FILMS, CINEMA. This book showcases the drawings of Ken Adam, the man who has created some of the most iconic and memorable sets in the history of film. Presented chronologically, the book takes us from design sketches for his earliest movies, including "Around the World in Eighty Days", through his Oscar-winning work with Stanley Kubrick, to production designs for what are probably his most celebrated films the first seven "James Bond" movies, including "Dr. No", "Goldfinger", "Diamonds are Forever" and "Moonraker". Also included are production drawings for classics such as "Chitty Chitty Bang Bang", "Goodbye", "Mr Chips", "Sleuth" and "The Last Emperor". Adam's virtuoso sketches for films and other projects are accompanied by illuminating commentary from the eminent Sir Christopher Frayling, and together present an unrivaled archive of breathtaking and inspirational production design.

A tour of the contributions provided by one of the film industry's top production designers reveals the engineering that went into the creations of James Bond characters and sets, tracing his use of grand expressionism in the development of memorable movie elements while revealing some of his most important inspirations. Original.

Bond By Design gives an exclusive tour through EON Productions' James Bond archives - a treasure trove of set, storyboard, vehicle, gadget and costume designs, many of which have never been published before. Accessing EON Productions' vast archive of more than 50 years of art and design, Bond By Designfeatures the work of legendary Bond film designers such as Ken Adam, Peter Lamont and Syd Cain. The book provides a unique, spectacular and fascinating insight into the longest-running film franchise of all time. It reveals the craft behind the creation of famous sets, such as Stromberg's Atlantis base in The Spy Who Loved Me and Drax's shuttle launch site in Moonraker, as well as technical drawings of Bond's gadget-laden Aston Martin DB5. Includes two exclusive, full-colour prints of Bond film designs.

Production Design, the fifth title in the FilmCraft series, addresses one of the most important roles in cinema. Production designers do nothing short of creating whole new worlds, turning the bare bones of the script into a physical 3D environment that can be filmed. This book introduces that art in the words of the people best-equip to explain it, as well as looking at the legacies of the great innovators of the past. This volume also looks at the work of key influential figures, like Sir Ken Adam (winner of two Academy Awards and two BAFTAs) and Oscar winner Rick Carter (Jurassic Park, Avatar). These in-depth interviews with some of today's most distinguished practitioners, examine the training, personal qualities, pitfalls, technical expertise, management, luck and qualities which this demanding job requires.

Winner of the AIGA'S International Competition for Notable Graphic Design. “It’s both an architecture and movie fan’s dream.” - Los Angeles Times "Strikingly designed." - Publishers Weekly “Explores the cinematic tradition of antiheroes with architecturally significant private spaces." - Architectural Digest “A fascinating gift for that highbrow nerd in your life.” - Syfy Wire Why do bad guys live in good houses? From Atlantis in The Spy Who Loved Me to Nathan Bateman's ultra-modern abode in Ex Machina, big-screen villains often live in architectural splendor. From a design standpoint, the villain’s lair, as popularized in many of our favorite movies, is a stunning, sophisticated, envy-inducing expression of the warped drives and desires of its occupant. Lair: Radical Homes and Hideouts of Movie Villains, celebrates and considers several iconic villains’ lairs from recent film history. From futuristic fantasies to deathtrap-laden hives, from dwellings in space to those under the sea, pop culture and architecture join forces in these outlandish, primarily modern homes and in Lair, which features buildings from fifteen films, including: Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb Star Wars The Incredibles Blade Runner 2049 You Only Live Twice The Ghost Writer Body Double North by Northwest Edited by acclaimed architect Chad Oppenheim with Andrea Gollin, Lair includes interviews with production designers and other industry professionals such as Ralph Eggleston, Richard Donner, Roger Christian, David Scheunemann, Gregg Henry, and Mark Digby. Contributors include director Michael Mann, cultural critic Christopher Frayling, museum director Joseph Rosa, and architect Amy Murphy. Architectural illustrations and renderings by Carlos Fueyo provide multiple in-depth views of these spaces.

Ken Adam is acknowledged as the world's greatest living production designer: creator of the look of the James Bond films, winner of Oscars for Stanley Kubrick's Barry Lyndon and the film version of Alan Bennett's The Madness of King George. Now he explains his own scarcely understood contribution to the art of cinema. Ken Adam is a German who left Germany in the 1930s - and his work was heavily influenced by the German Expressionist cinema of that time. After serving in the RAF during the war, he became involved in production design in 1948, getting his first Art Director credit on Around The World In Eighty Days in 1956. Since then he has designed 75 films, creating the bold and revolutionary designs for the first seven James Bond movies, as well as the startling war room in Kubrick's Dr. Strangelove.

The landmark biography of one of the twentieth century's most recognizable directors--now back in print