The adventure of the Phantom as a young boy.

With almost 5 million copies sold 60 years after its original publication, generations of readers have now journeyed with Milo to the Lands Beyond in this beloved classic. Enriched by Jules Feiffer’s splendid illustrations, the wit, wisdom, and wordplay of Norton Juster’s offbeat fantasy are as beguiling as ever. “Comes up bright and new every time I read it . . . it will continue to charm and delight for a very long time yet. And teach us some wisdom, too.” --Phillip Pullman For Milo, everything’s a bore. When a tollbooth mysteriously appears in his room, he drives through only because he’s got nothing better to do. But on the other side, things seem different. Milo visits the Island of Conclusions (you get there by jumping), learns about time from a ticking watchdog named Tock, and even embarks on a quest to rescue Rhyme and Reason. Somewhere along the way, Milo realizes something astonishing. Life is far from dull. In fact, it’s exciting beyond his wildest dreams!

It's lonely being the new kid on the block, especially when your family is "unique." Q has left California behind to start a new life in New York City with his two moms and baby sister. He can't wait for his dad to come up for the weekend, but the visit is canceled when Q's father gets arrested while attending a peace march. A special gift from his father leads to adventure, however, and Q is astonished when a medieval tapestry comes to life while he's visiting a nearby museum. With the help of two new friends, Q must face his fears and battle a villain who has waited five hundred years to destroy the world! Book #4 in the City Kids series.

Twin brothers discover their new home is also a portal--for an hour a day--to a parallel dimension in this spine-chilling middle-grade adventure, perfect for fans of The Mysterious Benedict Society Twelve-year-old twins Colm and Mal might look identical, but they’re different in just about every other way. The one thing they can agree on is that neither brother wants to move to Chicago for a fresh start with their mom two years after their dad’s death. The boys soon discover that their new apartment building, Brunhild Tower, is full of strange quirks: a mysterious Princess who warns them not to wander the building at midday, eerie sounds coming from the walls, and an elevator that’s missing a button for the thirteenth floor. Then one afternoon, that button appears, catapulting the brothers and their inquisitive new neighbor, Tamika, into a parallel dimension and a twin building stuck in time, where the spirits of all the former residents of Brunhild Tower live on, trapped by an ancient curse. Now, Colm, Mal, and Tamika must race against time to solve the mystery of the phantom tower—or risk spending an eternity as ghosts themselves.

Before Superman, before Batman, there was—the Phantom! Making its debut as an American newspaper comic strip in 1936, The Phantom was the forerunner of the comic-book superhero genre that today animates vast billion-dollar franchises spanning print, film, television, video games, and licensed merchandise. But you’ve probably never heard of it—you probably think Superman inaugurated the genre. That’s because, despite its American origins, The Phantom comic strip has enjoyed far greater popularity with international audiences, most notably in Australia, Sweden, and India, where it has appeared in newspapers, magazines, and comic books. The paradox of the character’s relative obscurity in the United States, offset by his phenomenal success in these three markedly different countries, is the subject of The Phantom Unmasked. By tracing the publication history of The Phantom in magazines and comic books across international markets since the mid-1930s, author Kevin Patrick delves into the largely unexplored prehistory of modern media licensing industries. He also explores the interconnections between the cultural, political, economic, and historical factors that fueled the character’s international popularity. The Phantom Unmasked offers readers a nuanced study of the complex cultural flow of American comic books around the world. Equally important, to provide a rare glimpse of international comics fandom, Patrick surveyed the Phantom’s “phans”—as they call themselves—and lets them explain how and why they came to love the world’s first masked superhero.