Kathakali Dance-Drama provides a comprehensive introduction to the distinctive and colourful dance-drama of Kerala in South-West India for the first time. This landmark volume: * explores Kathakali's reception as it reaches new audiences both in India and the west * includes two cases of controversial of Kathakali experiments * explores the implications for Kathakali of Keralan politics During these performances heroes, heroines, gods and demons tell their stories of traditional Indian epics. The four Kathakali plays included in this anthology, translated from actual performances into English are: * The Flower of Good Fortune * The Killing of Kirmmira * The Progeny of Krishna * King Rugmamgada's Law Each play has an introduction and detailed commentary and is illustrated by stunning photographs taken during performances. An introduction to Kathakali stage conventions, make-up, music, acting, and training is also provided, making this an ideal volume for both the specialist and non-specialist reader.

Provides a clear guide to Kathakali, exploring the origin, evolution and characteristics of the form today and the ways it has adapted for a 21st-century audience. Kathakali provides an introduction to this vibrant mode of dance drama, which comes from Kerala in southwest India and combines poetry, music, rhythm and dance to represent stories of gods, demons and humans. Tracing the distinctive features of Kathakali - which is sometimes tightly structured with fixed conventions and sometimes fluid enough to incorporate imaginative flight of fancy. It charts how the form has changed over the centuries and assesses its cultural legacy today. It also includes translations of extracts from poems, plays and performance manuals, as well as interviews with actors and cultural historians. Kathakali, literally 'story play', originated in Kerala in the latter part of the 16th century. Today it commands attention and involves practitioners from around the world. Largely drawing its stories from the Ramayana and the Mahabharata, it integrates music, dance, grand makeup and costume, to evoke the epic universe. Kathakali combines associated literary texts, performative conventions and practices from local and pan-Indian contexts into its ambit. The actor uses their whole body - deploying complex dance movements, interpretive gestures and highly developed facial expressions - as a site to depict, elaborate and interpret action. The book encapsulates this encyclopedic world of Kathakali, its performative grammar and the aesthetic theories that underpin it, emphasizing its connection at different points of time to prevalent forms of knowledge and practices. It examines the history of Kathakali as one of continual change, dependent on the tastes, patronage systems and the contribution of great actors who extended the repertoire with their imaginative reinterpretation.

Kathakali Dance-Theatre records the art of Kathakali comprehensively, right from the scenario that paved the way for Kathakali's origin and development to its present history. The book chronicles its various facets - the acting, music and costumes, crucial contributions of the masters, momentous incidences, evolution of styles, riveting anecdotes, and related socio-political issues affecting Kerala. The firsthand personal rendition of the author's experience and the detailed glossary make it immensely readable. Full of photographs depicting the masters of the art, green room activities and the vibrant theatre of Kathakali, this book will be a treasure trove of information for uninitiated readers, arts scholars, theater buffs, potential researchers and students keen about the art and its future. Contents: Foreword; Preface; Charts: Evolution and Transformation of the Art Part I: Introduction: The Land and its Vivid Culture; Part II: A Personal Journey of Discovery, Chapter 1: Poor Man's Rich Legacy; Part III: Perspectives on the Origins and Development of Kathakali, Chapter 2: Traditions in the Arts of Kerala before the Emergence of Kathakali; Chapter 3: Krishnanattam and the Metamorphosis of Ramanattam into Kathakali; Chapter 4: Emergence of Kathakali; Chapter 5: Evolution of Styles in Kathakali: Two Distinctive Traditions; Chapter 6: Three Regional Patrons of the Kaplingatan School as the Southern Style; Chapter 7: Two Legendary Masters; Kathakali and the Natyashastra; Chapter 8: Kathakali's Development and Changing Patronage: Kerala Kalamandalam; Part IV: The Artistic Form of Kathakali, Chapter 9: Abhinaya in Kathakali; Chapter 10: Physical Acting, the Aangika Abhinaya; Chapter 11: Kathakali Sangeetam, the Vaachika Abhinaya; Chapter 12: Costuming, the Aahaarya Abhinaya; Chapter 13: Subtle Acting, the Saatwika Abhinaya; Chapter 14: Percussion and its Role in Abhinaya; Chapter 15: Performance, Theatrical Language, Dramatisation and Variations in Interpolative Acting; Part V: Present Trends and Future Possibilities, Chapter 16: Kathakali: Post-Independence and Present Prospects; Appendices: Women in Kathakali; Kaliyogams.