Throughout Massachusetts, artists carry on and revitalise deeply rooted traditions that take many expressive forms - from Native American basketry to Yankee wooden boats, Armenian lace, Chinese seals, and Irish music and dance. This illustrated volume celebrates and shares the work of a wide array of these living artists.

Brings new and seldom heard voices to the feminist debate Janet Mancini Billson lets you listen to the voices of women of color, native women, and rural and immigrant women. She shows us the dilemmas they face working to preserve the positive parts of their culture that provide identity and closeness among generations, while casting off the negative parts of their heritage that may hold them back. Provides an alternative to the middle class, white, North American mainstream that has until now dominated our perceptions of women.

More wonderful tales and how to tell them from master storyteller Megan McKenna. A coyote, a woodcutter, a Buddist Zen master, a boy named Samuel, a Sufi mystic, two men walking to Emmaus all are central characters in stories told by Megan McKenna. As we listen to "Once upon a time," their lives become our lives. We learn from their mistakes and profit from their wisdom. Megan McKenna's stories are drawn from many religious traditions, Hebrew Scriptures, sufi mysticism, Native American traditions, Eastern religions, and the Christian Gospels. Keepers of the Story also offers readers fascinating and helpful information about storytelling itself. In the final chapter, McKenna explores how the storyteller becomes theologian, talking and teaching about God, the Keeper of the Story of us all.

In traditional wickiups and practice the religion of their forefathers. Among the many highlights of the text, is a Kickapoo story, in the oral tradition, relating Col. Ranald MacKenzie's raid into a Kickapoo hunting camp near Remolino, Mexico in 1873 - a story never before in print. A description of the Kickapoo social infrastructure, detailing the construction and meaning of their dwelling, language, religion and political organization in Texas and Mexico and an.

This interdisciplinary curriculum in botany and plant ecology focuses on environmental and stewardship issues using the framework of Native American stories as an introduction to the topics.

Follow Irene Waggener's journey into the High Atlas Mountains of Morocco to learn about a knitting tradition that stretches back in time through generations to the very origins of the craft.In this collection of essays and patterns, Irene provides a glimpse of life in a High Atlas village where knitting once played a key role in surviving harsh, snowy winters.The knitting patterns in this book include traditional designs by shepherds who want to share their knowledge with other knitters and future generations. The patterns are presented against the backdrop of Irene's essays, providing the cultural and environmental context in which knitting was practiced in the High Atlas.In addition, Irene's research takes the reader backwards in time as she examines the history of knitting in Morocco and North Africa. Through historical accounts, linguistic clues, and museum artifacts - some of which have not been available to the general public until now - Irene presents a picture of early knitting and how it may have developed in North Africa. Her research is accompanied by knitting patterns inspired by historical sources, bringing to life once again the skills of early North African knitters.

Traditional witches have preferred to remain anonymous, quietly practicing their craft. These elders are growing older and the torches are being passed to a new generation. This book is not about the elders; it is a record of their opinions, views, and comments of what the craft was and what they think it will become in the future.