This book is offered in memoriam to the Flemish Brutalist architect Juliaan Lampens (1926-2019). He originally sketched the design for the Chapel of Our Lady of Kerselare in chalk on a blackboard wall in his studio in Eke before it was built from 1963 to 1966. Half a century later, Bart Lodewijks is drawing on Lampens' masterpiece, also with blackboard chalk. The chalk drawings on the chapel represent a reimagination, a return to the design that originated on the wall in Eke. The temporary drawings and surrounding environment, in all its seasonal changes, are being photographed by Jan Kempenaers.

The architecture of the Belgian Modernist Juliaan Lampens (°1926) goes beyond designs for conventional living and instead suggests a utopian avant-garde of living without barriers. He experimented with the use of raw concrete and created sculpture-like exteriors leading onto open vistas. Edited by Angelique Campens - With contributions by Angelique Campens, Sara Noel Costa De Araujo, Joseph Grima, Jan Kempenaers, Hans Ulrich Obrist and Francis Strauven.

During the 1960s and 70s, thousands of monuments commemorating the Second World War called 'Spomeniks' were built throughout the former Yugoslavia; striking monumental sculptures, with an angular geometry echoing the shapes of flowers, crystals, and macro-views of viruses or DNA. In the 1980s the Spomeniks still attracted millions of visitors from the Eastern bloc; today they are largely neglected and unknown, their symbolism lost and unwanted. Antwerp-based photographer Jan Kempenaers travelled the Balkans photographing these eerie objects, presented in this book as a powerful typological series. The beauty and mystery of the isolated, crumbling Spomeniks informs Kempenaer's enquiry into memory, found beauty, and whether former monuments can function as pure sculpture.

-Conversion as an environmentally friendly alternative to new buildings -The new standard reference work in the field -Presentation and illustration of 30 pioneering case studies Conversion, adaptation, reuse - these techniques are as old as construction itself. However, since the industrialization of the building industry and the emergence of modernism in architecture, newly constructed buildings have dominated our idea of good and progressive architecture. For decades, conversion did not play a significant role in architectural practice. Today, things have changed. The industrialization of the construction industry has led to environmental degradation, and the reform potential of modernism has been exhausted. Consequently, the existing building stock is one of the resources - perhaps even the most important resource - for the transformation of our cities. Against this backdrop, the architecture of conversion has made an unexpected comeback. Young architects in particular are providing surprising answers to the environmental and social questions of our time with their conversion projects. This book introduces 30 examples that illustrate how seemingly everyday conversions can be turned into groundbreaking architecture, while eight essays shed light on the important role of conversion in history and the theory of architecture. With contributions by 51N4E, Arno Brandlhuber, Assemble, BeL, Bovenbouw, Christoph Grafe, Lacaton & Vasall, NL Architects, noA architecten, Muck Petzet, Tim Rieniets, de Vylder Vinck Tailieu, and many others.

An original and approachable account of how archaeology can tell the story of the English village. Shapwick lies in the middle of Somerset, next to the important monastic centre of Glastonbury: the abbey owned the manor for 800 years from the 8th to the 16th century and its abbots and officials had a great influence on the lives of the peasants who lived there. It is possible that abbot Dunstan, one of the great reformers of tenth century monasticism directed the planning of the village. The Shapwick Project examined the development and history of an English parish and village over a ten thousand-year period. This was a truly multi-disciplinary project. Not only were a battery of archaeological and historical techniques explored - such as field walking, test-pitting, archaeological excavation, aerial reconnaissance, documentary research and cartographic analysis - but numerous other techniques such as building analysis, dendrochronological dating and soil analysis were undertaken on a large scale. The result is a fascinating study about how the community lived and prospered in Shapwick. In addition we learn how a group of enthusiastic and dedicated scholars unravelled this story. As such there is much here to inspire and enthuse others who might want to embark on a landscape study of a parish or village area. Seven of the ten chapters begin with a fictional vignette to bring the story of the village to life. Text-boxes elucidate re-occurring themes and techniques. Extensively illustrated in colour including 100 full page images.

On the islands in the Strait of Hormuz, off the southern coast of Iran, there is a common belief that the winds can possess a person, bringing illness and disease. The existence of similar convictions in some African countries suggests that the cult may have been brought to Iran from southeast Africa through the Arab slave trade. This history is rarely spoken about but these winds and the traces they have left on the islands and their inhabitants are the touchstone for Hoda Afshar's Speak The Wind. Through her subtle and perceptive images of the extraordinary landscapes, the people and their rituals, Afshar's beautiful and complex book attempts to picture the wind and its psychic entanglements, to form a visible record of the invisible.