Being a fifteen-year-old wolf shifter is totally overrated. Especially when I can't actually turn into a wolf. To make matters worse, I've got a secret every other shifter would kill me for. A secret that got my parents killed. It's a secret I was planning on keeping - until I met Lucy Stone and the Clear Creek pack. Now two of the pack have gone missing, and there may be a link between the recent kidnappings and my parents' deaths. After fifteen years of hiding, the truth is finally catching up with me. The question is - do I keep running, or do I stand and fight? "Latent Wolf" is the first instalment in the epic paranormal adventure/romance Tobias Finch series.

Rock & roll has transformed American culture more profoundly than any other art form. During the 1960s, it defined a generation of young people as political and social idealists, helped end the Vietnam War, and ushered in the sexual revolution. In Dixie Lullaby, veteran music journalist Mark Kemp shows that rock also renewed the identity of a generation of white southerners who came of age in the decade after segregation -- the heyday of disco, Jimmy Carter, and Saturday Night Live. Growing up in North Carolina in the 1970s, Kemp experienced pain, confusion, and shame as a result of the South's residual civil rights battles. His elementary school was integrated in 1968, the year Kemp reached third grade; his aunts, uncles, and grandparents held outdated racist views that were typical of the time; his parents, however, believed blacks should be extended the same treatment as whites, but also counseled their children to respect their elder relatives. "I loved the land that surrounded me but hated the history that haunted that land," Kemp writes. When rock music, specifically southern rock, entered his life, he began to see a new way to identify himself, beyond the legacy of racism and stereotypes of southern small-mindedness that had marked his early childhood. Well into adulthood Kemp struggled with the self-loathing familiar to many white southerners. But the seeds of forgiveness were planted in adolescence when he first heard Duane Allman and Ronnie Van Zant pour their feelings into their songs. In the tradition of music historians such as Nick Tosches and Peter Guralnick, Kemp masterfully blends into his narrative the stories of southern rock bands --from heavy hitters such as the Allman Brothers Band, Lynyrd Skynyrd, and R.E.M. to influential but less-known groups such as Drive-By Truckers -- as well as the personal experiences of their fans. In dozens of interviews, he charts the course of southern rock & roll. Before civil rights, the popular music of the South was a small, often racially integrated world, but after Martin Luther King Jr.'s assassination, black musicians struck out on their own. Their white counterparts were left to their own devices, and thus southern rock was born: a mix of popular southern styles that arose when predominantly white rockers combined rural folk, country, and rockabilly with the blues and jazz of African-American culture. This down-home, flannel-wearing, ass-kicking brand of rock took the nation by storm in the 1970s. The music gave southern kids who emulated these musicians a newfound voice. Kemp and his peers now had something they could be proud of: southern rock united them and gave them a new identity that went beyond outside perceptions of the South as one big racist backwater. Kemp offers a lyrical, thought-provoking, searingly intimate, and utterly original journey through the South of the 1960s, '70s, '80s, and '90s, viewed through the prism of rock & roll. With brilliant insight, he reveals the curative and unifying impact of rock on southerners who came of age under its influence in the chaotic years following desegregation. Dixie Lullaby fairly resonates with redemption.

"THE PURPOSE OF POLITICS IS NOT TO DEFEAT YOUR OPPONENT AS MUCH AS IT IS TO PROVIDE SUPERIOR LEADERSHIP AND BETTER IDEAS THAN THE OPPOSITION." —JACK KEMP The late 1970s were miserable for America. It was the post–Vietnam, post–Watergate era, a time of high unemployment, ruinous inflation, gasoline lines, Communist advances, and bottomed-out U.S. morale. In the 1980s, it all turned around: "stagflation" ended and nearly two decades of prosperity ensued. The Soviet Union retreated, then collapsed. America again believed in itself. And around the world, democratic capitalism was deemed "the end of history." Ronald Reagan’s policies sparked the American renaissance, but the Gipper’s leadership is only part of the story. The economic theory that underpinned America’s success was pioneered by a star professional quarterback turned self-taught intellectual and "bleeding-heart conservative": Jack Kemp. Kemp’s role in a pivotal period in American history is at last illuminated in this first-ever biography, which also has lessons for the politics of today. Kemp was the congressional champion of supply-side economics—the idea that lowering taxes would foster growth. Even today, almost no one advocates a return to a top income tax rate of 70 percent. Kemp didn’t just challenge the Democratic establishment. He also encouraged his fellow Republicans to be growth (not austerity) minded, open their tent to minorities and blue-collar workers, battle poverty and discrimination, and once again become "the party of Lincoln." Kemp approached politics the same way he played quarterback for the Buffalo Bills: with a refusal to accept defeat. Yet he also was incapable of personal attack, arguing always on the level of ideas. He regarded opponents as adversaries, not enemies, and often cooperated with them to get things done. Despite many ups and downs, including failed presidential and vice-presidential bids, he represented a positive, idealistic, compassionate Republicanism. Drawing on never-published papers and more than one hundred Kemp Oral History Project interviews, noted journalists Morton Kondracke and Fred Barnes trace Kemp’s life, from his childhood through his pro football career to his influential years as a congressman and cabinet secretary. As the American Dream seems to be waning and polarized politics stifles Washington, Kemp is a model for what politics ought to be. The Republican party and the nation are in desperate need of another Kemp.

The first critical biography of the American writer. The Tramp Poet Harry Kemp (1883-1960). His creative works included poetry, drama, fiction, and the best-selling autobiography in prose, Tramping on Life.