the blockbuster idol is found dead in his hotel room after his latest premiere. Despite his chiseled physique, Jason is never getting up again . . . Though the autopsy reveals Jason may have gotten his killer body through doping, no one wants to believe the beloved athlete is a fraud, least of all Savannah. Soon she’s deeply immersed in the dark world of body enhancing drugs, and wondering if the world-class gym where Jason worked out is really just a front for a lucrative drug ring. Was Jason’s death the price he paid for threatening to expose other celebrities caught in the clutch of keeping a flawless image? Or was everyone’s favorite hero a victim of his own desire to always be at the top of his game? No stranger to society’s obsession with image, Savannah is determined to get to the truth. And for the voluptuous investigator, this time it’s personal. . . . Praise for Killer Physique “The mystery is intriguing, with its theme of body-image issues, but the real strength of this one is the perceptive portrayal of the newlyweds and the funny yet realistic visit from the in-laws.” —Booklist

On the payroll as an assistant to her coroner father, seventeen-year-old Cameryn Mahoney uses her knowledge of forensic medicine to catch the killer of a friend while putting herself in terrible danger.