International relations are what a government does when nobody s looking. While this may well once have been true, the conduct of international relations in South Africa and elsewhere has come under increasing scrutiny by the public. This is partially the result of specialist expertise around the formal study of international relations and the making of foreign policy, enhanced by the development of International Relations as a separate academic field. Like the growth of institutes of international affairs (or the Council on Foreign Relations, in the case of America), the study of international relations commenced at the end of the First World War (1914 18) with the establishment at the University of Wales, Aberystwyth, of the first academic chair in International Relations. It was called for Woodrow Wilson, America s twenty-eighth president, and funded by Welsh businessman and pacifist David Davis. In South Africa, the study of international relations commenced with the establishment of the South African Institute of International Affairs (SAIIA), which met for the first time in the Senate Chamber of the University of Cape Town on 12 May 1934. Until then International Relations had been taught in various guises within History, Law, Economics and Politics courses, but it lacked a firm institutional base. In South Africa, International Relations was first taught as a separate academic discipline at the University of the Witwatersrand in 1963 although a professorship, called for Jan Smuts, was first filled in 1961. Long before this institutional setting, however, a more subversive and certainly more spicy variety of international relations understanding and critique was at work: this was, of course, the sharp eye on foreign policy and international relations, drawn in jest and sometimes in anger by cartoonists. Their interest in international relations predates the emergence of the powerful critical perspectives that have changed and almost redirected the field since the ending of the Cold War. This book is about how these other experts have looked at and commented on South Africa s relations with the world over the past century. It examines their interpretations of unfolding events and considers how these commentators and their work interacted with the more formal understandings of foreign policy and international relations that came to pass long after cartoons first appeared. A century of South Africa s engagement with the world is, understandably, a long and complex story. Cartoons on the country were done years before the 1910 Act of Union, as some well-known cartoons of the Anglo-Boer War suggest. However, by confining my choices to a hundred years of the South African state, I have chosen firm bookends for the collection. The choice of cartoons itself requires further clarification. There is a rather worrying recent notion in South Africa that nothing that happened in the country before the historic election of 1994 matters. In April 2009, at a conference, I heard an academic colleague say that what happened in the 1930s was illegitimate and of no real relevance to the present. This lack of interest in history is both short-sighted and intellectually lazy. South Africa s international relations today are determined as much by the cartoons drawn by Boonzaier in 1910 as they are by the cartoons drawn by Zapiro in 2010. I choose these two names not only because they conveniently cover almost the full range of the alphabet, but because they run from the founding of the South African state in 1910 to the present. Their names signal something else, too. I have only chosen drawings by cartoonists who worked in South Africa. As will be clear, many cartoonists were not South African born but brought the cartoonist s trade with them to this country. As such, they brought interpretations and understandings of the world that helped to shape South Africa s perspectives on international relations. Most of the artists in this boo

John Burroughs, the genial and tremendously popular author of the nineteenth and early twentieth centuries, has gained renewed appreciation at the end of the twentieth century. His quiet approach to nature writing—a combination of scientific observation and poetic spirit, has informed generations of readers. This book is a testament to the importance of his work in modern literature. In addition to exploring the historical aspects of Burroughs's life and character, these works illuminate his role as a writer and his relationships with such contemporaries as Whitman, Thoreau, Emerson, and Muir. Frank Bergan discusses Burroughs as environmentalist, Bill McKibben writes on Burroughs and the call of the "not so wild," Daniel Payne expounds on Burroughs's religion of nature, Wendell Berry considers the sacred economy of homesteading, and Ralph Black provides an analysis on Burroughs and the poetics of the nature essay. This book will have special appeal to those interested in nature writing, American literature, and environmental and cultural history of New York State. A section on the history and current use of Burroughs's work in the classroom also makes the book a valuable resource for teachers.

In Scarhaven Keep, the playwright Richard Copplestone is pulled into a search for a missing actor which leads him to the town of Scarhaven on the northern English sea coast. As he slowly uncovers the secrets of the residents of Scarhaven, the mystery deepens and reveals much more than a simple missing person.

Psychology professor Dylan Foster becomes involved in the case of a little boy snatched from a neighborhood park after Fosters young daughter begins having vivid, disturbing dreams of the kidnapped child.

From “all systems go” to “senior moment”—a comprehensive reference to idiomatic English. The American Heritage® Dictionary of Idioms explores the meanings and origins of idioms that may not make literal sense but play an important role in the language—including phrasal verbs such as kick back, proverbs such as too many cooks spoil the broth, interjections such as tough beans, and figures of speech such as elephant in the room. With extensive revisions that reflect new historical scholarship and changes in the English language, this second edition defines over 10,000 idiomatic expressions in greater detail than any other dictionary available today—a remarkable reference for those studying the English language, or anyone who enjoys learning its many wonderful quirks and expressions. “Invaluable as a teaching tool.” —School Library Journal

When the great actor, Bassett Oliver, who was a martinet for punctuality, failed to turn up to a rehearsal which he himself had called, his business manager guessed that something had happened. It had. But it took more than one set of brains to discover the truth, and another set of very curious circumstances was mixed up in it. Copplestone, the young dramatist, helping to solve the mystery, found himself suddenly in love; and the solution and his happiness were discovered together.

This carefully edited collection has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Contents: Life and Adventures of Santa Claus (L. Frank Baum) Where Love Is, God Is (Leo Tolstoy) A Letter from Santa Claus (Mark Twain) The Gift of the Magi (O. Henry) The First Christmas Of New England (Harriet Beecher Stowe) The Holy Night (Selma Lagerlöf) Christmas at Thompson Hall (Anthony Trollope) Christmas in the Olden Time (Walter Scott) The Romance of a Christmas Card (Kate Douglas Wiggin) The Twelve Days of Christmas Silent Night Ring Out, Wild Bells (Alfred Lord Tennyson) Christmas with Grandma Elsie (Martha Finley) Little Lord Fauntleroy (Frances Hodgson Burnett) Anne of Green Gables (Lucy Maud Montgomery) The Christmas Angel (Abbie Farwell Brown) Black Beauty (Anna Sewell) The Christmas Child (Hesba Stretton) Granny's Wonderful Chair (Frances Browne) Christmas At Sea (Robert Louis Stevenson) The Little City of Hope (F. Marion Crawford) Wind in the Willows (Kenneth Grahame) The Birds' Christmas Carol (Kate Douglas Wiggin) The Wonderful Life - Story of the life and death of our Lord (Hesba Stretton) A Merry Christmas & Other Christmas Stories (Louisa May Alcott) Little Gretchen and the Wooden Shoe (Elizabeth Harrison) Peter Pan and Wendy (J. M. Barrie) Little Women (Louisa May Alcott) Christmas In India (Rudyard Kipling) The Wonderful Wizard of OZ (L. Frank Baum) The Christmas Angel (Abbie Farwell Brown) The Tale of Peter Rabbit (Beatrix Potter) Toinette and the Elves (Susan Coolidge) The Heavenly Christmas Tree (Fyodor Dostoevsky) At the Back of the North Wind (George MacDonald) The Princess and the Goblin (George MacDonald) The Ice Queen (Ernest Ingersoll) Thurlow's Christmas Story (John Kendrick Bangs) Christmas Every Day (William Dean Howells) The Lost Word (Henry van Dyke) The Nutcracker and the Mouse King (E. T. A. Hoffmann) The Little Match Girl...