Introduced by Jenni Calder and Roderick Watson. Kidnapped – Catriona – The Master of Ballantrae – Weir of Hermiston These four great novels take us deep into Robert Louis Stevenson’s imaginative and bitter-sweet relationship with his native country. Kidnapped, and its sequel Catriona, are renowned the world over as supreme stories of adventure and romance. On another level they also explore the subtle divisions of Scottish history and character in the eighteenth century, and (some would say) the present day. The Master of Ballantrae takes a darker and more disturbing turn, with its tale of rival brothers caught in a web of hatred, obsession, love and betrayal which draws them to their end in the frozen wastes of North America. Stevenson’s fascination with the divided nature of the human self (most obviously demonstrated in Dr Jekyll and Mr Hyde) appears again in the Weir of Hermiston with its terrible confrontation between a father and his son. With an unsurpassed combination of physical adventure and psychological insight, The Scottish Novels have moved and thrilled readers and writers from Stevenson’s contemporaries to the present day.

"There are two things that men should never weary of, goodness and humility; we get none too much of them in this rough world among cold, proud people. - Robert Louis Stevenson, Kidnapped Kidnapped (1886) by Robert Louis Stevenson is a coming-of-age novel that recounts the adventures of a teenager named David Balfour during the Jacobite Rebellions in 18th century Scotland. Following his father's death, David reaches out to an uncle, who betrays his nephew and sells him to a slave-trader headed for America. David's rescue from the slave ship by a Jacobite refugee starts David on a series of adventures that ensure his passage into manhood.

"The buzz...is real. I've read it and was blown away. It's a true nerve-shredder that keeps its mind-blowing secrets to the very end." —Stephen King Winner of the British Fantasy Award for Best Horror Novel! A World Fantasy Award Finalist! An Indie Next Pick! A LibraryReads Top 10 Pick! A Library Journal Editors' Pick! STARRED reviews from Library Journal and Publishers Weekly! Named one of the "50 Best Horror Books of All Time" by Esquire! "Brilliant....[a] deeply frightening deconstruction of the illusion of the self." —The New York Times Catriona Ward's The Last House on Needless Street is a shocking and immersive read perfect for fans of Gone Girl and The Haunting of Hill House. In a boarded-up house on a dead-end street at the edge of the wild Washington woods lives a family of three. A teenage girl who isn’t allowed outside, not after last time. A man who drinks alone in front of his TV, trying to ignore the gaps in his memory. And a house cat who loves napping and reading the Bible. An unspeakable secret binds them together, but when a new neighbor moves in next door, what is buried out among the birch trees may come back to haunt them all. “The new face of literary dark fiction.” —Sarah Pinborough At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

This carefully crafted ebook: "The Collected Memoirs, Travel Sketches and Island Literature" is formatted for your eReader with a functional and detailed table of contents. Robert Louis Stevenson (1850 – 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. Table of Contents: An Inland Voyage (1878) Travels with a Donkey in the Cévennes (1879) Edinburgh – Picturesque Notes (1879) The Old and New Pacific Capitals (1882) The Amateur Emigrant (1895) Across the Plains (1892) The Silverado Squatters (1883) A Mountain Town in France (1896) The Island Literature: A Footnote to History, Eight Years of Trouble in Samoa (1892) In the South Seas (1896)

In 1904, New York nuns brought forty Irish orphans to a remote Arizona mining camp, to be placed with Catholic families. The Catholic families were Mexican, as was the majority of the population. Soon the town's Anglos, furious at this "interracial" transgression, formed a vigilante squad that kidnapped the children and nearly lynched the nuns and the local priest. The Catholic Church sued to get its wards back, but all the courts, including the U.S. Supreme Court, ruled in favor of the vigilantes. The Great Arizona Orphan Abduction tells this disturbing and dramatic tale to illuminate the creation of racial boundaries along the Mexican border. Clifton/Morenci, Arizona, was a "wild West" boomtown, where the mines and smelters pulled in thousands of Mexican immigrant workers. Racial walls hardened as the mines became big business and whiteness became a marker of superiority. These already volatile race and class relations produced passions that erupted in the "orphan incident." To the Anglos of Clifton/Morenci, placing a white child with a Mexican family was tantamount to child abuse, and they saw their kidnapping as a rescue. Women initiated both sides of this confrontation. Mexican women agreed to take in these orphans, both serving their church and asserting a maternal prerogative; Anglo women believed they had to "save" the orphans, and they organized a vigilante squad to do it. In retelling this nearly forgotten piece of American history, Linda Gordon brilliantly recreates and dissects the tangled intersection of family and racial values, in a gripping story that resonates with today's conflicts over the "best interests of the child."

Lexy Campbell’s ex-husband begs for her help finding his current wife, whose disappearance mirrors that of a number of statues around California – menacing ransom note and all. A community is devastated when the bronze statue of local legend Mama Cuento is stolen on Valentine’s Day. When Lexy Campbell arrives on the scene, a big bronze toe is found along with a ransom note – “Listen to our demands or you will never see her again. There are nine more where this came from”. Then, Lexy’s ex-husband Bran turns up begging for help to find his wife, Brandee, who has disappeared. Lexy agrees to pitch in, but when she shows up at Bran’s house he has just discovered one of Brandee’s false nails and another ransom note with the same grisly message. Are the two cases linked or is a copycat on the loose? Who would want to kidnap a bronze statue or, come to that, Brandee? And can Lexy put aside her hatred for Bran long enough to find out?