Everyone says fourteen-year-old BILLIE is nothing but trouble. A fighter. A danger to her family and friends. But her care worker sees someone different. Her classmate ROB is big, strong; he can take care of himself and his brother. But his violent stepdad sees someone to humiliate. And CHRIS is struggling at school; he just doesn't want to be there. But his dad sees a useless no-hoper. Billie, Rob and Chris each have a story to tell. But there are two sides to every story, and the question is . . . who do you believe?

Billie, quatorze ans, n'apporte que des problèmes. Une bagarreuse. Un danger pour sa famille et ses amis. Mais son éducatrice la voit différemment. Son copain de classe, Rob, est un gros costaud. Il peut prendre soin de son frère comme de lui-même. Mais il est le souffre-douleur d'un beau-père violent, qui l'humilie. Et Chris a du mal avec le collège. Il n'a tout simplement aucune envie d'être là. Mais pour son père, c'est un minable. Héros malgré eux, Billie, Rob et Chris nous racontent leur histoire.... Le grand Melvin Burgess nous aide à comprendre la violence de ceux que l'école et la société rejettent, avec tout l'humanisme et l'authenticité qui le caractérisent. Un roman qui prend aux tripes.

It was the worst of times and it was the worst of times. Everyone was going nowhere and everyone was trying to jump on the bandwagon ... or so it might appear to those who have borne witness to a world that promises so little and delivers even less. The weight of history and the burden of expectation somehow conspire to ensure that youth is always wasted on the young. Cursing the darkness while conjuring up new, ever more defiant ways of fighting fire with fire and yet, perplexing and all as it may have been, it cannot be said to have been without some sense of purpose. For what else is one to do when no other obvious option presents itself? Those who may be inclined to pass judgement should recognise that the passage of time is the only real arbiter, and it has since moved on. Anger is a potent force, a powerful weapon but ultimately self-destructive. Those who wield it, find out one way or another, the kind of force it can unleash. If it must be directed any given quarter, then may your aim be true, your judgement be sound and fortune guide its path. Also, let it be discarded and safely disposed of once it has fulfilled its purpose. A collection of poems dealing with subject matter that is wide ranging, while never straying too far from where the human heart should be gravitating towards.

When Communist revolutionaries seized control of Mainland China in 1949, they faced enormous challenges of state and nation building. China occupied a vast territory, had a huge and poorly integrated population and suffered from a woefully backward economy. Building a Socialist Chinese state required effectively managing significant opposition to the imposition of the Communist regime. This study examines how the Chinese Communist Party employed language as an essential part of its strategy to achieving these goals.

When the alien Mimics invade, soldier Keiji Kiriya is killed, easily, on the battlefield. But he wakes up the previous morning as if nothing happened and must fight the battle again...and again...and again. Teamed up with the mysterious female fighter known as the Full Metal Bitch, Keiji must figure out how to stop the cycle—and what role his new and deadly ally plays in the fight to save Earth. Author Nick Mamatas (Bullettime, Love Is the Law) and artist Lee Ferguson (Miranda Mercury, Green Arrow/Black Canary) give Hiroshi Sakurazaka’s mind-bending alien invasion tale a bold new look in the official comic adaptation of the original novel. Now a major motion picture starring Tom Cruise! -- VIZ Media

Michael Sweater's cult hit Please Destroy My Enemies is back, now inappropriately gorgeous in stunning full color. Catching hints of Gary Larson's The Far Side subversive cute animal absurdism, Matt Groening's Life in Hell bone-dry deadpan, and bits of Bill Watterson's Calvin and Hobbes pre-adult philosophical inquiry, get ready for the relatable weirdness described by Boing Boing as "darlingly ironic and awful."

When fourteen-year-old Nicholas Dane's mother dies, social services sends him to a home for boys where intimidation and violence keep order. After a number of fights and brutal punishments, Nick thinks that life can't possibly get any worse . . . until he realizes that the home's respected deputy head, who has been grooming him with sweets and solace, has something more frightening in mind. Acclaimed writer and truth-teller Melvin Burgess brings us, with Dickensian scope and compelling narrative drive, his most ambitious book yet.