Open Case File Memo Honor my father. There are four types of serial killers. Hedonistic. Power/control. Mission-oriented. Visionary. Not all serial killers are caught. At any given point, there could be as many as fifty serial killers active at a time. Fifty. I'm looking for one. He's male, likely in his forties or fifties now. He's been killing successfully for more than three decades. I suspect even longer, though our timeline is based only on the earliest victim we've identified with his signature mark. Seventy-nine kills that we are certain of. A year ago, the unsub's methods changed. It was a subtle shift. Instead of one or two bodies a year, five have been dropped. Forensic evidence remains inconclusive, but in my gut, I know something's changed. Either the unsub has a partner or he's about to become a spree killer. It's only a matter of time before someone puts the coin into the right slot and the kill song begins. Finding the unsub is my obsession. It was my father's. He died without solving the mystery. I won't. KILL SONG is a full length dark adult romance and psychological thriller with suspenseful themes. Any trigger warnings will be included in the foreword. Some situations may be uncomfortable for readers. This is a reverse harem novel, meaning the main character has more than one love interest. This is book one in the series.

“You won’t leave this hypnotic book without feeling that James Brown is still out there, howling.”—The Boston Globe From the New York Times bestselling author of The Good Lord Bird, winner of the 2013 National Book Award for Fiction, Deacon King Kong, and Five-Carat Soul Kill ’Em and Leave is more than a book about James Brown. Brown embodied the contradictions of American life: He was an unsettling symbol of the tensions between North and South, black and white, rich and poor. After receiving a tip that promises to uncover the man behind the myth, James McBride goes in search of the “real” James Brown. McBride’s travels take him to forgotten corners of Brown’s never-before-revealed history, illuminating not only our understanding of the immensely troubled, misunderstood, and complicated Godfather of Soul, but the ways in which our cultural heritage has been shaped by Brown’s enduring legacy. Praise for Kill ’Em and Leave “A tour de force of cultural reportage.”—The Seattle Times “Thoughtful and probing.”—The New York Times Book Review “Masterly . . . powerful.”—Los Angeles Review of Books “McBride provides something lacking in most of the books about James Brown: an intimate feeling for the musician, a veracious if inchoate sense of what it was like to be touched by him. . . . It may be as close [to ‘the real James Brown’] as we’ll ever get.”—David Hajdu, The Nation “A feat of intrepid journalistic fortitude.”—USA Today “[McBride is] the biographer of James Brown we’ve all been waiting for. . . . McBride’s true subject is race and poverty in a country that doesn’t want to hear about it, unless compelled by a voice that demands to be heard.”—Boris Kachka, New York “Illuminating . . . engaging.”—The Washington Post “A gorgeously written piece of reportage that gives us glimpses of Brown’s genius and contradictions.”—O: The Oprah Magazine

All societies have relied on music to transform the experience of work. Song accompanied the farmer's labors, calmed the herder's flock, and set in motion the spinner's wheel. Today this tradition continues. Music blares on the shop floor; song accompanies transactions in the retail store; the radio keeps the trucker going on the long-distance haul. Now Ted Gioia, author of several acclaimed books on the history of jazz, tells the story of work songs from prehistoric times to the present. Vocation by vocation, Gioia focuses attention on the rhythms and melodies that have attended tasks such as the cultivation of crops, the raising and lowering of sails, the swinging of hammers, the felling of trees. In an engaging, conversational writing style, he synthesizes a breathtaking amount of material, not only from songbooks and recordings but also from travel literature, historical accounts, slave narratives, folklore, labor union writings, and more. He draws on all of these to describe how workers in societies around the world have used music to increase efficiency, measure time, relay commands, maintain focus, and alleviate drudgery. At the same time, Gioia emphasizes how work songs often soar beyond utilitarian functions. The heart-wringing laments of the prison chain gang, the sailor’s shanties, the lumberjack’s ballads, the field hollers and corn-shucking songs of the American South, the pearl-diving songs of the Persian Gulf, the rich mbube a cappella singing of South African miners: Who can listen to these and other songs borne of toil and hard labor without feeling their sweep and power? Ultimately, Work Songs, like its companion volume Healing Songs, is an impassioned tribute to the extraordinary capacity of music to enter into day-to-day lives, to address humanity’s deepest concerns and most heartfelt needs.

In Earworm and Event Eldritch Priest questions the nature of the imagination in contemporary culture through the phenomenon of the earworm: those reveries that hijack our attention, the shivers that run down our spines, and the songs that stick in our heads. Through a series of meditations on music, animal mentality, abstraction, and metaphor, Priest uses the earworm and the states of daydreaming, mind-wandering, and delusion it can produce to outline how music is something that is felt as thought rather than listened to. Priest presents Earworm and Event as a tête-bêche—two books bound together with each end meeting in the middle. Where Earworm theorizes the entanglement of thought and feeling, Event performs it. Throughout, Priest conceptualizes the earworm as an event that offers insight into not only the way human brains process musical experiences, but how abstractions and the imagination play key roles in the composition and expression of our contemporary social environments and more-than-human milieus. Unconventional and ambitious, Earworm and Event offers new ways to interrogate the convergence of thought, sound, and affect.

The book is about the revival of China in the 20th century and the first decade of the 21st century. It has eight parts: (1) The civil revolution in China, (2) The countryside bases, (3) The Long Match of the Red Army, (4) The Anti Japanese War, (5) Decisive civil battles before the establishment of the People’s Republic of China, (6) The Mao Era before the Great Cultural Revolution, (7) The Great Cultural Revolution, and (8) The Reform and opening up. This version of the book is with pictures.

This book analyzes Chinese nationalism from the perspective of social economics. It posits a conceptual framework in which national status is treated as a "luxury" while material consumption is considered as a "necessity" in people’s preferences, which implies that popular nationalism tends to increase with economic development. The book extensively uses the tools of game theory and behavioral economics to analyze inter-ethnical and international conflicts in historical and contemporary China. The author’s economic approach to the subject of nationalism brings fresh and critical insights into the Chinese historical events and relations with foreign countries. For example, it helps resolve the following puzzles: Why did most Chinese support an ethnic minority, the Manchus, to be their ruler after the collapse of the Ming dynasty? In the Boxer Rebellion, why did the Qing dynasty declare war against more than eight foreign powers when it knew well that any of the countries could defeat China easily? What are the fundamental causes of the 1962 Sino-Indian War and the 1979 Sino-Vietnamese War? Who is responsible for the bombing of the Chinese Embassy in Belgrade? This book attempts to answer the questions based on the theories of social economics and rational choice, which will interest those researching on nationalism, China studies, international relations, history and political economy.